His surname was Taylor, and his middle name of Coleridge was after the poet Samuel Taylor Coleridge.

Samuel Taylor Coleridge, in Work Without Hope ( 1825 ), also refers to the herb, likely referencing Milton's earlier work.

* Samuel Taylor Coleridge ( 1772 – 1834 ), English poet and philosopher

* Coleridge ( New Zealand electorate ), a former South Canterbury, New Zealand parliamentary electorate

The soothing waters of the hotel's hot spring and the lively social life on Nevis attracted many famous Europeans, including Samuel Taylor Coleridge, Antigua-based Admiral Nelson, and Prince William Henry, Duke of Clarence, ( future William IV of the United Kingdom ), who attended balls and private parties at the Bath Hotel.

Together, Wordsworth and Coleridge ( with insights from Dorothy ) produced Lyrical Ballads ( 1798 ), an important work in the English Romantic movement.

For a time ( starting in 1810 ), Wordsworth and Coleridge were estranged over the latter's opium addiction.

Chapter XIV describes the preparations with Wordsworth for their revolutionary collaboration Lyrical Ballads ( first edition 1798 ), for which Coleridge had contributed the more romantic, Gothic pieces including The Rime of the Ancient Mariner.

Historically notable psilanthropists have included figures such as the translator of the first Bible in Byelorussian, Symon Budny ( who was excommunicated by the Polish Unitarians ), and Joseph Priestley and Samuel Taylor Coleridge in the 18th and 19th centuries.

In 1797 his wife died, and next year he married Catherine Allen ( died 6 May 1830 ), sister-in-law of Josiah II and John Wedgwood, through whom he introduced Coleridge to the Morning Post.

His poems were first edited by Rufus Wilmot Griswold ( New York, 1844 ); another American edition, by W. A. Whitmore, appeared in 1859 ; an authorized edition with a memoir by Derwent Coleridge appeared in 1864: The Political and Occasional Poems of W. M. Praed ( 1888 ), edited with notes by his nephew, Sir George Young, included many pieces collected from various newspapers and periodicals.

Phillips also painted portraits of Walter Scott, Robert Southey, George Anthony Legh Keck ( 1830 ), Thomas Campbell ( poet ), Samuel Taylor Coleridge, Henry Hallam, Mary Somerville, Sir Edward Parry, Sir John Franklin, Dixon Denham, the African traveller, and Hugh Clapperton.

Massinger's independent works were collected by Thomas Coxeter ( 4 vols., 1759, revised edition with introduction by Thomas Davies, 1779 ), by J. Monck Mason ( 4 vols., 1779 ), by William Gifford ( 4 vols., 1805, 1813 ), by Hartley Coleridge ( 1840 ), by Lt. Col. Cunningham ( 1867 ), and selections by Arthur Symons in the Mermaid Series ( 1887 – 9 ).

Coleridge claimed to have perceived the entire course of the poem in a dream ( possibly an opium-induced haze ), but was interrupted by this visitor from Porlock ( a village in the South West of England, near Exmoor ) while in the process of writing it.

It has been suggested by Elisabeth Schneider ( in Coleridge, Opium and " Kubla Khan ", University of Chicago Press, 1953 ), amongst others, that this prologue, as well as the Person from Porlock, was in fact fictional and intended as a credible explanation of the poem's seemingly fragmentary state as published.

Widdowson points out that in Samuel Taylor Coleridge ’ s poem " The Rime of the Ancient Mariner " ( 1798 ), the mystery of the Mariner ’ s abrupt appearance is sustained by an idiosyncratic use of tense.

The post-modern poem narrates, in 233 sections ( the same number as the number of native American tribes ), an alternative history in which Samuel Taylor Coleridge and Robert Southey come to America in order to found a utopian community.

Films which followed included Pandæmonium ( 2001 ), a critically acclaimed film about the friendship between Romantic poets Samuel Taylor Coleridge and William Wordsworth, and The Filth and the Fury ( 2000 ), another documentary about The Sex Pistols.

The poem is different in style and form from other poems composed by Coleridge.

The rhythm of the poem, like its themes and images, is different from other poems Coleridge wrote during the time, and it is organised in a structure similar to 18th-century odes.

However, the poem has little relation to the other fragmentary poems Coleridge wrote.

As a symbol within the preface, the person represents the obligations of the real world crashing down upon the creative world or other factors that kept Coleridge from finishing his poetry.

Of the sources, Coleridge was influenced by the surrounding of Culbone Combe and its hills, gulleys, and other features including the " mystical " and " sacred " locations in the region.

" In concluding about the poem, she argued, " In truth, there are other ' Fears in Solitude ' than that written by Coleridge and there are other ' Frosts at Midnight '; but there are no other ' Ancient Mariners ' or ' Kubla Khans ,' nor are there likely to be.

Between 1835 and 1849, Tait's published a series of De Quincey's reminiscences of Wordsworth, Coleridge, Robert Southey, and other figures among the Lake Poets — a series that taken together constitutes one of his most important works.

" The transcendentalists were largely unacquainted with German philosophy in the original, and relied primarily on the writings of Thomas Carlyle, Samuel Taylor Coleridge, Victor Cousin, Germaine de Staël, and other English and French commentators for their knowledge of it.

While Coleridge and other scholarly boys were able to go on to Cambridge, Lamb left school at fourteen and was forced to find a more prosaic career.

Coleridge begins his thoughts on imitation and poetry from Plato, Aristotle and Philip Sidney, adopting their concept of imitation of nature instead of other writers.

Some, such as Samuel Taylor Coleridge and Mark Twain, kept messy reading notes that were intermixed with other quite various material ; others, such as Thomas Hardy, followed a more formal reading-notes method that mirrored the original Renaissance practice more closely.

Samuel Taylor Coleridge, in 1799, visited Castlerigg with William Wordsworth and wrote of it, that a mile and a half from Keswick stands “… a Druidical circle the mountains stand one behind the other, in orderly array as if evoked by and attentive to the assembly of white-vested wizards ”.

They were associated with several other poets and writers, including Dorothy Wordsworth, Charles Lloyd, Hartley Coleridge, John Wilson, and Thomas De Quincey.

Besides essays on the different schools of philosophy, notably magazine articles on St. Augustine, Leibnitz, Schopenhauer, and Coleridge, and other contributions to periodicals in prose and poetry, he published:

The Tartars ruled by Kubla Khan were seen in the tradition Coleridge worked from as a violent, barbaric people and were used in that way when Coleridge would compare others to Tartars.

Before the poem was published, it was greatly favoured by Byron, who encouraged Coleridge to publish the poem, and it was admired by many people including Walter Scott.

And like Wordsworth and Coleridge in their Lyrical Ballads of 1798, she wrote amusing vignettes about local people and scenes, though in Cumberland dialect.

# Feedback-Electronic agents on the internet and wartime guns use feedback techniques discovered in the first place by Claude Bernard, whose vivisection experiments kick off animal rights movements called humane societies that really start out as lifeboat crews rescuing people from all the shipwrecks happening because of all the extra ships out there who are using Matthew Maury's data on wind and currents transmitted by the radio telegraph, invented by Samuel Morse, who's also a painter whose hero is Washington Allston, who spends time in Italy with Samuel Taylor Coleridge, who comes to Malta and spies for the governor Alexander Ball who saved Admiral Horatio Nelson's skin so he can go head over heels for Emma Hamilton in Naples, resulting in an illegitimate son.

I must have written to say how much I had enjoyed his fine book The Building Of Eternal Rome, and I found he had not regretted giving me the highest mark in his old course on the later Latin poets, although in my final examination I had ignored the questions and filled the bluebook with a comparison of Propertius and Coleridge.

These included the young Samuel Taylor Coleridge, William Wordsworth, and others prior to their disillusionment with the outbreak of the Reign of Terror.

In September 1797, Coleridge lived in Stowey in the south west of England and spent much of his time walking through the nearby Quantock Hills with his fellow poet William Wordsworth and Wordsworth's sister Dorothy ; ( His route today is memorialized as the " Coleridge Way ".

The text about Xanadu in Purchas, His Pilgrimage, which Coleridge admitted he did not remember exactly, was: " In Xandu did Cublai Can build a stately Pallace, encompassing sixteen miles of plaine ground with a wall, wherein are fertile Meddowes, pleasant Springs, delightfull streames, and all sorts of beasts of chase and game, and in the middest thereof a sumptuous house of pleasure, which may be moved from place to place.

Coleridge attributed the poem's origins to one of his stays at Ash Farm, possibly the one that happened in October 1797: " This fragment with a good deal more, not recoverable, composed, in a sort of Reverie brought on by two grains of Opium taken to check a dysentry, at a Farm House between Porlock & Linton, a quarter of a mile from Culbone Church, in the fall of the year, 1797 ".

Charles Lamb, poet and friend of Coleridge, witnessed Coleridge's work towards publishing the poem and wrote to Wordsworth: " Coleridge is printing Xtabel by Lord Byron's recommendation to Murray, with what he calls a vision of Kubla Khan – which said vision he repeats so enchantingly that it irradiates & brings Heaven & Elysian bowers into my parlour while he sings or says it ".

Printed with Kubla Khan was a preface that claimed an opium induced dream provided Coleridge the lines.

The poem begins with a fanciful description of Kublai Khan's capital Xanadu, which Coleridge places near the river Alph, which passes through caverns before reaching a dark or dead sea.

Towards the end of 1797, Coleridge was fascinated with the idea of a river and it was used in multiple poems including Kubla Khan and " The Brook ".

She is also similar to the later subject of many of Coleridge's poems, Asra, based on Sara Hutchinson, whom Coleridge wanted but was not his wife and experienced opium induced dreams of being with her.

Also, Charles Lamb provided Coleridge on 15 April 1797 with a copy of his " A Vision of Repentance ", a poem that discussed a dream containing imagery similar to those in Kubla Khan.

The poem could have provided Coleridge with the idea of a dream poem that discusses fountains, sacredness, and even a woman singing a sorrowful song.

" The next review came in the January 1817 Monthly Review, with the anonymous reviewer questioning: " Allowing every possible accuracy to the statement of Mr. Coleridge, we would yet ask him whether this extraordinary fragment was not rather the effect of rapid and instant composition after he was awake, than of memory immediately recording that which he dreamt when asleep?

" Another emphasis on the musicality of the poem came in August 1834, with Henry Nelson Coleridge analysis in the Quarterly Review: " In some of the smaller pieces, as the conclusion of the ' Kubla Khan ', for example, not only the lines by themselves are musical, but the whole passage sounds all at once as an outburst or crash of harps in the still air of autumn.

And with it ends, for all save Coleridge, the dream.

The re-creation of word and image which happens fitfully in the poetry of such a poet as Coleridge happens almost incessantly with Shakespeare.

In 1966, Virginia Radley considered Wordsworth and his sister as an important influence to Coleridge writing a great poem: " Almost daily social intercourse with this remarkable brother and sister seemed to provide the catalyst to greatness, for it is during this period that Coleridge conceived his greatest poems, ' Christabel ,' ' The Rime of the Ancient Mariner ,' and ' Kubla Khan ,' poems so distinctive and so different from his others that many generations of readers know Coleridge solely through them.

So bold, indeed, that Coleridge for once was able to dispense with any language out of the past.

The Pindarick of Cowley was revived around 1800 by William Wordsworth for one of his very finest poems, the Intimations of Immortality ode ; irregular odes were also written by Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley who wrote odes with regular stanza patterns.