* Cleopatra Selene I ( c. 135 – 130 BC ), daughter of Cleopatra III and Ptolemy VIII Physcon

* Cleopatra Selene II ( 40 – 5 BC ), daughter of Cleopatra VII and Mark Antony

#* The twins Alexander Helios & Cleopatra Selene II.

Cleopatra Selene, Queen of Mauretania, 40 BC – 6 AD, had 2 children

* Cleopatra Selene ( II ), Egyptian ruler of Cyrenaica and Libya ( b. 40 BC )

* Cleopatra Selene ( d. AD 6 ) and Alexander Helios ( d. between 29 and 25 BC ), the twins of Cleopatra VII of Egypt and Mark Antony

The Qabr-er-Rumia -- best known by its French name, Tombeau de la Chrétienne, tradition making it the burial-place of Florinda, la Cava Rumía, the beautiful and unfortunate daughter of Count Julian -- is near Kolea, and is known to be the tomb of the Mauretanian king Juba II and of his wife Cleopatra Selene, daughter of Mark Antony and Cleopatra, queen of Egypt.

Drusilla ’ s paternal grandmother, the Queen of Mauretania Cleopatra Selene II, was a daughter of the Ptolemaic Greek Queen Cleopatra VII of Egypt and Roman triumvir Mark Antony.

Cleopatra Selene may refer to:

* Cleopatra Selene I, daughter of Ptolemy VIII Physcon and Cleopatra III of Egypt

es: Cleopatra Selene

Alexander Helios received Armenia and Media, to Cleopatra Selene he gives the kingdoms of Cyrenaica and Libya.

* The children of Cleopatra are spared by Octavian and taken back in triumph ; Octavia Minor raised Alexander Helios, Cleopatra Selene and Ptolemy Philadelphus in her household in Rome.

* Cleopatra Selene marries Juba II of Numidia, and as a wedding present Augustus makes her queen of Mauretania in her own right.

With Antony, she bore the twins Cleopatra Selene II and Alexander Helios, and another son, Ptolemy Philadelphus.

* Cleopatra II of Egypt ( c. 185 – 116 BC ), queen ( and briefly sole ruler ) of Ptolemaic Egypt

* Cleopatra Eurydice of Macedon ( 4th century BC ), wife of Philip II of Macedon

* Cleopatra of Macedon ( c. 356 – 308 BC ), sister of Alexander the Great, daughter of Philip II of Macedon and Olympias of Epirus

* Cleopatra Thea ( c. 164 – 121 BC ), daughter of Cleopatra II and Ptolemy VI Philometor

In 47 BCE the lives of Julius Caesar and his protege Cleopatra were saved by 3, 000 crack Jewish troops sent by King Hyrcanus II and commanded by Antipater, whose descendants Caesar made kings of Judea.

* 164 BC – Cleopatra Thea Euergetis (" Benefactress "), ruler of the Seleucid kingdom from 125 BC, a daughter of Ptolemy VI of Egypt and his sister / wife Cleopatra II ( d. 121 BC ) ( approximate date )

* Cleopatra II of Egypt and her brother Ptolemy VIII of Egypt reconcile.

On 25 December 40 BC, Cleopatra gave birth to twins fathered by Antony, Alexander Helios and Cleopatra Selene II.

At the Donations of Alexandria in late 34 BC, following Antony's conquest of Armenia, Cleopatra and Caesarion were crowned co-rulers of Egypt and Cyprus ; Alexander Helios was crowned ruler of Armenia, Media, and Parthia ; Cleopatra Selene II was crowned ruler of Cyrenaica and Libya ; and Ptolemy Philadelphus was crowned ruler of Phoenicia, Syria, and Cilicia.

Cleopatra may also refer to:

He also played a role in a tour of Antony and Cleopatra, produced by the actress Katharine Cornell in 1946.

Her mother and father, Cleopatra V and Ptolemy XII, had also been brother and sister.

* June 12 – Pocahontas ( now Rebecca ) arrives in England, with her husband, John Rolfe, their infant son, Thomas Rolfe, her half-sister Matachanna ( alias Cleopatra ) and brother-in-law " Tomocomo ", the shaman also known as Uttamatomakkin.

It is one of several Roman plays that Shakespeare wrote, based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra.

During this relationship, it was also rumored that Cleopatra introduced Caesar to her astronomer Sosigenes of Alexandria, who first proposed the idea of leap days and leap years.

At the beginning of 43 BC, Cleopatra formed an alliance with the leader of the Caesarian party in the east, Publius Cornelius Dolabella, who also recognized Caesarion as her co-ruler.

Cassius also wanted to prevent Cleopatra from bringing reinforcements for Antony and Octavian.

Cleopatra had also executed her strategos of Cyprus, Serapion, who had supported Cassius against her wishes.

Cleopatra was also given the title of " Queen of Kings " by Antonius.

" Caesarion was not only elevated having coregency with Cleopatra, but also proclaimed with many titles, including god, son of god and king of kings, and was depicted as Horus.

Suetonius, writing about the same time as Plutarch, also says Cleopatra died from an asp bite.

Ashamed of what he has done for the love of Cleopatra, Antony reproaches her for making him a coward, but also sets this true and deep love above all else, saying " Give me a kiss ; even this repays me.

Other scholars, including Fordham University Professor Javier Jiménez-Belmonte, also discuss early critics ' views of Cleopatra in relation to a serpent signifying " original sin ".

Some postmodern critics also believe that the view of Cleopatra is constantly shifting and can be interpreted in many new and sometimes exciting ways.

Jonathan Gil Harris claims that the Egypt vs. Rome dichotomy many critics often adopt does not only represent a “ gender polarity ” but also a “ gender hierarchy .” Critical approaches to Antony and Cleopatra from the beginning of the 20th Century mostly adopt a reading that places Rome as higher in the hierarchy than Egypt.

The relationship between Antony and Cleopatra can easily be read as one of love or lust ; their passion can be construed as being wholly destructive but also showing elements of transcendence.

Antony and Cleopatra battle over this dynamic as heads of state, yet the theme of power also resonates in their romantic relationship.

He also mentions losing himself in dotage-“ himself ” referring to Antony as Roman ruler and authority over people including Cleopatra.

Cleopatra also succeeds in causing Antony to speak in a more theatrical sense and therefore undermine his own true authority.

Antony and Cleopatra also contains self-references to the crossdressing as it would have been performed historically on the London stage.

In support of the reading of Shakespeare ’ s play as subversive, it has also been argued that 16th century audiences would have interpreted Antony and Cleopatra ’ s depiction of different models of government as exposing inherent weaknesses in an absolutist, imperial, and by extension monarchical, political state.