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Manne and even
Shelly Manne, drummer with Bob Astor at the time, tells that, even then, Hefti's writing skills were quite impressive:
According to the jazz writer Leonard Feather, Manne's drumming had been heard on well " over a thousand LPs "— a statement that Feather made in 1960, when Manne had not reached even the midpoint of his 45-year-long career.
Not all the singers Manne accompanied were even primarily jazz artists.
From then on, as jazz became more prominent in the movies, Manne became the go-to percussion man in the film industry ; he even appeared on screen in some minor roles.

Manne and fusion
The show had distinctive theme and incidental music, a fusion of jazz and African influences, conducted by American jazz drummer Shelly Manne.

Manne and well
) The music — with each album devoted to a single show — was improvised in the manner of jazz, but always in a light, immediately appealing style aimed at popular taste, which did not always go over well with aficionados of " serious " jazz music, which may be one reason why Manne has been frequently overlooked in accounts of major jazz drummers of the 20th century.
But Gordon also points out that there is a level of musical sophistication, as well as an intensity and " swing ", in the music recorded by Manne with Previn and Vinnegar ( and later Red Mitchell ) that is missing in the many lackluster albums of this type produced by others in that period.
Manne frequently collaborated with Mancini in television as well, such as in the series Peter Gunn ( 1958 – 1961 ) and Mr. Lucky ( 1959 – 1960 ).
A star in Stan Kenton's famous orchestra in the 1940s and 1950s, as well as that of Woody Herman, also in the 1940s, and winner of numerous awards, Manne slipped from public view as jazz became less central in popular music.
The album featured famed drummer Shelly Manne, and was, like Waits ' previous albums, heavily jazz-influenced, with a lyrical style that owed influence to Raymond Chandler and Charles Bukowski as well as a vocal delivery influenced by Louis Armstrong, Dr John and Howlin ' Wolf.

Manne and music
Manne rose to stardom when he became part of the working bands of Woody Herman and, especially, Stan Kenton in the late 1940s and early 1950s, winning awards and developing a following at a time when jazz was the most popular music in the United States.
Some of West Coast jazz was experimental, avant-garde music several years before the more mainstream avant-garde playing of Cecil Taylor and Ornette Coleman ( Manne also recorded with Coleman in 1959 ); a good deal of Manne's work with Jimmy Giuffre was of this kind.
Soon, Manne began to contribute to film music in a broader way, often combining jazz, pop, and classical music.
Henry Mancini in particular found plenty of work for him ; the two shared an interest in experimenting with tone colors, and Mancini came to rely on Manne to shape the percussive effects in his music.
Although Mancini developed such a close partnership with Manne that he was using him for practically all his scores and other music at this time, the drummer still found time to perform on movie soundtracks and in TV shows with music by others, including the series Richard Diamond ( music by Pete Rugolo, 1959 – 1960 ), and Checkmate ( music by John Williams, 1959 – 1962 ), and the film version of Leonard Bernstein's West Side Story ( 1961 ).
In the late 1950s, Manne began to compose his own film scores, such as that for The Proper Time ( 1959 ), with the music also played by his own group, Shelly Manne and His Men, and issued on a Contemporary LP.
But in his last few years, his immense contribution to the music regained at least some local recognition, and the role Manne had played in the culture of his adopted city began to draw public appreciation.

Manne and .
Some economists and legal scholars ( e. g. Henry Manne, Milton Friedman, Thomas Sowell, Daniel Fischel, Frank H. Easterbrook ) argue that laws making insider trading illegal should be revoked.
Karl Manne Siegbahn, Nobel Prize in Physics.
* Manne Siegbahn ( 1886 – 1978 ), Nobel Prize in Physics 1924.
Australian historian Robert Manne suggests " approximately 20, 000 to 25, 000 " were removed between 1910 and 1970, based on the Australian Bureau of Statistics report of 1994.
" The album, which also included long-time fan favorite " Tom Traubert's Blues ( Four Sheets to the Wind in Copenhagen )", featured jazz drummer Shelly Manne and was, like his previous albums, heavily influenced by jazz.
* September 26 – Manne Siegbahn, Swedish physicist, Nobel Prize laureate ( b. 1886 )
* December 3 – Manne Siegbahn, Swedish physicist, Nobel Prize laureate ( d. 1978 )
Dave Brubeck, Bix Beiderbecke, Bing Crosby, Jo Stafford, Erroll Garner, Oscar Peterson, Charlie Shavers, Jimmy Smith, Joe Venuti, Ray Barretto, and Shelly Manne also have recorded the song.
In 1954 Shelly Manne recorded a piece called " Abstract No. 1 " with trumpeter Shorty Rogers and reedsmith Jimmy Giuffre which was freely improvised.
Nearly a decade later he recorded At Shelly's Manne-Hole ( 1968 ), an exciting live trio session with bassist Ray Brown and drummer Shelly Manne, in which four of the compositions were improvised on the spot.
Jazz drummers such as Gene Krupa, Buddy Rich, Louie Bellson, Shelly Manne, Cozy Cole, and Papa Jo Jones all used Avedis Zildjian cymbals.
The arrangements were by Marty Paich and the orchestra would be augmented by established jazz artists Dave Grusin on piano, Ray Brown on double bass, drummer Shelly Manne and saxophonists Bill Perkins and Pete Christlieb.
" However, Shelly Manne suggested that cool jazz and hard bop simply reflected their respective geographic environments: the relaxed cool jazz style reflected a more relaxed lifestyle in California, while driving bop typified the New York scene.
( From left :) Eddie Safranski, Kai Winding, Stan Kenton, Pete Rugolo, and Shelly Manne, ca.
Selections from the Li ' l Abner musical score have been recorded by everyone from Percy Faith and Mario Lanza to André Previn and Shelley Manne.
Bostic's King album entitled Jazz As I Feel It featured Shelly Manne on drums, Joe Pass on guitar and Richard " Groove " Holmes on organ.
Trumpeter Shorty Rogers and drummer Shelly Manne were central figures among this group of musicians.
Shelly Manne suggested that cool jazz and hard bop simply reflected their respective geographic environments: the relaxed cool jazz style reflected a more relaxed lifestyle in California, while driving bop typified the New York scene.
This body, the International Commission on Radiation Units and Measurements ( ICRU ), came into being at the Second ICR in Stockholm in 1928 under the chairmanship Manne Siegbahn and at their first meeting proposed that one unit X-Ray dose should be defined as the quantity of X-rays that would produce one esu of charge in one cubic centimetre of dry air at 0 ° C and a standard atmosphere.
In the early 1970s, Henry Manne ( a former student of Coase ) set out to build a Center for Law and Economics at a major law school.
Manne also attracted the support of the John M. Olin Foundation, whose support accelerated the movement.

even and dabbled
Popular leaders were writers of elegy — Solon the lawgiver of Athens composed on political and ethical subjects — and even Plato and Aristotle dabbled with the meter.
Charboneau dabbled in sports management after his retirement, and even hosted his own radio show for a time.
Estournelles de Constant wrote historical and political works and even dabbled in playwriting.
He dabbled in politics and was even elected to state legislature at one time.
He even dabbled in an episcopal election in the diocese of Liège.
Barry even dabbled in acting, playing a newsman on the premiere of the mid-1960s TV series Batman.
" The Minorus, though having mentioned that they only " dabbled " in the dark arts the first time the Pride was gathered, were given enough mystical power by the Gibborim, to rule Los Angeles and even beyond.
He spent five years covering the theater scene in New York, and even dabbled in writing for the theater.
While most relied on simple observation ( radio silence, EMF Detector ), some of the dares relied on specific re-enactments of haunting events, and a few even dabbled in occult or paranormal possession ( séance, automatic drawing, spirit channeling ).

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