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* Diabolus in musica: Essais sur la musique et ses interprètes – 1933
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Diabolus and musica
* Prix Médicis Non-Fiction: Yann Apperry, Diabolus in musica
* 2000 – Diabolus in musica – Yann Apperry
* the Diabolus in musica, the tritone, a certain musical interval
Diabolus and la
la: Diabolus
Diabolus and –
The band's work after Si monvmentvm reqvires, circvmspice has been even more experimental and technical, with the 5 tracks they released in 2005 – on Kénôse and a pair of splits ( the material from the latter of which was later reissued as the Mass Grave Aesthetics and Diabolus Absconditus EPs ) – totaling nearly eighty minutes in length and actually exceeding the length of Si monvmentvm reqvires, circvmspice.
#" Mi Contra Fa, Diabolus in Musica " – 5: 55
#" Diabolus In Musica " – 7: 06
musica and la
Salieri collaborated with Casti to produce a parody of the relationship between poet and composer in Prima la musica e poi le parole ( First the Music and then the Words ).
Since 2000, there have also been complete recordings issued or re-issued of the operas Axur Re d ' Ormus, Falstaff, Les Danaïdes, La Locandiera, La grotta di Trofonio, Prima la musica e poi le parole and Il mondo alla rovescia.
la: Aetas Classica ( musica )
* Prima la musica!
The question of which is more important in opera — the music or the words — has been debated over time, and forms the basis of at least two operas, Richard Strauss's Capriccio, and Antonio Salieri's Prima la musica, poi le parole.
la: Pentagrammum ( musica )
" Amilcare Ponchielli e la musica per banda.
Ponchielli e la musica per banda: atti della tavola rotonda, ridotto del teatro Ponchielli, 27 Aprile 2001.
la: Oratorium ( musica )
la: Metrum ( musica )
* October 15 – A two-week-long international conference, " Fuori tempo, dire, fare, sentire la musica oggi ", opens in Genoa, Italy, bringing together performers, composers, scholars, and administrators from classical, folk, and popular music, with a keynote address by Charles Rosen.
la: Fatum ( musica )
la: Studium ( musica )
** Prima la musica e poi le parole
* La musica ecclesiastica dove si contiene la vera diffinitione della musica come scienza, non più veduta, e sua nobilità.
His treatise Prima parte de ' discorsi e regole sovra la musica ( 1649 – 1650 ) is an important source of information on contemporary composers and the rise of monody and opera.
The competing Italian entry was the opera buffa Prima la musica, poi le parole ( First the Music, then the Words ), by Antonio Salieri.
He published his discoveries in a treatise " Trattato di musica secondo la vera scienza dell ' armonia '" ( Padua, 1754 ).
* Historia de la musica rock: Graham Parker and the Rumour, 1982
it: A Mighty Wind-Amici per la musica
* Publication of Giuseppe Tartini's treatise Trattato di musica secondo la vera scienza dell ' armonia.
la: Categoria: Instrumenta musica
la: Categoria: Notatio musica
oc: Categoria: Teoria de la musica
musica and et
* Martin Gerbert – De cantu et musica sacra
Nineteenth-century musicologist François-Joseph Fétis claimed to have seen a sixteenth-century copy of a Tractatus de musica mensurata et de proportionibus by Dufay, last seen in a bookshop in London in 1824.
Bardi wrote the Discorso ( 1578 ), a long letter to Giulio Caccini, and Galilei published the Dialogo della musica antica et della moderna ( 1581 – 1582 ).
Vincenzo Galilei thought highly of Bardi, and dedicated his famous Dialogo della musica antica et della moderna to him.
* Johann Heinrich Buttstett – Ut, mi, sol, re, fa, la, tota musica et harmonia aeterna
In 1774 he published two volumes De cantu et musica sacra ; in 1777, Monumenta veteris liturgiae Alemannicae ; and in 1784, in three volumes, Scriptores ecclesiastici de musica sacra, a collection of the principal writers on church music from the 3rd century till the invention of printing.
His most celebrated work is entitled Practica musica, exempla variorum signorum, proportionum, et canonum, judicium de tonis ac quaedam de arte suaviter et artificiose cantandi continens ( Wittenberg, 1556 ).
* Compendio del trattato de ' generi et de ' modi della musica ( 1635 )
musica and –
1520 – 1591 ), father of Galileo and the inventor of monody, made use of the method in successfully solving musical problems, firstly, of tuning such as the relationship of pitch to string tension and mass in stringed instruments, and to volume of air in wind instruments ; and secondly to composition, by his various suggestions to composers in his Dialogo della musica antica e moderna ( Florence, 1581 ).
* Allitt, John Stewart, Gaetano Donizetti – Pensiero, musica, opere scelte, Milano: Edizione Villadiseriane, 2003
Other projects include the new district near the Santa Gilla pond ( Piazza Santa Gilla ), a luxurious beauty-center on the Poetto beach, where now is the old abandoned " Marino " hospital, the new university campus, designed by Paulo Mendes da Rocha, and the new " Parco della musica ", a great park with an amphitheatre and fountains, channels and water-games, between T-hotel and the Civic Theatre ; the latter will be finished by the end of the year, while the other works will be finished by 2010 – 2011.
Martini's most important works are his Storia della musica ( Bologna, 1757 – 1781 ) and his Esemplare di contrappunto ( Bologna, 1774 – 1775 ).
* Start of Artusi – Monteverdi controversy, with publication of Artusi's treatise, L ' Artusi Ovvero delle Imperfettioni della moderna musica.
* Francesco Antonio Vallotti – Della scienza teorica e pratica della moderna musica ( On the scientific theory and practice of modern music )
The first mention of the word is in Paulus Paulirinus of Prague's ( 1413 – 1471 ) Tractatus de musica of around 1460 where he writes: The virginal is an instrument in the shape of a clavichord, having metal strings which give it the timbre of a clavicembalo.
Leipzig collegia musica, consisting mostly of university students, enjoyed a succession of particularly illustrious directors, including Johann Kuhnau ( 1688 ), Telemann ( 1702 ), and Bach ( 1729 – 1737 ), who composed several concertos and dramme per musica for weekly performances at Zimmerman's coffeehouse and for " extraordinary " concerts.
* Sergio Durante, ' Domenico Allegri ', in Dizionario enciclopedico universale della musica e dei musicisti, Torino, UTET, 1983 – 1999, ISBN 88-02-05345-6.
* Johann Caspar Ferdinand Fischer – Ariadne musica
The Lucidarium also included one of the earliest texts addressing the relationship between composer – Marchetto used the word musician, borrowing from Boethius's definition in De institutione musica libri quinque – and performer.
The opera – more formally, the dramma per musica – alternates arias with recitative, and is set on an island at an unspecified time.
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