# REDIRECT Eerie Von

While working for the Warren anthologies, he received numerous Warren Awards: 1973 Best Artist / Writer and Special Award for Excellence, 1976 Best Art: Within You, Without You, Eerie # 77 and Best Cover: Eerie # 77 and 1978 Best Cover Artist.

He and Goodwin quickly collaborated on two more stories, in Eerie # 9 ( May 1967 ) and Creepy # 15 ( June 1967 ), and Adams as well reapproached DC Comics.

* Eerie # 88 ( 1977 )

* Eerie # 35 ( 1971 )

Prior to his Gilberton stint, Morrow contributed to one of the first black-and-white horror-comics magazines, the Joe Simon-edited Eerie Tales # 1 ( Nov. 1959 ) from Hastings Associates, penciling and inking two four-page stories by an unknown writer, " The Stalker " and " Burn!

Morrow next began a three-year association with Warren Publishing's line of black-and-white horror-comics magazines in 1964, starting with the six-page story " Bewitched !," written by Larry Ivie, in Creepy # 1, and contributed over a dozen stories to that magazine and its sister publication Eerie, as well as to the war-comics magazine Blazing Combat, through 1967.

# REDIRECT Eerie, Indiana

# REDIRECT Eerie, Indiana

# REDIRECT Eerie, Indiana

In 1979 and 1980, Gulacy drew several horror / sci-fi / fantasy stories for Warren Publishing's black-and-white comics magazines Eerie, Vampirella, and Warren Presents ; some were reprinted in Eclipse Comics Nightmares # 1-2 in 1985.

# REDIRECT Eerie, Indiana

* Eerie # 36, 38-41, 43-48, 50, 52, 57-59, 63

# REDIRECT Eerie, Indiana

* Eerie # 29, 48-49, 53 ( Warren, 1970 – 74 )

* Issue # 23 of the comics magazine Eerie, published in September 1969 by Warren Publishing, contained an adaptation of the story.

* Eerie # 2, 16, 24 ( 1966-69 )

After James Warren recruited Bassford for Warren Publishing in the early 1970s, beginning with an illustration in Vampirella # 11 ( May, 1971 ), he contributed to both Creepy and Eerie.

" For Eerie # 39, he illustrated Doug Moench's " The Mysterious Men in Black!

Danzig 4p is notable as the band's final album on American Recordings, and as the last to feature the original lineup of John Christ ( guitar ), Eerie Von ( bass ), and Chuck Biscuits ( drums ).

* The Whipped Cream Mixes ( Released on Eerie Materials / Pickled Egg )

* The Microphones / Mount Eerie

* The Microphones / Mount Eerie at K Records

* Seven New Songs of " Mount Eerie " ( 2004 – CD-R / MP3 & OGG )

* Mount Eerie Dances with Wolves a. k. a. Two New Songs of " Mount Eerie " ( 2004 / 2005 – 12 " LP )

* The Microphones / Mount Eerie at K Records

Also, Animal Collective's early albums identify closely with freak folk as does their collaboration with veteran British folk artist Vashti Bunyan, and The Microphones / Mount Eerie, who combine naturalistic elements with lo-fi and psychedelia.

He wrote Captain Carrot and his Amazing Zoo Crew, The Oz / Wonderland War trilogy, as well as occasional stories for the black-and-white horror comics Creepy and Eerie, published by Warren Publishing.

M. F. Enterprises was a 1966 – 67 comic book publisher owned by artist and 1970s pulp-magazine entrepreneur Myron Fass, whose holdings also included the black-and-white, horror comics magazine imprint, Eerie Publications.

Less well-known and more downscale than the field's leader, Warren Publishing ( Creepy, Eerie, Vampirella ), the New York City-based company was one of several related publishing ventures run by comic-book artist and 1970s magazine entrepreneur Myron Fass.

* " Collapse Of An Erratic Lung " 7 " ( 2003 ); 3 " CD EP Re-release ( 2005, Eerie Stratum )

In 1971, Skywald Publications reprinted some of his earlier work on titles such as Demona, Nightmare, Red Mask and Zanagar, and Fox also found work for Warren Publications on Creepy and Eerie during the same period.

During the 1970s, he wrote for Warren Publishing's black-and-white horror-comics anthologies Creepy and Eerie, and Vampirella.

In 1983, Harris acquired the assets of the defunct Warren Publishing, including their well-known horror magazines Creepy, Eerie, and Vampirella.

Forming Harris Comics in 1985, Harris published a single issue of Creepy (# 146 ), but legal murkiness and a 1999 lawsuit by Warren publisher James Warren resulted in his reacquisition of the rights to Creepy and sister publication Eerie.

Terrance Lindall produced art for Warren Publishing's Creepy, Eerie and Vampirella, for Heavy Metal magazine, for the Epic Comics imprint of Marvel Comics and for Rod Serling's Twilight Zone Magazine.

In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the Flash Gordon comic-book series, and was a seminal contributor to the Warren Publishing's black-and-white horror comics magazines Creepy and Eerie.

Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing.

Warren explained, " We launched Eerie because we thought Creepy ought to have an adversary.

Another major development occurred in late 1971 when artists from the Barcelona Studio of Spanish agency Selecciones Illustrada started appearing in Eerie and other Warren magazines, reaching a dominant presence in the 1970s.

Much like the wave of Spanish artists that dominated the magazine throughout the mid-1970s, a number of artists from the Philippines would join Warren during Jones's period as editor including Alex Niño, Alfredo Alcala and Rudy Nebres and would remain at Eerie until its end in 1983.

In 2000, after a protracted legal dispute with Harris, Jim Warren and Warren Publishing finally regained sole ownership of all rights to his two iconic and flagship comic book franchises Creepy and Eerie.

In February 2007, a new player appeared on the scene: New Comic Company, LLC, which after seven years of effort, completed a total rights acquisition from Warren and his entity for all rights in perpetuity to Creepy and Eerie.

Maroto joined Warren Publishing in November 1971 when artists from the Spanish agency Selleciones Illustrada started appearing in the their three horror magazines, Creepy, Eerie and Vampirella.

Magazines published by Warren include After Hours, Creepy, Eerie, Famous Monsters of Filmland, Help !, and Vampirella.

After first introducing what he called " Monster Comics " in Monster World, Warren expanded in 1964 with horror-comics stories in the sister magazines Creepy and Eerie – black-and-white publications in a standard magazine format, rather than comic-book size, and selling for 35 cents as opposed to the standard comic-book price of 12 cents.