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#* A different mix from the version on the US and Canadian LPs or the UK single.
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#* and different
#* performed by Neil Young & Crazy Horse ; previously unreleased ; different lead vocal dub than version on American Stars ' n Bars
#* US: Saturday Evening Post, November 28, 1936 ( as " Reggie and the Greasy Bird ", with different setting & characters )
#* We can bring this about on 5 different levels, all of which interlink but also can be achieved separately and in no particular order.
#* and mix
#* performed by Crosby, Stills, Nash & Young ; previously unreleased ; original mix ( without Crosby and Nash ) appears on the Stills-Young Band album Long May You Run
#* a record company person had called Rob Gretton to ask what to name the mix as, Gretton is claimed to have said " I don't care "
#* initial pressings ( matrix FAC-26-A ) were the UK 7 " mix, later pressings ( matrix FAC-26-A2 ) were the Canadian 7 " mix
#* An alternate mix with a previously unreleased introduction and the sound effects higher in volume
#* and from
#* This is done by first noting that a sentence such as is either refutable or has some model in which it holds ; this model is simply assigning truth values to the subpropositions from which B is built.
#* We extend this result to more and more complex and lengthy sentences, D < sub > n </ sub > ( n = 1, 2 ...), built out from B, so that either any of them is refutable and therefore so is φ, or all of them are not refutable and therefore each holds in some model.
#* Note: This fact provides a proof of the infinitude of primes distinct from Euclid's Theorem: if there were finitely many primes, with p being the largest, we reach an immediate contradiction since all primes dividing 2 < sup > p </ sup > − 1 must be larger than p .</ li >
#* This step is very specific and differs largely from one system to another, but the main point will always be that after identifying the hazards all possible methods are pursued to decrease the probability of occurrence.
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