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* 1991 Nominated BAFTA Film Award Best Original Film Score for: Memphis Belle
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1991 and Nominated
* ( 1991 ) Nominated – Primetime Emmy Award for Outstanding Lead Actor-Miniseries or a Movie / Paris Trout
* Nominated for a Primetime Emmy Award for Outstanding Writing-Comedy Series for various episodes of Seinfeld from 1991 – 1994.
* Nominated for the Governor General's Award in 1989, winner of the Prix Québec-Paris in 1989, the Prix Molson from the Académie des lettres du Québec in 1990 and the Prix France-Québec in 1991 for Le Vieux Chagrin.
** 1991 — Daytime Emmy Award for Outstanding Lead Actress in a Drama Series-The Young and the Restless ( Nominated )
1991 and BAFTA
On the other hand, Gilliam's first successful feature, Time Bandits ( 1981 ), earned more than eight times its original budget in the United States alone ; The Adventures of Baron Munchausen ( 1988 ) was nominated for four Academy Awards ( and won, among other European prizes, three BAFTA Awards ); The Fisher King ( 1991 ) ( his first film not to feature a member from Python ) was nominated for five ( and won the Academy Award for Best Supporting Actress ); and 12 Monkeys went on to take over US $ 168 million worldwide ; whilst The Brothers Grimm, despite a mixed critical reception, grossed over US $ 105 million worldwide.
She became the oldest actress to receive the Academy Award for Best Actress for her role in Driving Miss Daisy ( 1989 ), for which she also won a BAFTA and a Golden Globe, and was nominated for an Academy Award for Best Supporting Actress for Fried Green Tomatoes ( 1991 ).
He is recognised for his RTS-and BPG award-winning performance as Augustus Melmotte in the 2001 British TV mini-drama The Way We Live Now, alongside Matthew Macfadyen and Paloma Baeza, and a 1991 British Academy Television Award ( BAFTA ) nomination.
His performance as Agatha Christie's famous detective Hercule Poirot in the television series Poirot earned him a 1991 British Academy Television Award ( BAFTA ) nomination.
After leaving the Rank Organisation in the early 1960s, Bogarde abandoned his heart-throb image for more challenging parts, such as barrister Melville Farr in Victim ( 1961 ), directed by Basil Dearden ; decadent valet Hugo Barrett in The Servant ( 1963 ), which garnered him a BAFTA Award, directed by Joseph Losey and written by Harold Pinter ; The Mind Benders ( 1963 ), a film ahead of its times in which Bogarde plays an Oxford professor conducting sensory deprivation experiments at Oxford University ( precursor to Altered States ( 1980 )); the anti-war film King & Country ( 1964 ), playing an army lawyer reluctantly defending deserter Tom Courtenay, directed by Joseph Losey ; a television broadcaster-writer Robert Gold in Darling ( 1965 ), for which Bogarde won a second BAFTA Award, directed by John Schlesinger ; Stephen, a bored Oxford University professor, in Losey's Accident, ( 1967 ) also written by Pinter ; Our Mother's House ( 1967 ), an off-beat film-noir directed by Jack Clayton in which Bogarde plays an n ' er do well father who descends upon " his " seven children on the death of their mother, British entry at the Venice Film Festival ; German industrialist Frederick Bruckmann in Luchino Visconti's La Caduta degli dei, The Damned ( 1969 ) co-starring Ingrid Thulin ; as ex-Nazi, Max Aldorfer, in the chilling and controversial Il Portiere di notte, The Night Porter ( 1974 ), co-starring Charlotte Rampling, directed by Liliana Cavani ; and most notably, as Gustav von Aschenbach in Morte a Venezia, Death in Venice ( 1971 ), also directed by Visconti ; as Claude, the lawyer son of a dying, drunken writer ( John Gielgud ) in the well-received, multi-dimensional French film Providence ( 1977 ), directed by Alain Resnais ; as industrialist Hermann Hermann who descends into madness in Despair ( 1978 ) directed by Rainer Werner Fassbinder ; and as Daddy in Bertrand Tavernier's Daddy Nostalgie, ( aka These Foolish Things ) ( 1991 ), co-starring Jane Birkin as his daughter, Bogarde's final film role.
In the UK, the episode " The Curse of Mr. Bean " was nominated for a number of BAFTA awards ; " Best Light Entertainment Programme " in 1991, " Best Comedy " ( Programme or Series ) in 1991, and Atkinson was nominated three times for " Best Light Entertainment Performance " in 1991 and 1994.
In 1991, Alistair Cooke received a special BAFTA silver award for his contribution to Anglo-American relations.
In 1991 she won a British Comedy Award for her portrayal, and she was later nominated for two BAFTA TV Awards in 1992 and 1993.
For these productions, he won numerous national and international awards 1982 / Sony 1985 / BAFTA Cymru 1991 / Golden Gate 1993 / / BAFTA Cymru 1993 / Celtic Film Festival 1994 / New York Festivals 1994 / Sony 1995, before turning to full-time writing and broadcasting.
Dunbar co-wrote and starred in the 1991 film, Hear My Song, nominated for Best Original Screenplay at the BAFTA awards.
1991 and Film
Film historian Ian Freer notes that at the time of his death in 1991, his legacy still remained intact:
He completed the Europe-trilogy in 1991 with Europa ( released as Zentropa in the U. S .), which won the Prix du Jury at the 1991 Cannes Film Festival and picked up awards at other major festivals.
For the role, Crowe won an Australian Film Institute ( AFI ) award for Best Actor, following up from his Best Supporting Actor award for Proof in 1991.
Wim Wenders Photographs, touring exhibition: Galerie F. C Gundlach, Hamburg ( 1989 ); Galerie Marie-Louise Wirth, Zürich ( 1990 ); Hochschule für Fernsehen und Film, Munich ( 1991 ); Fahey / Klein Gallery, Los Angeles ( 1991 ); Shibuya Seibu Dept.
Singer worked either as an executive producer or producer on eight of Herzog ’ s documentaries starting with “ Lessons of Darkness ” in 1991, “ The Wild Blue Yonder ” – won the International Critics Award at the Venice Film Festival, 2006 and including two of the most recent “ La Boheme, short ”, 2009, and “ Into the Abyss ”/” Death Row ”, 2011.
Miller's Crossing won the Critic's Award at the 2nd Yubari International Fantastic Film Festival in February 1991.
In 1991, I Am a Fugitive from a Chain Gang was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".
Animated films can be nominated for other categories but have rarely been so: Beauty and the Beast ( 1991 ), Up ( 2009 ) and Toy Story 3 ( 2010 ) are the only animated films ever to be nominated for Best Picture, while Waltz with Bashir ( 2008 ) is the only animated picture ever nominated for Best Foreign Language Film ( though it failed to earn a nomination in the Best Animated Feature category ).
In 1991, The Battle of San Pietro was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".
The term " nonlinear editing " or " non-linear editing " was formalized in 1991 with the publication of Michael Rubin's Nonlinear: A Guide to Digital Film and Video Editing ( Triad, 1991 ) -- which popularized this terminology over other language common at the time, including " real time " editing, " random-access " or " RA " editing, " virtual " editing, " electronic film " editing, and so on.
In 1991, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".
In 1991, this film was deemed " culturally, historically, or aesthetically significant " by the United States Library of Congress and selected for preservation in the National Film Registry.
In 1991, this film was deemed " culturally, historically, or aesthetically significant " by the Library of Congress and selected for preservation in the United States National Film Registry.
In 1991, The Poor Little Rich Girl was deemed " culturally, historically, or aesthetically significant " by the United States Library of Congress and selected for preservation in the National Film Registry.
In 1991, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ".
In 1991, Sherlock, Jr. was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant ," and on June 14, 2000 the American Film Institute, as part of its AFI 100 Years ... series, ranked the film as # 62 in the list of the funniest films of all time ( AFI's 100 Years ... 100 Laughs ).
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