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** Best Film: Michele Bennett
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** and Best
** won the Golden Palm at the 1988 Cannes Film Festival and an Academy Award for Best Foreign Language Film
** Oscar nomination for Best Screenplay ( with Sergio Amidei, Alfred Hayes, Marcello Pagliero, and Rossellini )
** Oscar nominations for Best Director, Best Screenplay ( with Tullio Pinelli, Ennio Flaiano, Brunello Rondi ), Best Art and Set Direction
** Italian National Syndicate of Film Journalists Silver Ribbons for Best Cinematography in B & W ( Gianni Di Venanzo ), Best Director ( Federico Fellini ), Best Original Story ( Fellini and Flaiano ), Best Producer ( Angelo Rizzoli ), Best Score ( Nino Rota ), Best Screenplay ( Fellini, Pinelli, Flaiano, Rondi ), and Best Supporting Actress ( Sandra Milo )
** and Film
** Note: In a 1995 interview Resnais states that the final version of the commentary was a collaboration between Marker and Jean Cayrol ( source: Film Comment ).
** Note: Marker wrote and spoke all the commentary for this short film about fruit juice in Alexandrine verse ( Film Comment ).
** Note: Marker present commentary for this " somber work about the daily lives of fishermen on Brittany's Île de Sein " ( Film Comment ).
** Note: Marker was eventually credited as a writer for this one, apparently, he wrote the dialogue ( Film Comment ).
** Note: This was edited by Marker essentially, this film is a 27-minute postscript to Le Joli Mai assembled from leftover footage and organized around a new commentary ( Film Comment ).
** Note: Marker edited this ( mostly ) animated science-fiction exstentialist short and ( possibly ) collaborated on the script ( Film Comment ).
** Note: Marker wrote the introductory text for this film under the name " Boris Villeneuve " ( Film Comment ).
** Note: Marker collaborated on the commentary on this documentary about the destruction of Kashima and Narita ( Film Comment ).
** Note: Marker helped produce and contributed to the screenplay for this, perhaps the greatest of all documentary films ( Film Comment ).
** Note: Marker tapes Makavejev circulating among the guests of a party in his honor as much jovial backslapping abounds ( Film comment ).
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