This was followed by Bertolucci secondo il cinema ( 1976 ) a documentary about 1900 shooting, and the thriller Effetti speciali.

The boom of Italian cinema, which gave Bertolucci his start, slowed in the 1970s as directors were forced to co-produce their films with several of the American, Swedish, French, and German companies and actors due to the effects of the global economic recession on the Italian film industry.

Bertolucci left Pasolini's poetic ideas behind in order to follow his own personal idea about cinema, based primarily on the individuality of people who are forced to deal with sudden changes in their lives.

Bertolucci increased his fame with his next few films, from Novecento ( 1976 ), an epic depiction of the struggles of farmers in Emilia-Romagna from the beginning of the 20th century up to World War II with an impressive international cast ( Robert De Niro, Gerard Depardieu, Donald Sutherland, Sterling Hayden, Burt Lancaster, Dominique Sanda ) to La Luna, set in Rome and in Emilia-Romagna, in which Bertolucci deals with the thorny issue of drugs and incest, and finally La tragedia di un uomo ridicolo ( 1981 ), with Ugo Tognazzi.

In 1976, she portrayed a cruel and eroto-maniacal fascist in Novecento ( 1900 ), directed by Bernardo Bertolucci.

In 1976 Bernardo Bertolucci was able to convince her to emerge from her stubborn silence, accepting a role in his movie Novecento.

The Italian produced Last Tango in Paris ( 1973 ), directed by Bernardo Bertolucci was one of the first films to openly contain nudity in a commercial film, and led to the boom of fashion erotic films between 1970 and 1980, such as the French produced Emmanuelle ( 1974 ) and the Frenco-German production Story of O ( 1975 ) by Just Jaeckin, the Franco-Japanese production In the Realm of the Senses ( 1976 ) by Nagisa Oshima, and the Italian-American produced Caligula ( 1979 ) by Tinto Brass.

From the 1960s, she worked in several pictures with famous directors, such as Pier Paolo Pasolini ( Edipo re, a. k. a. Oedipus Rex, 1967 ), Bernardo Bertolucci ( La strategia del ragno, 1972 ; Novecento, 1976 ), and Dario Argento ( Suspiria, 1977 ).

Guzzanti's career began when she took part in a series of successful television comedy formats such as Proffimamente ... non stop ( directed by Enzo Trapani ), L ' araba fenice ( directed by Antonio Ricci ), La TV delle ragazze and Scusate l ' interruzione ; her imitations of the famous Italian porn star Moana Pozzi gave her popularity, and the Italian film director Giuseppe Bertolucci recruited her to star in his film I Cammelli.

" (" Ma did una cosa credo potervi assicurare: che di mio rimarrà dicerto il secondo atto del Guglielmo Tell, il terzo atto dell ’ Otello, e tutto il barbiere di Seviglia.

This revival was called il secondo Futurismo ( Second Futurism ) by writers in the 1960s.

* Messale Ambrosiano secondo il rito della santa Chiese di Milano.

Al primo possono prendere parte anche giuocatori di nazionalità estera, residenti in Italia, il secondo è riservato esclusivamente ai giuocatori di nazionalità italiana. are two National Football Championships: Prima and Seconda Categoria.

Gianluca Petroni, Gli ebrei a Campagna durante il secondo conflitto mondiale, Edizione Comitato Giovanni Palatucci, Salerno 2001

* Il secondo tragico Fantozzi ( 1976 )

* Verga e il cinema.

Remembering Krzysztof: il cinema di Kieślowski.

* L ' esorcista, il cinema, il mito, Falsopiano, 2003

* Viva il cinema!

it: Categoria: Associazioni per il cinema

* Verga e il cinema.

In the same year at the height of popularity, she doesn't neglect the cinema and take part in " Ti spacco il muso, bimba " with Oreste Lionello and Sergio Vasta, " Paulo Roberto Cotechiño centravanti di sfondamento " with Franca Valeri, and finally run " Cuando calienta el sol ... vamos alla playa " a sixties musical-comedy film set with Claudia Vegliante and Edoardo Vianello.

Another official statement by the Italian President Carlo Azeglio Ciampi read, " La scomparsa di Alida Valli è una grave perdita per il cinema, il teatro e la cultura italiana " (" The death of Alida Valli is a great loss for Italian cinema, theatre and culture ").

Michel Legris wrote in 1976 Le Monde tel qu ' il est.

* Mario Praz, La carne, la morte e il diavolo nella letteratura romantica ( Firenze: Sansoni, 1976 )

* Vidéo: Robert Badinter en 1976, il motive son engagement contre la peine de mort, une archive de la Télévision suisse romande

* Orzowei, il figlio della savana ( 1976 )

*" L ' amore è il mio orizzonte " / " Sabato " ( 1976 )

Destroy it ', Faurisson in an interview to Iran's Mehr News Agency ( MNA ) about France's decision to ban Al-Manar TV, intelligence. org. il / MEMRI

Santoro's popularity was essentially based on being the author and anchorman for TV journalism broadcasts like Samarcanda, Il rosso e il nero and Temporeale, all strongly left wing oriented, the broadcasts took place during a period of political turmoil in Italy ( see Tangentopoli ).

From 1989, he began working in TV variety shows: Fate il vostro gioco ( 1989, Rai 2 ), Banane ( 1989, Telemontecarlo ), Magazine 3 ( 1993, 1994, Rai 3 ), Mai Dire Gol ( 1996, 1997, Italia 1 ).

* Princess Alisea ( 1996 ) ( Italian: Sorellina e il principe del sogno ) ( TV movie )

* November 2 – Luchino Visconti, Italian theatre and cinema director and writer ( d. 1976 )

At the ceremony, screenwriter Budd Schulberg, who wrote On the Waterfront, thanks his lifelong friend saying, “ Elia Kazan has touched us all with his capacity to honor not only the heroic man, but the hero in every man .” In an interview with the American Film Institute in 1976, Kazan spoke of his love of the cinema: " I think it's the most wonderful art in the world.

Luchino Visconti di Modrone, Count of Lonate Pozzolo ( 2 November 1906-17 March 1976 ), was an Italian theatre, opera and cinema director, as well as a screenwriter.

In 1976, Feldman ventured into Italian cinema, starring with Barbara Bouchet in 40 gradi all ' ombra del lenzuolo ( Sex with a Smile ), a sex comedy.

The festival began in 1976 at a then-independent cinema, the Moore Egyptian Theater, now back under its earlier name as the Moore Theater and functioning as a concert venue.

Bugsy Malone is a 1976 British musical gangster film, very loosely based on events in Chicago from the early 1920s to 1931 in the Prohibition era, specifically the exploits of gangsters like Al Capone and Bugs Moran, as dramatized in cinema.

Dolby Stereo was originally developed by Dolby in 1976 for analog cinema sound systems.

Egyptian cinema is the flourishing cinema of the Middle East which is often considered “ Hollywood of the East .” Since 1976, Cairo has held the annual Cairo International Film Festival ( CIFF ), which is accredited by the International Federation of Film Producers Association.

1976 saw the beginning of the network's scheduling process ( the Padrão Globo da Qualidade ), which consists of two soap operas followed with newscasts, Globo Reporter and one to two more drama shows or cinema, comedy programming and others after.

With his first four feature films Ankur ( 1973 ), Nishant ( 1975 ), Manthan ( 1976 ) and Bhumika ( 1977 ) he created a new genre, which has now come to be called the " middle cinema " in India.

Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976.

After the Second World War, the theatre continued to serve as a cinema, gradually falling into disrepair until it was closed in 1976 and renovated in 1979.

< li > Proppe, Hans and Susan Tarr ( 1976 ), " Pitfalls of cultural nationalism in cinema novo ", Jump Cut: A Review of Contemporary Media, 10, 45-48.

Cornered for some times by Western and Mandarin films, Cantonese films were much revived in the 1970s, with the great success of 1976 The Private Eyes ( 半斤八兩 ), directed by Michael Hui, which is said to remain the all-time box-office king of Hong Kong cinema when inflation is taken into account.

On returning to Mali in 1976 he directed the cinema division of the Ministry of Sports, Arts, and Culture.

Published in 1976, it is both a memoir of his experiences watching movies and a critique of the racial politics of American cinema.

In 1976 the cinema changed hands once more and was taken over by the gambling company Zetters, who made major alterations to the building by dividing the auditorium into three sections.

However, due to the introduction of television in 1976, cinema attendances dropped.

He first got noticed in Shyam Benegal's Nishaant ( 1974 ), with whom he went on to work in several more films including, Manthan ( 1976 ) and Bhumika: The Role ( 1977 ), Junoon ( 1978 ), and Kalyug ( 1980 ), soon he was a regular with Parallel cinema directors, like Godhuli ( 1977 ) with B. V. Karanth.

The film never received a cinema release but was shown on television as a special in 1976.