Culture, Theory & Critique, 46 ( 1 ) pp. 29 – 42.

Culture, Theory and Critique 46, no.

Cargo, Cult, and Culture Critique.

Fredric Wertham and the Critique of Mass Culture.

Fredric Wertham and the Critique of Mass Culture.

* Comics Reporter: " Let's You and Him Fight " Part 1, Part 2, Part 3, Part 4, Part 5-Bart Beaty and Craig Fischer discuss Beaty's " Fredric Wertham and the Critique of Mass Culture "

After serving for five years as dean of the graduate school of psychology at the New College of California ( now defunct ) in San Francisco, Lerner and his then-wife Nan Fink created a general-interest intellectual magazine called Tikkun: A Bimonthly Jewish Critique of Politics, Culture and Society.

During this period, he perceived the East Coast Jewish origins of the majority of the movement there ( Culture of Critique, p. 104 ), which motivated his interest in Jewish intellectual movements.

MacDonald is best known for his trilogy that analyzes Judaism and Jewish culture from the perspective of evolutionary psychology, comprising A People That Shall Dwell Alone ( 1994 ), Separation and Its Discontents ( 1998 ), and The Culture of Critique ( 1998 ).

Fredric Wertham and the Critique of Mass Culture.

Bart Beaty in his book Fredric Wertham and the Critique of Mass Culture describes a concerted campaign by Dell against publication of Wertham's Seduction of the Innocent to the extent of recruiting several of the companies that it licensed characters from ( including Warner Brother Cartoons, the Lone Ranger Inc. and Edgar Rice Burroughs Inc .) to send letters of protest to Wertham's publisher Stanley Rinehart.

The Culture of Critique series is a series of books by Kevin B. MacDonald on the motivations behind Jewish conspiracies and culture, the causes of antisemitism, and Jewish control or influence in government policy and political movements.

* The Culture of Critique: An Evolutionary Analysis of Jewish Involvement in Twentieth-Century Intellectual and Political Movements

Describing the evolution of his thinking over the course of his writing the trilogy, MacDonald says in his preface to the paperback edition of The Culture of Critique:

MacDonald replied that in the actual passage from The Culture of Critique quoted by Shulevitz, he was speaking hypothetically of the consequences of competition between ethnic groups of differing abilities.

John Hartung, the associate editor of the Journal of Neurosurgical Anesthesiology and an associate professor of anesthesiology at the State University of New York said that MacDonald's The Culture of Critique was " quite disturbing, seriously misinformed about evolutionary genetics, and suffering from a huge blind spot about the nature of Christianity.

# REDIRECT The Culture of Critique series

# redirect The Culture of Critique series

# REDIRECT The Culture of Critique series

*" Showing Seeing: A Critique of Visual Culture ".

The " culture of poverty " theory has been debated and critiqued by many people including Eleanor Burke Leacock ( and others ) in her book The Culture of Poverty: A Critique.

His books include Why I am not a Hindu, God As Political Philosopher: Budha's challenge to Brahminism, A Hollow Shell, The State and Repressive Culture, Manatatwam ( in Telugu ), and Buffalo Nationalism: A Critique of Spiritual Fascism.

* Politics of Culture and the Spirit of Critique: Dialogues ( edited by Gabriel Rockhill and Alfredo Gomez-Muller, 2011 ), 240 pp. ISBN 978-0-231-15187-0.

* Mains Diamant – Blog, News, Culture

* Herubel, Jean-Pierre V. M. " Historiography's Horizon and Imperative: Febvrian Annales Legacy and Library History as Cultural History ," Libraries & Culture, Volume 39, Number 3, Summer 2004, pp. 293 – 312 in Project Muse

" The Annales and the History of Technology ," Technology and Culture, Volume 46, Number 1, January 2005, pp. 177 – 186 in Project Muse

* 1961 – Roy Hay, English musician and composer ( Culture Club )

* 1952 – 1958: House of Culture, Helsinki, Finland

* 1932 – Peter Eisenman, American architect, designed the City of Culture of Galicia

" How to Read Li ' l Abner Intelligently " from Mass Culture: Popular Arts in America, pp. 218 – 224 ( 1957 ) Free Press

* The Superfluous Men: Critics of American Culture, 1900 – 1945 / Robert Crunden., 1999

Love Saves the Day: A History of American Dance Music Culture, 1970 – 1979.

* McLaren, A. N. Political Culture in the Reign of Elizabeth I: Queen and Commonwealth, 1558 – 1585 ( Cambridge University Press, 1999 ) excerpt and text search

* 1960 – Mikey Craig, English musician ( Culture Club )

22, No. 3, Special Issue: The French Revolution in Culture ( Spring, 1989 ), pp. 451 – 468.

* Walker, Leslie H. " Sweet and Consoling Virtue: The Memoirs of Madame Roland " Eighteenth-Century Studies, French Revolutionary Culture ( 2001 ): 403 – 419.

The French Revolution and the Creation of Modern Political Culture ( Oxford, 1987 – 94 ) vol 1: The Political Culture of the Old Regime, ed.

3: The Transformation of Political Culture, 1789 – 1848, eds.

* Blanning, T. C. W. The Culture of Power and the Power of Culture: Old Regime Europe 1660 – 1789 ( 2003 )

" PDF, Visual Culture in Britain, Volume 6, Number 1, Summer 2005, pp. 1 – 13 ( 13 )

Eroticism for the masses: Japanese manga comics and their assimilation into the U. S. Sexuality & Culture, 6 ( 1 ) pp. 3 – 126.

* Georgian Monarchy: Politics and Culture, 1714 – 60, Hannah Smith, Cambridge University Press 2006

), Dada Culture: Critical Texts on the Avant-Garde, Rodopi, Amsterdam / New York 2006, 156 – 186.

This was further developed by Iain M. Banks in his Culture series, which features about 1 / 100th ringworld – size megastructures called Orbitals that orbit a star rather than encircling it entirely.

), Georg Simmel in Translation: Interdisciplinary Border-Crossings in Culture and Modernity ( pp. 123 – 155 ).

Writers such as Paul H. Ray and Sherry Ruth Anderson, in The Cultural Creatives: How 50 Million People Are Changing the World ( 2000 ), Fredrick Turner in A Culture of Hope and Lester Brown in Plan B, have articulated a critique of the basic idea of modernism itself – that individual creative expression should conform to the realities of technology.