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* 1952 – Jacques Audiard, French director
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1952 and –
Ramstedt's two-volume magnum opus, Einführung in die altaische Sprachwissenschaft (' Introduction to Altaic Linguistics ') was published in 1952 – 1957.
* 1952 – Ton Scherpenzeel, Dutch keyboard player, composer, and producer ( Kayak Camel, and Earth and Fire )
* 1952 – Vinnie Vincent, American singer-songwriter and guitarist ( Kiss and Vinnie Vincent Invasion )
* 1952 – Dave Carter, American singer-songwriter and guitarist ( Dave Carter and Tracy Grammer ) ( d. 2002 )
* 1952 – Hughie Thomasson, American singer-songwriter and guitarist ( Outlaws and Lynyrd Skynyrd ) ( d. 2007 )
) Critical editions of the Arabic text have been published in Cairo, 1952 – 83, originally under the supervision of I. Madkour
1952 and Jacques
* French — Baival, C., Paul Ternoise, and Albert Verse: Pierrot's Choice ( 1950 ); Marceau, Marcel: Pierrot of Montmartre ( 1952 ; music by Joseph Kosma ); The Mime Sime: The Fantasies of Pierrot ( 2007 ); Prévert, Jacques: Baptiste ( 1959 ; choreography by Jean-Louis Barrault ).
The exhibition was a success and in 1952 the Tessin Institute in Paris published a book about Hill with an introduction by Jacques Lassaigne.
Some historians allege that the Solar Temple originates with French author Jacques Breyer who established a Sovereign Order of the Solar Temple in 1952.
He entered the Paris Conservatoire in 1947, studied under Louis Fourestier and Jacques Chailley, and graduated in 1952 with a first prize in conducting.
He portrayed several more roles with the NYCO over the next seven years, including Dessalines in William Grant Still's Troubled Island ( 1949 ), the four villains in Jacques Offenbach's The Tales of Hoffmann ( 1949 ), Escamillo in Georges Bizet's Carmen ( 1949 ), Tchelio in Sergei Prokofiev's The Love for Three Oranges ( 1950 ), Tonio in Ruggero Leoncavallo's Pagliacci ( 1950 ), Timur in Giacomo Puccini's Turandot ( 1950 ), Alfio in Cavalleria rusticana ( 1950 ), The Messenger in the world premiere of David Tamkin's The Dybbuk ( 1951 ), the title role in Giuseppe Verdi's Rigoletto ( 1951 ), King Balthazar in Gian Carlo Menotti's Amahl and the Night Visitors ( 1952 ), Colline in Puccini's La bohème ( 1952 ), the title role in Béla Bartók's Bluebeard's Castle ( 1953 ), Count Almaviva in Mozart's The Marriage of Figaro ( 1954 ), Joe in Show Boat ( 1954 ), Germont in Verdi's La Traviata ( 1955 ), and Diomede in the New York premiere of William Walton's Troilus and Cressida ( 1955 ) among others.
While in Paris he studied at the Academie de la Grande Chaumiere, ( 1948 – 1952 ) " Paris in the late 1940s and early 1950s was a Mecca for American and European artists ... Pollack said the tutelage of the Parisian artists he came in contact with ( Alberto Giacometti, Fernand Leger, Man Ray, Francis Poulenc, Jacques Lipchitz, and Constantin Brancusi ) made him realize ' my responsibility to civilization ' Pollack spent 14 years in Paris, eight of them living directly next door to the famed sculptor Constantin Brancusi who became his mentor.
Between the years 1952 and 1957 he collaborated with many researchers such as Gilbert Malinvaud and Jacques and Monique Colombani.
The future Tour de France winner, Jacques Anquetil, was 12th, and Robinson raced against him again in the world cycling championship in Italy in September 1952 where they tied for eighth.
0.853 seconds.