:* Saint Francis Central Coast Catholic High School, a private high school

:* Francis,

:* Antony Francis van der Meulen

:* Hymn: " O Come, All Ye Faithful " (" Adeste Fideles ") – words, 18th century Latin, translated by Frederick Oakeley ; melody by John Francis Wade, arranged by Stephen Cleobury

:* Francis Russell, Marquess of Tavistock ( 1739 – 1767 ), second son of the 4th Duke and father of the 5th and 6th Dukes

:* Sir ( Francis ) Osbert Sitwell, 5th Baronet

:* Francis Parker Yockey, an influential post-war neo-Nazi ideologist-who argues ( based on Spengler's thesis ) that Western History " took the wrong course " when Germany lost World War II ; in other words, Nazi Germany ( despite all its horrors ) would eventually have paved the way for the transition to " Caesarism ".

:* Heir apparent: Walter John Francis Montagu Douglas Scott, Earl of Dalkeith ( b. 1984 ), elder son of the 10th Duke

:* " Unstrung Heroes Duet W / Francis Magalona "

:* Peter Francis Vickers, 38

:* Francis Marion

:* Francis Coutou

:* Third Round — Defeated Maselino Francis Masoe ( ASA ), 5: 0

:* First Round — Lost to Fao Francis Maselino ( ASA ), RSCI-3 ( 00: 54 )

:* Joseph Battell, Thomas H. Graydon, George Francis Gillette, Jeremiah J. Callahan and others.

:* Francis Joseph Gall and phrenology

:* Elle, La voix humaine ( Poulenc )

:* Madame Lidoine, Dialogues of the Carmelites ( Poulenc )

:* Le Départ de 1792 ' ( or La Marseillaise ), by François Rude

:* Les funérailles du général Marceau ( General Marceau's burial ), by P. H. Lamaire ( SOUTH façade, right ),

:* La bataille d ' Aboukir ( The Battle of Aboukir ), by Bernard Seurre ( SOUTH façade, left ),

:* La bataille de Jemappes ( The Battle of Jemappes ), by Carlo Marochetti ( EAST façade ),

:* Le passage du pont d ' Arcole ( The Battle of Arcole ), by J. J. Feuchère ( NORTH façade, right ),

:* La prise d ' Alexandrie, ( The Fall of Alexandria ), by J. E. Chaponnière ( NORTH façade, left ),

:* La bataille d ' Austerlitz ( The Battle of Austerlitz ), by J. F. T. Gechter ( WEST façade ),

:* Two American country dance films on DVD: " Country Corners " ( 1976 ), and " Full of Life A-Dancin '" ( 1978 ).

:* John Churchill, Marquess of Blandford ( 1686 – 1703 ), elder son of the 1st Duke, died unmarried

:* Anne Spencer, Countess of Sunderland ( née Lady Anne Churchill ; 1683 – 1716 ), second daughter of the 1st Duke

:* William Godolphin, Marquess of Blandford ( 1700 – 1731 ), elder son of the 2nd Duchess, predeceased his mother without issue

:* Asturian uses Ḷ ( lower case ḷ ), and Ḥ ( lower case ḥ )

:* The Slovak alphabet uses the acute ( á é í ó ú ý ĺ ŕ ), caron ( č ď ľ ň š ť ž ), umlaut ( ä ) and circumflex accent ( ô ).

:* Turkish uses a G with a breve ( Ğ ), two letters with an umlaut ( Ö and Ü, representing two rounded front vowels ), two letters with a cedilla ( Ç and Ş, representing the affricate and the fricative ), and also possesses a dotted capital İ ( and a dotless lowercase ı representing a high unrounded back vowel ).

:* Maltese uses a C, G, and Z with a dot over them ( Ċ, Ġ, Ż ), and also has an H with an extra horizontal bar.

:* In the 10th year of Tenji, in the 11th month ( 671 ): Emperor Tenji, in the 10th year of his reign ( 天智天皇10年 ), designated his son as his heir ; and modern scholars construe this as meaning that the son would have received the succession ( senso ) after his father's death.

:* ( Henri Duparc ), Mélodies

:* ( Erik Satie ), Mélodies

Concertos for the instrument were written by Francis Poulenc ( the Concert champêtre, 1927 – 28 ), Manuel de Falla, Bertold Hummel, Henryk Mikołaj Górecki, Michael Nyman, Philip Glass, and Roberto Carnevale.

* 1921: Les Mariés de la tour Eiffel ( music by Georges Auric, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre )

* Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n ' aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997

* Hommage à Jean Cocteau, mélodies d ' Henri Sauguet, Arthur Honegger, Louis Durey, Darius Milhaud, Erik Satie, Jean Wiener, Max Jacob, Francis Poulenc, Maurice Delage, Georges Auric, Guy Sacre, by Jean-François Gardeil ( baryton ) and Billy Eidi ( piano ), CD Adda 581177, 1989

* 1899 – Francis Poulenc, French composer ( d. 1963 )

* 1997: The story of Babar, by Jean de Brunhoff, narration, music from Francis Poulenc, Chichester Festival, Great Britain

Examples include works by Richard Strauss, Maurice Duruflé, Francis Poulenc, Charles Villiers Stanford, Edmund Rubbra, Ralph Vaughan Williams, Lennox Berkeley, Morten Lauridsen, Edward Elgar, Hugo Distler, Ernst Krenek, and Michael Finnissy.

Francis Poulenc is one of the very few post-war composers of any nationality whose operas ( which include Dialogues des Carmélites ) have gained a foothold in the international repertory.

Diaghilev commissioned ballet music from composers such as Nikolai Tcherepnin ( Narcisse et Echo, 1911 ), Claude Debussy ( Jeux, 1913 ), Maurice Ravel ( Daphnis et Chloé, 1912 ), Erik Satie ( Parade, 1917 ), Manuel de Falla ( El Sombrero de Tres Picos, 1917 ), Richard Strauss ( Josephslegende, 1914 ), Sergei Prokofiev ( Ala and Lolly, rejected by Diaghilev and turned into the Scythian Suite ; Chout, 1915 revised 1920 ; Le pas d ' acier, 1926 ; and The Prodigal Son, 1929 ), Ottorino Respighi ( La Boutique fantasque, 1918 ), Francis Poulenc ( Les biches, 1923 ) and others.

The word surrealist was first used by Guillaume Apollinaire to describe his 1917 play Les Mamelles de Tirésias ( The Breasts of Tiresias ), which was later adapted into an opera by Francis Poulenc.

** Francis Poulenc, French composer, heart failure ( b. 1899 )

* 1957: Dialogues of the Carmelites by Francis Poulenc

* French — Lannoy, Robert: " Pierrot the Street-Waif " ( 1938 ; choir with mixed voices and piano ; text by Paul Verlaine ); Poulenc, Francis: " Pierrot " ( 1933 ; voice and piano ; text by Théodore de Banville ); Privas, Xavier: Many works, in both Chansons vécues ( 1903 ; " Unfaithful Pierrot ", " Pierrot Sings ", etc.

Souzay's repertoire extended from the Baroque works of Jean-Baptiste Lully to 20th-century composers such as Francis Poulenc.

* The French composer Francis Poulenc also wrote an opera called Les Mamelles de Tirésias (" The Breasts of Tiresias ") based on Guillaume Apollinaire's surrealist text of 1917.

Later composers to write nocturnes for the piano include Gabriel Fauré, Alexander Scriabin, Erik Satie ( 1919 ), Francis Poulenc ( 1929 ), as well as Peter Sculthorpe.

* Francis Poulenc: 8 for solo piano ( 1929 )

However, in a manner befitting the Chapel's French architectural style and French-inspired organ, its speciality is perhaps the music of the great late French tradition, taking in the Masses of Louis Vierne, Maurice Duruflé, Jean Langlais, Charles-Marie Widor and Gabriel Fauré, as well as the motets of Marcel Dupré, Francis Poulenc, Pierre Villette and Olivier Messiaen.

Milhaud dedicated his fourth string quintet to Honegger's memory, while Francis Poulenc similarly dedicated his Clarinet Sonata.

* Francis Poulenc ( 1899 – 1963 )

* Sonate pour violoncelle et piano by Poulenc ( see also: Category: Compositions by Francis Poulenc )

Francis Poulenc.

She studied piano with her mother at home, composing short works of her own, after which she began studying at the Paris Conservatory where she met Louis Durey, Francis Poulenc, Darius Milhaud, Georges Auric and Arthur Honegger.

Francis Jean Marcel Poulenc () ( 7 January 189930 January 1963 ) was a French composer and a member of the French group Les Six.