Other lesser known assistants from his studio include Francesco Barrata, Girolamo Lucenti, and Giuseppe Peroni.

Antonio began his musical studies in his native town of Legnago ; he was first taught at home by his older brother Francesco Salieri ( a former student of the violinist and composer Giuseppe Tartini ), and he received further lessons from the organist of the Legnago Cathedral, Giuseppe Simoni, a pupil of Padre Giovanni Battista Martini.

* Gesù Sebastiano ( a cura di ), Francesco Rosi, Giuseppe Maimone Editore, Catania 1993

Other artist he protected were Giuseppe Nogari, Bernardo Bellotto, and Francesco Pavona.

Giuseppe Fortunino Francesco Verdi (; 10 October 1813 – 27 January 1901 ) was an Italian Romantic composer, mainly of opera.

), Maria Caterina ( 1877 – 1883 ), Teresa ( 1879 – 1954 ), Ancilla ( 1880 – 1953 ), Domenico Giuseppe ( 22 February 1888 – 14 March 1888 ), Francesco Zaverio ( 1883 – 1976 ), Maria Elisa ( 1884 – 1955 ), Assunta Casilda ( 1886 –??

), Giovanni Francesco ( 1891 – 1956 ), Enrica ( 1893 – 1918 ), Giuseppe Luigi ( 1894 –??

The headquarters of the Propaganda fide in Rome, North facade on Piazza di Spagna by architect Gian Lorenzo Bernini | Bernini, the southwest facade seen here by Francesco Borromini | Borromini: etching by Giuseppe Vasi, 1761

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave.

Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo.

Ruggero ( or Ruggiero ) Giacomo Maria Giuseppe Emmanuele Raffaele Domenico Vincenzo Francesco Donato Leoncavallo (; 23 April 18579 August 1919 ) was an Italian opera composer.

The main composers of concerti of the baroque were Tommaso Albinoni, Antonio Vivaldi, Georg Philipp Telemann, Johann Sebastian Bach, George Frideric Handel, Pietro Locatelli, Giuseppe Tartini, Francesco Geminiani and Johann Joachim Quantz.

The Byron play served as the basis for the libretto written by Francesco Maria Piave for Giuseppe Verdi's opera I due Foscari, which premiered on 3 November 1844 in Rome.

According to Mannoia the killer was Francesco Di Carlo, a mafioso living in London at the time, and the order to kill Calvi had come from Mafia boss Giuseppe Calò and Licio Gelli.

On November 23, 1995, the Court of Cassation ( Corte di Cassazione ) convicted Licio Gelli ( grand master of P2 ), Francesco Pazienza and SISMI officers Pietro Musumeci and Giuseppe Belmonte of diverting investigations in relation to the Bologna Massacre.

( Other prominent Mediterranean tenors of the late 19th century to early 20th century who, like Caruso, did not " bleat " were Angelo Masini, Francesco Tamagno, Francesco Marconi, Francisco Viñas, Emilio De Marchi, Giuseppe Borgatti and Giovanni Zenatello, while the phenomenon was rare among French, German, Russian and Anglo-Saxon tenors of the same period — see Scott.

Gaetano Mares conducted, and the sets were designed and executed by Giuseppe Bertoja and Francesco Bagnara.

They included Giorgio Ronconi, who created the title role in Verdi's Nabucco ; Felice Varesi, who created the title roles in Macbeth and Rigoletto as well as Germont in La traviata ; Antonio Superchi, the originator of Don Carlo in Ernani ; Francesco Graziani, who was the original Don Carlo di Vargas in La forza del destino ; Leone Giraldoni, the creator of Renato in Un ballo in maschera and the first Simon Boccanegra ; Enrico Delle Sedie, who was London's first Renato ; Adriano Pantaleoni, renowned for his performances as Amonasro in Aida as well as other Verdi roles at La Scala, Milan ; Francesco Pandolfini, whose singing at La Scala during the 1870s was praised by Verdi ; Antonio Cotogni, a much lauded singer in Milan, London and Saint Petersburg, the first Italian Posa in Don Carlos and later a great vocal pedagogue, too ; and Giuseppe Del Puente, who sang Verdi to acclaim in the United States.

* Giuseppe Sillato as Don Francesco Ciccio

), later set to music by more than 40 other composers, including Johann Adolph Hasse ( 1735 ), Giuseppe Arena ( 1738 ), Francesco Corradini ( 1747 ), Christoph Willibald Gluck ( 1752 ), Andrea Adolfati ( 1753 ), Niccolò Jommelli ( 1753 ), Ignaz Holzbauer ( 1757 ), Vincenzo Legrezio Ciampi ( 1757 ), Gioacchino Cocchi ( 1760 ), Marcello Bernardini ( 1768 ), Andrea Bernasconi ( 1768 ), Pasquale Anfossi ( 1769 ), and Wolfgang Amadeus Mozart ( 1791 ).

Famous Otellos of the past have included Tamagno, the role's trumpet-voiced creator, as well as Giovanni De Negri, Albert Alvarez, Francisco Viñas, Giuseppe Borgatti, Antonio Paoli, Giovanni Zenatello, Renato Zanelli, Giovanni Martinelli, Aureliano Pertile, Francesco Merli, Giacomo Lauri-Volpi, Frank Mullings, Leo Slezak, Jose Luccioni, Ramón Vinay, Mario del Monaco, James McCracken, Jon Vickers and Carlo Cossutta.

As compensation to the last sovereign duke, the title only could be continued by Francesco Maria II, and after his death by his heir, Federico Ubaldo.

She served as the regent of Mantua during the absence of her husband, Francesco II Gonzaga, Marquess of Mantua and the minority of her son, Federico, Duke of Mantua.

In the beginning Assisi fell under the rule of Perugia and later under several despots, such as the soldier of fortune Biordo Michelotti, Gian Galeazzo Visconti and his successor Francesco I Sforza, dukes of Milan, Jacopo Piccinino and Federico II da Montefeltro, lord of Urbino.

His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.

* Fabbri, M. ( 1964 ) " Nuova luce sull ' attivita fiorentina di Giacomo Antonio Perti, Bartolomeo Cristofori e Giorgio Federico Haendel Valore storico e critico di una Memoria di Francesco M Mannucci ', Chigiana, pp. 143-190. of the now-doubted Mannucci diary

Federico II soon after becoming a hostage, by Francesco Francia

At the beginning of the 17th century Federico Borromeo had the foundations of the new façade laid by Francesco Maria Richini and Fabio Mangone.

Airport director Vincenzo Fusco and air-traffic controller Paolo Zacchetti were both sentenced to eight years in prison ; sentences of six and a half years were given to Sandro Gualano, former head of the air traffic controllers ' agency, and Francesco Federico, former head of the airport.

The 12th century plan was turned 90 degrees from the current one, which is a new construction also started by Federico II and commissioned to Francesco di Giorgio Martini, author of the Ducal Palace.

it: Federico Francesco I di Meclemburgo-Schwerin

* 1987: Fabio Mariano ( Editor ) and Marcello Agostinelli, Francesco di Giorgio e il Palazzo della Signoria a Jesi, edizioni Cassa di Risparmio di Jesi, Jesi 1986, with Maria Luisa Polichetti ( Editor ), Il Palazzo di Federico da Montefeltro.

Francesco della Rovere, Duke of Urbino, by Federico Barocci d. 1612, Urbino ( Uffizi )

Federico Fellini, Tonino Guerra, Francesco Rosi, Alberto Moravia, Giulietta Masina, Marcello Mastroianni and Bernardo Bertolucci were among those who publicly mourned his death.

* The Palazzo Ducale, built from 1470 by Luciano Laurana or Francesco di Giorgio Martini for Federico da Montefeltro.

In 1620, she married Federico Ubaldo della Rovere, the only son of Francesco Maria II della Rovere, Duke of Urbino.

* Eirene Palaiologos ( renamed Maria ), who married Francesco I of Lesbos

* 1618 – Francesco Maria Grimaldi, Italian mathematician and physicist ( d. 1663 )

Guidobaldo da Montefeltro adopted Francesco Maria I della Rovere, his sister's child and nephew of Pope Julius II.

Guidobaldo I, who was heirless, called Francesco Maria at his court, and named him as heir of the Duchy of Urbino in 1504, this through the intercession of Julius II.

In 1508, Francesco Maria inherited the duchy thereby starting the line of Rovere Dukes of Urbino.

They had two children: Cosimo III, Tuscany's longest reigning monarch, and Francesco Maria de ' Medici, a prince of the Church.

# Francesco Maria I della Rovere ( 1490 – 1538 )

# Francesco Maria II della Rovere ( 1549 – 1631 )-duchy abolished, title continued

Italian scientist Francesco Maria Grimaldi coined the word " diffraction " and was the first to record accurate observations of the phenomenon in 1665.

The effects of diffraction of light were first carefully observed and characterized by Francesco Maria Grimaldi, who also coined the term diffraction, from the Latin diffringere, ' to break into pieces ', referring to light breaking up into different directions.

Francesco studied natural sciences and mathematics in Bologna under Francesco Maria Zanotti and in 1728 he experimented with optics.

There are remarkable suites of Flemish tapestries, and paintings, among which the most famous is the Ecce Homo by Antonello da Messina ( 1473 ), but which also include panels by Jan Provoost and other Flemish artists, oil paintings by Domenico Maria Viani and Francesco Solimena.

Conservative music of the Roman school continued to be written in his style ( which in the 17th century came to be known as the prima pratica ) by such students of his as Giovanni Maria Nanino, Ruggiero Giovanelli, Arcangelo Crivelli, Teofilo Gargari, Francesco Soriano and Gregorio Allegri.

* Eleonora Gonzaga ( 31 December 1493 – 13 February 1570 ), married Francesco Maria I della Rovere, Duke of Urbino, by whom she had issue.

* 1549 – Francesco Maria Del Monte, Italian diplomat ( d. 1627 )

Pope Benedict XIII ( 2 February 1650 – 21 February 1730 ), born Pietro Francesco Orsini, later Friar Vincenzo Maria Orsini, O. P., was pope from 1724 until his death.

The frescoes in the nave ( by Giovanni Maria Conti della Camera, Francesco Reti and Antonio Lombardi ) date to this period.

Urban contrived to take advantage of the anarchy which had ensued ( as well as of the presence of the feeble Maria as Queen of Sicily ) to seize Naples for his nephew Francesco Moricotti Prignani.

The Pope's cousin, Francesco Maria Conti, from Siena, became chamberlain of James ' little court in the Roman Muti Palace.

The first possible historical reference to the vase is in a 1601 letter from the French scholar Nicolas Claude Fabri de Peiresc to the painter Peter Paul Rubens, where it is recorded as in the collection of Cardinal Francesco Maria Del Monte in Italy.