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Caryl and Churchill
* 1938 – Caryl Churchill, English playwright
Many playwrights, screenwriters and novelists got their start in radio drama, including Caryl Churchill, Rod Serling, Irwin Shaw and Tom Stoppard.
Caryl Churchill wrote a translation of Seneca's play in 2001.
Category: Plays by Caryl Churchill
* Caryl Churchill, playwright has lived in Thornhill Square since 1965.
* Caryl Churchill, playwright
* Caryl Churchill & David LanA Mouthful of Birds
* 2002: Far Away by Caryl Churchill
Caryl Churchill ( born 3 September 1938 ) is an English dramatist known for her use of non-naturalistic techniques and feminist themes, the abuses of power, and sexual politics.
* Churchill, Caryl.
* Churchill, Caryl.
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* Churchill, Caryl.
* Churchill, Caryl.
* Churchill, Caryl.
* Churchill, Caryl.
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* Churchill, Caryl.
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Caryl and David
Barbin appears as a character in the play A Mouthful of Birds by Caryl Churchill and David Lan.

Caryl and used
Dover used to have two elementary schools, Chickering for grades K to 3, and Caryl Elementary School for grades 4 to 8.
Other protests on the Capitol steps have used the seal as a rallying point: in 1960, a group picketing the execution of Caryl Chessman gathered around the seal and said, " blame our leaders ," in 1967 signs reading " I Protest " and " Thou Shalt Not Kill " were left on the seal to protest the execution of Aaron Mitchell, later that year a black casket representing " the living dead farm worker " was the centerpiece of a " funeral " march and placed atop the seal for an all-night vigil, and in 1990 the seal was marked with handprints of red paint by members of ACT UP, protesting possible state health care cuts.
" In 1982, Caryl Churchill used her as a character in her play Top Girls.

Caryl and play
Pope Joan is a character in the opening scene of Caryl Churchill's feminist play Top Girls ( 1982 ).
A scene from his play, " The Stockjobbers " was included as an introduction in Caryl Churchill's " Serious Money " ( 1987 ).
* Caryl Churchill's 1976 play Light Shining in Buckinghamshire, named after the Digger pamphlet and set in the English Civil War, charts the rise and fall of the Diggers and other radical ideas from the 1640s.
In 1981, while collaborating on Nine, Tune asked Yeston to write incidental music for an American production of Caryl Churchill's play Cloud Nine.
* In Caryl Churchill's play The Skriker, main character Josie kills her baby because she was convinced it was a changeling-given that the title character is a fairy, this may in fact be true.
Top Girls is a 1982 play by Caryl Churchill.
A Number is a 2002 play by English playwright Caryl Churchill which addresses the subject of human cloning and identity, especially nature versus nurture.
Caryl Churchill ’ s main concerns when writing this play was the idea of self.
* Cloud Nine ( play ), a 1979 play by Caryl Churchill
Cloud Nine is a two-act play written by British playwright Caryl Churchill after workshops with the Joint Stock Theatre Company in late 1978 and first performed at Dartington College of Arts, Devon, on 14 February 1979.
Caryl Churchill's play Seven Jewish Children opened at the theatre in February 2009.
Lady Nijo appears as a character in Caryl Churchill's play Top Girls.

Caryl and their
The Benjamin Caryl House at 107 Dedham St. dates from about 1777 and was home to Dover's first minister, Benjamin Caryl, his son George, who was the town's first doctor, and their descendants until 1897.
Wild Orchid spent most of 1996 – 1997 promoting their debut album, making appearances on Ricki Lake, Access Hollywood, MTV, Wild On !, The RuPaul Show, Hard Copy, Vibe, Mad TV, Soul Train, Pat Bullard, Caryl & Marilyn: Real Friends, Terry Bradshaw, Crook and Chase, Jenny Jones, MuchMusic's Electric Circus, as well as a guest appearance on the UPN sitcom Goode Behavior.
The German dramatist Heiner Müller, who along with Caryl Churchill and Pina Bausch has been identified as having produced a fusion or critical dialogue between Artaudian and Brechtian performance in their work ( which is one characteristic of the postmodern in theatre ), argues that we have yet to feel or to appreciate fully Artaud's contribution to theatrical culture ; his ideas are, Müller implies, ' untimely ' ( in Nietzsche's sense ):

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