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**" The Finale " — Jackie represents George, Elaine, Jerry and Kramer when they violate the Good Samaritan law.
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**" The Maestro " — Kramer sneaks a cafe latte into a movie theatre and burns himself while trying to climb over the legs of another patron — an obvious satire of the 1994 lawsuit Liebeck v. McDonald's Restaurants.
**" The Friar's Club " — Kramer's experiment with polyphasic sleep causes him to fall asleep during a make-out session.
**" The Abstinence " — Kramer's face ages prematurely when he turns his apartment into a smoking lounge.
**" Ammaron, being constrained by the Holy Ghost, did hide up the records which were sacred — yea, even all the sacred records which had been handed down from generation to generation, which were sacred.
**" and George
**" The Switch ": Jerry Seinfeld attempts to end a relationship with one roommate, and start one with another, using a suggestion by George.
**" The Label Maker ": George Costanza, referring back to the ploy he hatched with Jerry in the earlier episode, attempts to terminate a relationship by suggesting a ménage à trois, only to have it blow up in his face.
**" Without a Doubt: Faith, Certainty and the Presidency of George W. Bush ", cover story in The New York Times Magazine, October 17, 2004
**" The Letter ": Sheppard delivers the opening welcome, while Kramer, George and Elaine sit in team owner George Steinbrenner's box seats.
**" and when
**" Prolapsed umbilical cord "-Prolapse of the umbilical cord happens when the fetus is not in a correct position in the pelvis.
**" Home Sweet Homediddly-Dum-Doodily ": Skinner uses " Sweet Georgia Brown " as an oath when he finds Bart and Lisa disheveled and suspects that it has something to do with Homer and Marge neglecting them at home.
**" and they
**" The City of New York vs. Homer Simpson ": The music can be heard in the couch gag where the family, dressed as Harlem Globetrotters, pass a red, white, and blue basketball to each other ( with Maggie dunking the ball in the basket above the couch and hitting Homer in the head with it ) as they run to the couch.
**" and Good
**" Smoke ": " ntroduced Russell and Corrine Calloway, the Manhattan couple-with-everything whose marital vicissitudes animate McInerney's two most ambitious novels, Brightness Falls and its sequel, The Good Life.
**" Burn On Marlon ", " Let Me Get ( Close To You )", " Walk Right Back ", " Who You Gonna Love ", " Slow Talking Boy ", " Careless Love ", " Drift Away ", " Gotta Good Reason ", " Too Much of Nothing ", " Cut Across Shorty " ( Produced by Mud, Mike Hurst and Pip Williams )
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