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* Bedini Audio Spectral Enhancer, an audio signal processor used in the early 1990s
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Bedini and used
* Ridgefield in Review, by Silvio A. Bedini ( 1958 ) Out of print, but used copies often available locally
Audio and Spectral
Around 1992, the first Windows based DAWs started to emerge from companies such as Soundscape Digital Technology ( which was later acquired by Mackie then by SSL ), SADiE, Echo Digital Audio and Spectral Synthesis.
Audio and audio
Audio signal processing, sometimes referred to as audio processing, is the intentional alteration of auditory signals, or sound, often through an audio effect or effects unit.
Audio broadcasting ( be it for television or audio broadcasting ) is perhaps the biggest market segment ( and user area ) for audio processing products — globally.
Audio unprocessed by reverb and delay is metaphorically referred to as " dry ", while processed audio is referred to as " wet ".
* In-Theater Audio Commentary, viewing a film in a theater while listening to commentary on a portable audio player
Audio data compression, as distinguished from dynamic range compression, has the potential to reduce the transmission bandwidth and storage requirements of audio data.
When the music is stored in an audio file format that is lossless such as FLAC, Monkey's Audio or WMA Lossless, the computer playback of recorded audio can serve as an audiophile-quality source for a hi-fi system.
The even-lower bitrates were introduced because tests showed that MPEG-1 Audio could provide higher quality than any existing ( circa 1994 ) very low bitrate ( i. e. speech ) audio codecs.
The MPEG-2 Audio section, defined in Part 3 ( ISO / IEC 13818-3 ) of the standard, enhances MPEG-1's audio by allowing the coding of audio programs with more than two channels, up to 5. 1 multichannel.
AAC is more efficient than the previous MPEG audio standards, and is in some ways less complicated than its predecessor, MPEG-1 Audio, Layer 3, in that it does not have the hybrid filter bank.
A multichannel-enabled extension and extension of bit rates and sample rates for MPEG-1 Audio Layer I, II and III of MPEG-1 audio.
Audio and signal
* Audio Signal Processor, a large-scale digital signal processor developed by James A. Moorer at Lucasfilm
Signal Processing is a very mathematically oriented and intensive area forming the core of digital signal processing and it is rapidly expanding with new applications in every field of electrical engineering such as communications, control, radar, TV / Audio / Video engineering, power electronics and bio-medical engineering as many already existing analog systems are replaced with their digital counterparts.
Audio frequency-shift keying ( AFSK ) is a modulation technique by which digital data is represented by changes in the frequency ( pitch ) of an audio tone, yielding an encoded signal suitable for transmission via radio or telephone.
Audio cannot be recorded on a VHS tape without recording a video signal, even in the audio dubbing mode.
Digital Audio Tape ( DAT or R-DAT ) is a signal recording and playback medium developed by Sony and introduced in 1987.
* Digital Audio Tape, a signal recording and playback medium developed by Sony and introduced in 1987
* Universal Audio Inc, a designer and manufacturer of audio signal processing hardware and software.
Audio is typically recorded at 8 -, 16 -, and 20-bit depth, which yield a theoretical maximum signal to quantization noise ratio ( SQNR ) for a pure sine wave of, approximately, 49. 93 dB, 98. 09 dB and 122. 17 dB.
Intel provides a specification for that header ; the signal assignments are different for AC ' 97 and Intel High Definition Audio headers.
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