* Concerto for alphorn and orchestra ( 1970 ) by Jean Daetwyler

* Concerto for alphorn No. 2 ( with flute, string orchestra & percussion ) ( 1983 ) by Daetwyler

Berg had interrupted the orchestration of Lulu because of an unexpected ( and financially much-needed ) commission from the Russian-American violinist Louis Krasner for a Violin Concerto ( 1935 ).

Other well-known Berg compositions include the Lyric Suite ( 1926 ), which was later shown to employ elaborate cyphers to document a secret love affair ; the extraordinarily elaborate post-Mahlerian Three Pieces for Orchestra ( completed in 1915 but not performed until after Wozzeck ); and the Chamber Concerto ( Kammerkonzert, 1923 – 25 ) for violin, piano and 13 wind instruments: this latter is written so conscientiously that Pierre Boulez has called it " Berg's strictest composition " and it, too, is permeated by cyphers and posthumously disclosed hidden programs.

Bartók's last work might well have been the String Quartet No. 6 but for Serge Koussevitzky's commission for the Concerto for Orchestra.

Concerto for Orchestra quickly became Bartók's most popular work, although he did not live to see its full impact.

In 1945, Bartók composed his Piano Concerto No. 3, a graceful and almost neo-classical work, as a surprise 42nd birthday present for Ditta, but he died just over a month before her birthday, with the scoring not quite finished.

In the mid-century and in the following decades, many new concerti were written for the double bass, including Nikos Skalkottas's Concerto ( 1942 ), Eduard Tubin's Concerto ( 1948 ), Lars-Erik Larsson's Concertino ( 1957 ), Gunther Schuller's Concerto ( 1962 ), and Hans Werner Henze's Concerto ( 1966 ).

In the 1970s and 1980s, new concerti included Nino Rota's Divertimento for Double Bass and Orchestra ( 1973 ), Jean Françaix's Concerto ( 1975 ), Einojuhani Rautavaara's Angel Of Dusk ( 1980 ), Gian Carlo Menotti's Concerto ( 1983 ), Christopher Rouse's Concerto ( 1985 ), and Henry Brant's Ghost Nets ( 1988 ).

In the first decade of the 21st century, new concerti include Kalevi Aho's Concerto ( 2005 ), John Harbison's Concerto for Bass Viol ( 2006 ), and André Previn's Double Concerto for violin, double bass, and orchestra ( 2007 ).

Yngwie Malmsteen released his Concerto Suite for Electric Guitar and Orchestra in 1998, and Steve Vai released a double-live CD entitled Sound Theories, of his work with the Netherlands Metropole Orchestra in June 2007.

Other early pieces that were praised were his Symphony in E, Concerto for Cello and Orchestra, and Overture in C ( In Memoriam ) ( all three of which premiered in 1866 ).

György Sándor was the soloist in the first performance of the Third Piano Concerto on February 8, 1946.

* R 8. 10 – Keyboard Concerto No. 1 in C major

* R 8. 11 – Keyboard Concerto No. 2 in F major

* R 8. 15 – Keyboard Concerto No. 3 in A major

* R 8. 16 – Keyboard Concerto No. 4 in G minor

* R 8. 17 – Keyboard Concerto No. 5 in D major

* R 8. 18 – Keyboard Concerto No. 6 in B flat major

* R 8. 19 – Keyboard Concerto No. 7 in A major

* R 8. 20 – Keyboard Concerto No. 8 in C major

Due to Steinberg's illness, DG recorded the BSO with Rafael Kubelik in Beethoven's Symphony No. 5, Ma Vlast by Bedrich Smetana and in Béla Bartók's Concerto for Orchestra as well as with Eugen Jochum conducting Symphony No. 41 by Wolfgang Mozart and Franz Schubert's Symphony 8.

His BSO recordings included the Symphony No. 8 of Dmitri Shostakovich, and a Gramophone Award-winning release of Tchaikovsky's Piano Concerto No. 2 from 1988.

The 2007 season ran from 13 July – 8 September 2007, with the first concert beginning with Walton's Portsmouth Point and included Elgar's Cello Concerto performed by Paul Watkins and Beethoven's Ninth Symphony.

* February 8 – Béla Bartók's Piano Concerto No. 3 is premiered posthumously by György Sándor with Eugene Ormandy conducting the Philadelphia Orchestra

* Concerto No. 8 for Orchestra, Op.

Some of them are formally unconventional, such as the one-movement Concerto No. 8, which is in the style of an operatic aria, and which is still periodically revived ( Jascha Heifetz championed it ), most recently in a 2006 recording by Hilary Hahn.

13 posthumous ); movement I of the unfinished Violin Concerto No. 8

* Grieg: Concerto – Sonata – Lyric Pieces ( 2000 ) EMI Records Ltd 7243 5 61745 2 8

* Vol. 6 :- DELIUS: Piano Concerto / RAVEL: Jeux d ' eau ( 8. 110689 )

** Piano Concerto No. 8 in C major, K. 246

* Gallagher David, ' Piano Concerto No. 4 " Aurora Borealis ",' sleeve notes for compact disc NAXOS 8. 555761, 2002, 2-4.

* Chamber Concerto I, op. 8 no. 1 for 9 instruments ( 1939 – 40 )

* Chamber Concerto II for clarinet, tenor sax, piano and strings, op. 8 no. 2 ( 1940 )

* Chamber Concerto III for bassoon and small orchestra, op. 8 no. 3 ( 1945 )

*" Concerto for Two Horns in D Major TWV 52: D1 "

*" Concerto for Two Horns in D Major TWV 52: D2 "

His commissions have included The Marshes of Glynn for the Royal opening of the Adrian Boult Hall in Birmingham in 1986 ; Centenary Fire Dances for the City of Birmingham ’ s Centenary Festival of Fireworks and Music ; an Overture for the Three Choirs Festival ; songs for the Cantamus Girls Choir ; song cycles for mezzo-soprano Sarah Walker and tenor John Mitchinson for broadcast on BBC Radio 3 ; anthems for the BBC Radio 4 Daily Service ; Sonata for 8 Horns for the Horn Octet of the University of New Mexico ; Suite for 6 Horns for the Vienna Horn Society ; Song of the Eagle for the James Madison University Flute Choir of Virginia ; Concerto for Two Pianos for the Duo Scaramouche ; Sonata for 8 Pianists for soloists from France, Italy and Britain ; Mela Kamavardhani for performances by Indo-Jazz Fusions in Calcutta, Delhi and Bombay ; Fanfare for Madam Speaker, for the Installation of the Rt Hon Betty Boothroyd MP as Chancellor of the Open University in 1994 ; Concerto for Two Guitars for Simon Dinnigan and Fred T. Baker with Strings from the City of Birmingham Symphony Orchestra ; Concert Overture ' Towards a New Age ' for the 150th anniversary of the British Institution of Mechanical Engineers, premiered in Symphony Hall, Birmingham, by the Royal Philharmonic Orchestra ; and Suite for Brass Sextet for the Czech Philharmonic Brass Sextet.

As a result of the success of the CD recording of his Sonata for 8 Horns by the Horns of the Czech Philharmonic Orchestra, Andrew was commissioned to compose a Concerto for 4 Horns and Orchestra for the Czech Philharmonic Orchestra, who gave two performances of the work in the Dvorak Hall, Prague, in February and March 2002.

* Concerto for 2 Horns in E flat major WoO 19 ( 1811 )

Certainly not in Orchestra Hall where he has played countless recitals, and where Thursday night he celebrated his 20th season with the Chicago Symphony Orchestra, playing the Brahms Concerto with his own slashing, demon-ridden cadenza melting into the high, pale, pure and lovely song with which a violinist unlocks the heart of the music, or forever finds it closed.

* Concerto in G Major for Viola and String Orchestra, TWV 51: G9 ; the first known concerto for viola, still regularly performed today

* Concerto in G Major for Two Violas and String Orchestra, TWV 52: G3

*" Concerto in D for Horn and Orchestra "

* Concerto for Two Chalumeaux and Orchestra

When Connick, Jr., was nine years old, he performed the Piano Concerto No. 3 Opus 37 of Beethoven with the New Orleans Symphony Orchestra ( now the Louisiana Philharmonic ), and later played a duet with Eubie Blake at the Royal Orleans Esplanade Lounge in New Orleans.

He soon began to perform with notable music groups throughout the United States, notably playing the American premiere of Hans Werner Henze ’ s Double Concerto with the National Symphony Orchestra at the Kennedy Center in Washington D. C.

Glass in particular has recently turned to conventional orchestras in works like the Concerto for Cello and Orchestra and the Violin Concerto No. 2.

Along with the iconic main theme and effective support of the story line, the score also contains allusions to twentieth-century symphonic works, such as the reference to Bartok's Concerto for Orchestra, second movement, in the tense quiet scene just before the shoot out.

* January 14 – Maurice Ravel's Concerto in G debuts with piano soloist Marguerite Long and Ravel conducting the Lamoureux Orchestra.

He wrote one concerto each for flute, oboe ( later rearranged for flute and known as Flute Concerto No. 2 ), clarinet, and bassoon, four for horn, a Concerto for Flute, Harp, and Orchestra, a Sinfonia Concertante for Violin, Viola and Orchestra, and Exsultate, jubilate, a de facto concerto for soprano voice.