Gordon., " The counter-cult monitoring movement in historical perspective ," in Challenging Religion: Essays in Honour of Eileen Barker, edited by James A. Beckford & James T. Richardson, ( Routledge, London, 2003 ), pp. 102 – 113.

Sociologist Eileen Barker wrote in Watching for Violence:

British sociologist Eileen Barker titled her 1984 book, which was based on seven years of first-person study of members of the Unification Church in the United States and Great Britain and has been influential in the field of the sociology of religion, The Making of a Moonie: Choice or Brainwashing ?.

Perhaps notable among the sociologists of religion is Eileen Barker, who criticizes theories of conversion precisely because they function to justify costly interventions such as deprogramming or exit counseling.

* Barker, Eileen, The Making of a Moonie: Choice or Brainwashing?

Eileen Barker, 1990s

Eileen Vartan Barker OBE, born in Edinburgh, UK, is a professor in sociology, an emeritus member of the London School of Economics ( LSE ), and a consultant to that institution's Centre for the Study of Human Rights.

Eileen Barker has held numerous positions of leadership in the academic study of religion.

In a 2003 collection of essays in honour of Eileen Barker, the influential Oxford University-based religious scholar Bryan R. Wilson commented that INFORM was " often in a position from which it can reassure relatives about the character, disposition, policy, provenance and prospects of a given movement.

* James A. Beckford and James T. ( Jim ) Richardson, eds., Challenging Religion: Essays in Honour of Eileen Barker ( London: Routledge, 2003 ).

* Barker, Eileen In the Beginning: The Battle of Creationists Science against Evolutionism, article in the book edited by Roy Wallis On the Margin of Science: The Social Construction of Rejected Knowledge.

* Barker, Eileen Science as Theology-The Theological Functioning of Western Science, article in the book edited by A. R. Peacocke The Sciences and Theology in the Twentieth Century.

* Barker, Eileen The Making of a Moonie: Choice or Brainwashing ?, Blackwell Publishers, November 1984, ISBN 0-631-13246-5

* Barker, Eileen ( editor ) Of Gods and Men: New Religious Movements in the West Mercer University Press Macon, Georgia, U. S. A. 1984 ISBN 0-86554-095-0

* Barker, Eileen New Religious Movements: A Practical Introduction ( Paperback ) Bernan Press ( October, 1990 ) ISBN 0-11-340927-3

* Barker, Eileen " The Scientific Study of Religion?

* Barker, Eileen " New Religious Movements in Britain ," in New Religious Movements in Europe, Helle Meldgaard and Johannes Aagaard, eds., ( Aarhus: Aarhus University Press, 1997 ), pp. 99 – 123.

* Barker, Eileen, " New Religions and New Religiosity ," in New Religions and New Religiosity, Eileen Barker and Margit Warburg, eds., ( Aarhus: Aarhus University Press, 1998 ), pp. 10 – 27.

* Barker, Eileen, On freedom: a centenary anthology, Transaction Publishers, 1997, ISBN 1-56000-976-4 ISBN 9781560009764

* Barker, Eileen " Standing at the Cross-Roads: Politics of Marginality in ' Subversive Organizations '" article in The Politics of Religious Apostasy: The Role of Apostates in the Transformation of Religious Movements edited by David G. Bromley Westport, CT, Praeger Publishers, ( 1998 ).

* Barker, Eileen.

* Burley Cross Postbox Theft ( 2010 ) by Nicola Barker is a polylogic epistolary novel consisting of a bundle of 26 undelivered letters stolen from a mailbox in the titular village of Burley Cross.

The majority of films produced in the Federal Republic in the 1960s were genre works: westerns, especially the series of movies adapted from Karl May's popular genre novels which starred Pierre Brice as the Apache Winnetou and Lex Barker as his white blood brother Old Shatterhand ; thrillers and crime films, notably a series of Edgar Wallace movies in which Klaus Kinski, Heinz Drache, Wolfgang Völz, and Joachim Fuchsberger were among the regular players ; and softcore sex films, both the relatively serious Aufklärungsfilme ( sex education films ) of Oswalt Kolle and such exploitation films as Schulmädchen-Report ( Schoolgirl Report ) ( 1970 ) and its successors.

Robert Engman's Möbius Strip hangs from the crown of the Barker Engineering Library's reading room located inside the Great Dome

Graeme Barker states " The first indisputable evidence for domestic plants and animals in the Nile valley is not until the early fifth millennium bc in northern Egypt and a thousand years later further south, in both cases as part of strategies that still relied heavily on fishing, hunting, and the gathering of wild plants " and suggests that these subsistence changes were not due to farmers migrating from the Near East but was an indigenous development, with cereals either indigenous or obtained through exchange.

Tékumel is a fantasy world created by M. A. R. Barker over the course of several decades from around 1940.

Barker tapped into this tradition and the setting he had developed from his childhood fantasies ( much as H. G. Wells had done for his Floor Games leading into the better-known follow-up, Little Wars ) to further explore and develop Tékumel.

* Regeneration ( 1997 film ), a 1997 film adapted from the Pat Barker novel ( released as Behind the Lines in the USA )

This resulted in negative reaction from video game enthusiasts, such as writer Clive Barker, who defended video games as an art form, stating that they have the power to move people, that the views of book or film critics are less important than those of the consumers experiencing them, and that Ebert's were prejudiced.

Also injured by fragments from these shots was Patricia Barker.

The emotions present in anxiety disorders range from simple nervousness to bouts of terror ( Barker 2003 ).

Barker's mother died in 1960, and, in 1961, Barker moved from 23 The Waldrons to 6 Duppas Avenue in Croydon.

The word " panorama ", from Greek pan (" all ") horama (" view ") was coined by the Irish painter Robert Barker in 1792 to describe his paintings of Edinburgh, Scotland shown on a cylindrical surface, which he soon was exhibiting in London, as " The Panorama ".

Because the Leicester Square rotunda housed two panoramas, Barker needed a mechanism to clear the minds of the audience as they moved from one panorama to the other.

Apart from being a performer, he was noted as a comedy writer both under his own name and the pseudonym Gerald Wiley, which Barker adopted to avoid pre-judgements of his talent.

He went on to play multiple characters, but primarily the lookout Able Seaman ' Fatso ' Johnson and Lieutenant-Commander Stanton, in The Navy Lark, a navy based sitcom on the BBC Light Programme, which ran from 1959 to 1977, with Barker featuring in some 300 episodes.

Each episode of the show, which was performed and broadcast live, was focused on a single topic and principally revolved around a continuous monologue from Frost, with sketches from Barker, Corbett and Cleese as the show went on.

Barker brought his sketches in, claiming they had come from Wiley through Barker's agent Peter Eade, and they were very well received.

" The usual format consisted of many sketches between the two, an ongoing filmed serial, a solo character sketch from Barker, Corbett's monologue, a musical number, a special guest, bookended by joke news items, delivered from a desk by the two in the style of newsreaders, before ending with the catchphrase " It's good night from me-and it's good night from him.

After a tip off from Dick Clement and Ian La Frenais, Barker and Corbett opted to move with their families to Sydney, Australia in 1979 for the year in order to exploit a tax loophole and avoid paying the year's income tax.

Prisoner and Escort became Porridge, airing from 1974 – 1977, with Barker starring as the cynical and cunning prisoner Norman Stanley Fletcher.

In 1987, before Clarence aired and after rejecting Hall's offer of the part of Falstaff in a Royal National Theatre production of Henry IV, Part 1 & 2, Barker retired from show business, aged 58, " at the height of his fame ", citing a decline in his own writing quality, lack of ambition and ideas, and a desire to go out on top so as not to damage his legacy, as well as concerns about the state of his heart.