* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dallapiccola Anna.

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dallapiccola, Anna.

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend by Anna Dallapiccola, ISBN 0-500-51088-1.

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna L. Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna L. Dallapiccola

* Dallapiccola, Anna: Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ).

* Dictionary of Hindu Lore and Legend 2004 ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

* Anna Dallapiccola, Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 )

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna L. Dallapiccola

* Dictionary of Hindu Lore and Legend ( ISBN 0-500-51088-1 ) by Anna Dallapiccola

Scholarship and Mysticism in early Eighteenth-Century Awadh ’ in A. L Dallapiccola and Stephanie Zingel-Ave Lallemant eds., Islam and Indian Regions ) Franz Steiner, Stuttgart, 1993 ) Vol I, pp. 377 – 98

* 1975 – Luigi Dallapiccola, Italian composer ( b. 1904 )

Hartmann also provided a platform for the music of the young composers who came to the fore in the late 1940s and early 1950s, helping to establish such figures as Hans Werner Henze, Luigi Nono, Luigi Dallapiccola, Carl Orff, Iannis Xenakis, Olivier Messiaen, Luciano Berio, Bernd Alois Zimmermann and many others.

** Luigi Dallapiccola, Italian composer ( d. 1975 )

* Luigi Dallapiccola used text from Savonarola's Meditation on the Psalm My hope is in Thee, O Lord in his 1938 choral work Canti di prigionia.

During the tenure of William Glock as Controller of the Proms, beginning in 1960, the Proms repertory expanded both forwards in time, to encompass then contemporary and avant-garde composers such as Boulez, Berio, Carter, Dallapiccola, Peter Maxwell Davies, Gerhard, Henze, Ligeti, Lutosławski, Lutyens, Maw, Messiaen, Nono, Stockhausen, and Tippett, as well as backwards to include music by past composers such as Purcell, Cavalli, Monteverdi, Byrd, Palestrina, Dufay, Dunstaple and Machaut, as well as less-often performed works of Johann Sebastian Bach and Joseph Haydn.

* February 3-Luigi Dallapiccola, composer ( d. 1975 )

In 1940, the Italian composer Luigi Dallapiccola published an important critical edition of Mussorgsky's work with extensive commentary.

The Italian composer Luigi Dallapiccola set " Rencesvals: Trois Fragments de la Chanson de Roland " for mezzo-soprano and piano in 1946.

Tureck did not play only Bach, but had a wide-ranging repertoire which included works by composers including Ludwig van Beethoven, Johannes Brahms, and Frédéric Chopin, as well as more modern composers such as David Diamond, Luigi Dallapiccola, and William Schuman.

In addition to studying with Luigi Dallapiccola, he began a career as a performer of new piano music, often with an improvisatory element.

Later he studied at the Florence Conservatory ( where he developed an opposition to modernism ), with Luigi Dallapiccola and with Max Deutsch in Paris.

Important composers of the period include Luciano Berio, Luigi Nono, Luigi Dallapiccola, Carlo Jachino, Gian Carlo Menotti, Jacopo Napoli, and Goffredo Petrassi.

She was very fond of the music of Debussy, whose musical influence can be distinctly perceived in her work, and she became close friends with Luigi Dallapiccola.

Luigi Dallapiccola wrote a piece called Tartiniana based on various themes by Tartini.

A Fulbright Scholarship allowed Maxfield to live in Europe between 1955 and 1957, where he studied with Luigi Dallapiccola and Bruno Maderna and met John Cage and David Tudor.

A worldwide petition led by Guenter Freudenberg and Francis Travis was presented to the South Korean government, signed by approximately 200 artists, including Igor Stravinsky and Herbert von Karajan, Luigi Dallapiccola, Hans Werner Henze, Heinz Holliger, Mauricio Kagel, Joseph Keilberth, Otto Klemperer, György Ligeti, Arne Mellnäs, Per Nørgård, Karlheinz Stockhausen, and Bernd Alois Zimmermann.

Luigi Dallapiccola and Musical Modernism in Fascist Italy.

Here his teachers included Ildebrando Pizzetti and Luigi Dallapiccola.

In 1934 she studied music and history of art in Florence, taking private piano tuition from the Italian composer Luigi Dallapiccola.

Volo di notte ( Night Flight ) is a one-act opera composed by Luigi Dallapiccola to an Italian libretto he wrote based on the novel Vol de nuit by Antoine de Saint-Exupéry.