" Alberti's life was described in Giorgio Vasari's Vite de ' più eccellenti pittori, scultori, e architettori or ' Lives of the most excellent painters, sculptors and architects '.

Even Giorgio Vasari, who did not think much of artists north of the Alps, praised it in his Le Vite and called it " a miracle in wood ", though misattributing it.

Giorgio Vasari included Baccio in volume IV of his Vite.

The little known of Giorgione's life is given in Giorgio Vasari's Vite.

From this grew his Notizie, in which he consciously intended to build upon the Vite of Giorgio Vasari ; Baldinucci's was the first art history to trace the lives and work of artists not only of one region ( Vasari was prejudiced towards Tuscan artists ) but all Italy, and indeed beyond.

* Giorgio Vasari, Vite ...: Baccio Bandinelli.

Nevertheless, Giorgio Vasari mentions in the third part of his book Vite that Lotto was a friend of Palma the Elder.

Giorgio Vasari included Lotto's biography in the third volume of his book Vite.

During his travels and stay in Italy, van Mander had read and was influenced by Giorgio Vasari's famous biographical accounts of painters in his book Lives of the Most Excellent Painters, Sculptors, and Architects, often referred to as the " Vite ".

* Giorgio Vasari, Le Vite ... ( 1568 edition ; Volume IV, 94-95 ).

He is cited in Giorgio Vasari's Vite or biographies of the artists.

Giorgio Vasari in his Vite of 1550 referred to it as by " Ugo d ' Anversa " (" Hugo of Antwerp ").

One of the first records of celebrity status is artist-architect Giorgio Vasari's monograph Le Vite delle più eccellenti pittori, scultori, ed architettori ( in English, Lives of the Most Excellent Painters, Sculptors, and Architects ), first published in 1550, recording the Renaissance ( rinascita ) at the time of its flourishment.

He was also named a member ( Accademico ) of the prestigious Accademia delle Arti del Disegno of Florence, founded by the Duke Cosimo I de ' Medici, at 13 January 1563, under the influence of the architect Giorgio Vasari.

Acquarola, Aie, Bagnile, Borello, Borgo di Ronta, Borgo delle Rose, Borgo Paglia, Botteghino, Budrio, Bulgaria, Bulgarnò, Calisese, Calabrina, Capannaguzzo, Carpineta, Casalbono, Casale, Case Castagnoli, Case Frini, Case Gentili, Case Missiroli, Case Scuola Vecchia, Celincordia, Celletta, Diegaro, Formignano, Gattolino, Gualdo, Il Trebbo, Lizzano, Luogoraro, Luzzena, Macerone, Madonna dell ' Olivo, Martorano, Massa, Molino Cento, Monte Aguzzo, Monte Vecchio, Montereale, Monticino, Oriola, Osteria di Piavola, Paderno, Pievesestina, Pioppa, Ponte Abbadesse, Ponte Pietra, Pontecucco, Provezza, Rio Eremo, Rio Marano, Ronta, Roversano, Ruffio, Saiano, San Carlo, San Cristoforo, San Demetrio, San Giorgio, San Mamante, San Martino in Fiume, San Matteo, San Tomaso, San Vittore, Santa Lucia, Sant ' Andrea in Bagnolo, Settecrociari, Tessello, Tipano, Torre del Moro, Trebbo, Valdinoce, Villa Calabra, Villa Casone.

Ten years later, he was named a member ( Accademico ) of the prestigious Accademia delle Arti del Disegno, just founded by the Duke Cosimo I de ' Medici, at 13 January 1563, under the influence of the painter-architect Giorgio Vasari, becoming also one of the Medici most important court sculptors.

The first academy of art was founded in Florence in Italy by Cosimo I de ' Medici, on 13 January 1563, under the influence of the architect Giorgio Vasari who called it the Accademia e Compagnia delle Arti del Disegno ( Academy and Company for the Arts of Drawing ) as it was divided in two different operative branches.

Santa Maria delle Grazie al Calcinaio was built in 1484-1515 by Francesco di Giorgio Martini in connection with an alleged miracle-performing image of the Blessed Virgin Mary, the " Madonna del Calcinaio ".

The Accademia delle Arti del Disegno ( initially named Accademia e Compagnia delle Arti del Disegno (" Arts of Drawing Academy and Company "), as it was divided into two different operative branches ) was founded in 1563 by Cosimo I de ' Medici under the influence of Giorgio Vasari.

* San Giorgio delle Pertiche, in the Province of Padova

Upon the death of Giorgio Vasari in 1574, he became head of the Accademia e Compagnia delle Arti del Disegno, the officially patronized guild of artists, which was often called to advise on diverse projects.

* Giorgio Vasari, Le vite de ' più eccellenti pittori, scultori e architettori Lives of the Most Excellent Painters, Sculptors, and Architects, Firenze 1568, edizione a cura di R. Bettarini e P. Barocchi, Firenze 1971.

Giorgio Vasari included a biography of Pisano in his book Le vite dei più eccellenti pittori, scultori, e architetti

with Italian translation by Giorgio di Maria in V. Giustolisi, ed., Tre laudationes bizantine in onore di San Bartolomeo apostolo ( Palermo, 2004 ).

" Pardes: The Writing of Potentiality ," in Giorgio Agamben, Potentialities: Collected Essays in Philosophy, ed.

* Giorgio Tonelli, " Johann August Eberhard ", in The Encyclopedia of Philosophy ", ed.

* Giorgio Fedalto, La Chiesa latina in Oriente, Mazziana, Verona, 2nd ed.

* Pugliaro, Giorgio ed.

Giorgio Vasari, in the enlarged edition of Lives of the Artists, 1568, introduced his chapter on Leonardo da Vinci with the following words:

The framing of the woodcut image of Mannerist artist Giorgio Vasari's Lives of the Artists ( illustration, left ) would be called " Jacobean " in an English-speaking context.

Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point.

* Giorgio Vasari's life of Paolo Uccello translated by George Bull in Lives of the Artists, Part 1.

The term was first used retrospectively by the Italian artist and critic Giorgio Vasari ( 1511 – 1574 ) in his book The Lives of the Artists ( published 1550 ).

*“ Giorgio Vasari's Lives of the Artists .” Site created by Adrienne DeAngelis.

As testified by Giorgio Vasari in his Lives of the Artists, to contemporaries he was also known as a mathematician and geometer.

* Illustrated biography ( based on Giorgio Vasari's Lives )

Giorgio Vasari includes a biography of Lorenzo Monaco in his Lives.

Giorgio Vasari includes a biography of Andrea Pisano in his Lives.

Giorgio Vasari includes a biography of Nanni di Banco in his Lives of the Most Excellent Painters, Sculptors, and Architects.

Giorgio Vasari's vita of Mino da Fiesole in his Lives of the Artists dismisses him as a mere follower of Desiderio da Settignano, his master.

During his lifetime, Cosimo acquired a reputation for eccentricity — a reputation enhanced and exaggerated by later commentators such as Giorgio Vasari, who included a biography of Piero di Cosimo in his Lives of the Artists.

* Giorgio Vasari includes a biography of Pollaiuolo in his Lives of the Artists.

Giorgio Vasari includes a biography of Pollaiolo in his Lives of the Artists.

Giorgio Vasari includes a biography of Desiderio da Settignano in his Lives of the Artists.

Giorgio Vasari included a biography of Nicola Pisano in his Lives.

Giorgio Vasari included a biography of Agnolo Gaddi in his Lives of the Most Excellent Painters, Sculptors, and Architects.

Giorgio Vasari includes a biography of Lorenzetti in his Lives.

Giorgio Vasari, in Lives of the Most Excellent, Painters, Sculptors and Architects wrote of Lorenzetti's intellectual abilities, saying that his manners " were more those of a gentleman and philosopher than those of an artist.

Giorgio Vasari includes a biography of Lorenzetti in his Lives.

Giorgio Vasari includes a biography of Buonamico in his Lives, in which he tells several anecdotes about his comic escapades.