Under Bogart's Santana Productions, which released through Columbia Pictures, Bogart starred in Knock on Any Door ( 1949 ), Tokyo Joe ( 1949 ), In a Lonely Place ( 1950 ), Sirocco ( 1951 ) and Beat the Devil ( 1954 ).

Beat the Devil, Bogart's last film with his close friend and favorite director John Huston, also enjoys a cult following.

Brown was then featured in Tony Scott's short film, Beat the Devil, in 2001.

* Beat the Devil ( 1953 )

Other notable films included Since You Went Away ( 1944 ), Love Letters ( 1945 ), Cluny Brown ( 1946 ), Portrait of Jennie ( 1948 ), Madame Bovary ( 1949 ), We Were Strangers ( 1949 ), Gone to Earth ( 1950 ), Carrie ( 1952 ), Ruby Gentry ( also 1952 ), Indiscretion of an American Wife ( 1953 ), Beat the Devil ( 1953 ), Love Is a Many-Splendored Thing ( 1955 ), Good Morning Miss Dove ( also 1955 ), The Man in the Gray Flannel Suit ( 1956 ) starring opposite Gregory Peck and A Farewell to Arms ( 1957 ).

* Beat the Devil ( 1953 )

* Beat the Devil by Alexander Cockburn

She made her first American film, Beat the Devil, in 1953 with Humphrey Bogart and Jennifer Jones, directed by John Huston.

Cockburn also wrote the " Beat the Devil " column for The Nation as well as one for The Week in London, syndicated by Creators Syndicate.

Cockburn said he left the Voice following the offer of a regular column in The Nation called " Beat the Devil " ( after the title of a novel by his father ).

* Beat the Devil ( 1953 ) ( Peterson )

Among his novels were The Horses, Ballantyne's Folly, Jericho Road, and Beat the Devil ( originally under the pseudonym James Helvick ), which was made into a film directed by John Huston with script credit to Truman Capote ( the title was later used by Cockburn's son Alexander for his regular column in The Nation ).

Season 2 opened in big, loud fashion by debuting a dark action / comedy piece by Tony Scott called Beat the Devil.

A month after the premiere of Beat the Devil, DirecTV began airing the entire series, in half-hour loops for five full weeks, on one of the blank satellite channels the system offered.

* The Hire: Beat the Devil ( 2002 )

These films include The Third Man ( 1949 ), The Blue Lamp ( 1950 ), Beat the Devil ( 1953 ), The Battle of the River Plate ( 1956 ), The Spanish Gardener ( 1956 ), Dunkirk ( 1958 ), Web of Evidence ( 1959 ), Whistle Down the Wind ( 1961 ) and The L-Shaped Room ( 1962 ).

#" Pickin ' to Beat the Devil " ( Tom McGrail )-2: 52

Beat the Devil is a 1953 film directed by John Huston.

Despite its disappointing performance, Beat The Devil has gone on to garner mild cult status.

Humphrey Bogart never liked the movie, perhaps because he lost a good deal of his own money bankrolling it, and said of Beat the Devil, " Only phonies like it.

In the biographical film dramas Infamous ( 2006 ) and Capote ( 2005 ), Truman Capote, portrayed by Toby Jones and Philip Seymour Hoffman, reminisces about life during the filming of Beat the Devil.

Beat the Devil is in the public domain because of unrenewed copyright, and is freely available and distributed over the internet as seen below.

eu: Beat the Devil

nl: Beat the Devil

The Hire: Beat the Devil is the 6th installment in the BMW films series, and the first of the second season.

The film Parting Glances ( 1986 ) included Bronski Beat songs " Love and Money ", " Smalltown Boy " and " Why ?".

In 1961 Dave Brubeck appeared in a few scenes of the British Jazz / Beat film All Night Long, which starred Patrick McGoohan and Richard Attenborough.

The police whistle was used to great comic effect in the 1962 film On The Beat, where Norman Wisdom plays a car park attendant dreaming of wanting to become a policeman, like his dad.

In 1960, the film Beat Girl cast Christopher Lee as a sleazy Soho strip club owner who gets stabbed to death by a stripper.

* Beat ( 2000 film ), a film about writer William Seward Burroughs

* Beat ( 1998 film ), a 1998 Japanese film

Beatnik was a media stereotype of the 1950s to mid 1960s that displayed the more superficial aspects of the Beat Generation literary movement of the 1950s and violent film images, along with a cartoonish depiction of the real-life people and the spiritual quest in Jack Kerouac's autobiographical fiction.

The film The Rebel ( US: Call Me Genius ), 1961 ) featuring British comedian Tony Hancock's tells of a London office clerk who moves to Paris to pursue his vocation as an artist of the Beat Generation ; the film satirizes pseudointellectuals.

In the opening scenes of Jeffery Deaver's novel Manhattan Is My Beat, a character, under guard in a hotel, is watching the film.

Pull My Daisy ( 1959 ) is a short film that typifies the Beat Generation.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respectable bishop over for dinner.

( In 1959, Metro-Goldwyn-Mayer released a feature film called The Beat Generation.

The Beat philosophy emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised.

Leslie and Frank discuss the film at length in Jack Sargeant's book Naked Lens: Beat Cinema.

The narration was then improvised by Kerouac resulting in a film that defines the Beat Generation, making a comment on a number of topics representative of conservative America, including protests against industrialization, education, anti-Semitism, sexuality, gender roles, religion and patriotism.

Shadows is an improvised film about interracial relations during the Beat Generation years in New York City, and was written and directed by John Cassavetes.

The film had three sequels, and it launched the career of Macchio, who would turn into a teen idol featured on the covers of magazines such as Tiger Beat.

At the end of 1980, Glenn O ' Brien cast Freddy, along with fellow Lower East Side graffiti writer Lee Quinones, in the film New York Beat ( later released as Downtown 81 ).

Together they chose The Roxy roller rink in NYC, which gained national fame once used in the film Beat Street ( 1984 ).

Kenny Vance, a member of the pop group Jay and the Americans, who had a production office in the building, took an interest in their material that led to work on the soundtrack of the low-budget Richard Pryor film You've Got to Walk It Like You Talk It or You'll Lose That Beat in 1971.