Clement Greenberg, for instance, argued in 1960 that each artistic medium should seek that which makes it unique among the possible mediums and then purify itself of anything other than expression of its own uniqueness as a form.

* Clement Greenberg

The critic Clement Greenberg, with Jackson Pollock, saw Sobel's work there in 1946, and in his essay " American-Type ' Painting " Greenberg cited those works as the first instance of all-over painting he had seen, stating that " Pollock admitted that these pictures had made an impression on him ".

He became friends with Louis, and after being introduced by Clement Greenberg to Helen Frankenthaler and seeing her new paintings at her studio in New York City in 1953 he and Louis adopted her “ soak-stain ” technique of allowing thinned paint to soak into unprimed canvases.

In 1964 he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg which traveled the country and helped to firmly establish Color Field painting as an important new movement in the contemporary art of the 1960s.

* Clement Greenberg

" On the other hand Clement Greenberg called Immanuel Kant ( 1724 – 1804 ) " the first real Modernist ", though he also wrote, " What can be safely called Modernism emerged in the middle of the last century — and rather locally, in France, with Baudelaire in literature and Manet in painting, and perhaps with Flaubert, too, in prose fiction.

< http :// www. oxfordreference. com > 27 October 2011 </ ref > Clement Greenberg sees modernism ending in the 1930s, with the exception of the visual and performing arts, but with regard to music, Paul Griffiths notes that, while modernism " seemed to be a spent force " by the late 1920s, after World War II, " a new generation of composers-Boulez, Barraqué, Babbitt, Nono, Stockhausen, Xenakis " revived modernism .< ref > Paul Griffiths " modernism " The Oxford Companion to Music.

Clement Greenberg became the voice of post-painterly Abstraction when he curated an influential exhibition of new painting that toured important art museums throughout the United States in 1964.

The art critic Clement Greenberg expounded this theory of modernism in his essay Avant-Garde and Kitsch.

By the Second World War, the taste of the American avant-garde in New York City swung decisively towards Abstract Expressionism with the support of key taste makers, including Peggy Guggenheim, Leo Steinberg and Clement Greenberg.

The assertion that the Cubist depiction of space, mass and volume supports ( rather than contradicts ) the flatness of the canvas was made by Daniel-Henry Kahnweiler ( as early as 1920 ,) but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg.

Bürger's essay also greatly influenced the work of contemporary American art historians such as Benjamin H. D. Buchloh, while older critics like Bürger continue to view the postwar neo-avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century, others like Clement Greenberg view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period.

Many writers, critics and theorists made assertions about vanguard culture during the formative years of modernism, although the initial definitive statement on the avant-garde was the essay Avant-Garde and Kitsch by New York art critic Clement Greenberg, published in Partisan Review in 1939.

Trying to strike a balance between the insights of Renato Poggioli and the claims of Clement Greenberg, Rosenberg suggested that from the mid-1960s onward progressive culture ceased to fulfill its former adversarial role.

The word, kitsch, was popularized in the 1930s by the art theorists Theodor Adorno, Hermann Broch, and Clement Greenberg, who each sought to define avant-garde and kitsch as opposites.

* Greenberg, Clement ( 1978 ).

* Avant-Garde and Kitsch — essay by Clement Greenberg

While New York and the world were yet unfamiliar with the New York avant-garde by the late 1940s, most of the artists who have become household names today had their well established patron critics: Clement Greenberg advocated Jackson Pollock and the color field painters like Clyfford Still, Mark Rothko, Barnett Newman, Adolph Gottlieb and Hans Hofmann.

Strangely the person thought to have had most to do with the promotion of this style was a New York Trotskyite Clement Greenberg.

Clement Greenberg proclaimed abstract expressionism and Jackson Pollock in particular as the epitome of aesthetic value.

Meyer Schapiro, and Leo Steinberg along with Clement Greenberg and Harold Rosenberg were important art historians of the post-war era who voiced support for abstract expressionism.

The gradual evolution of consensus about the meaning of Carl Andre's art can be found in About Carl Andre: Critical Texts Since 1965, published by Ridinghouse in 2008. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics: Clement Greenberg, Donald Kuspit, Lucy R. Lippard, Robert C. Morgan, Barbara Rose and Roberta Smith.

Early on, Greenberg ( 1957: 41, 1960 ) became convinced that many of the reportedly unrelated languages could be classified into larger groupings.

Amerind is a higher-level language family proposed by Joseph Greenberg in 1960.

One year later in 1960, Veeck and former Detroit Tigers great Hank Greenberg, his partner with the Indians and White Sox, reportedly made a strong bid for the American League expansion franchise in Los Angeles, California, with Veeck as a minority partner.

* Irving Sedar and Harold J. Greenberg, Behind the Egyptian Sphinx: Nasser's strange bedfellows ; prelude to World War III ?, Philadelphia, Chilton Co., 1960

* Greenberg, Joseph H. ( 1960 ).

Drift in this sense is not language-specific but universal, a consensus achieved over two decades by universalists of the typological school as well as the generativist, notably by Greenberg ( 1960, 1963 ), Cowgill ( 1963 ), Wittmann ( 1969 ), Hodge ( 1970 ), Givón ( 1971 ), Lakoff ( 1972 ), Vennemann ( 1975 ) and Reighard ( 1978 ).

* Greenberg, Joseph H. 1960.

* Adrian ( costume designer ) ( 1903 – 1959 ), born Adrian Adolph Greenberg, costume designer for over 250 films

Henry Benjamin " Hank " Greenberg ( January 1, 1911 – September 4, 1986 ), nicknamed " Hammerin ' Hank " or " The Hebrew Hammer ," was an American professional baseball player in the 1930s and 1940s.

In 1935 Greenberg led the league in RBIs ( 170 ), total bases ( 389 ), and extra base hits ( 98 ), tied Foxx for the AL title in home runs ( 36 ), was 2nd in the league in doubles ( 46 ), slugging percentage (. 628 ), was 3rd in the league in triples ( 16 ), and in runs scored ( 121 ), 6th in on base percentage (. 411 ) and walks ( 87 ), and was 7th in batting average (. 328 ).

In 1938, Greenberg led the league in runs scored ( 144 ) and at-bats per home run ( 9. 6 ), tied for the AL lead in walks ( 119 ), was second in RBIs ( 146 ), slugging percentage (. 683 ), and total bases ( 380 ), and third in OBP (. 438 ) and set a still-standing major league record of 39 homers in his home park, the newly reconfigured Briggs Stadium.

Starring as a first baseman and outfielder with the Tigers ( 1930, 1933 – 46 ) and doing duty only briefly with the Pirates ( 1947 ), Greenberg played only nine full seasons.

He met privately with Michael Bloomberg for 10 minutes, then met with CEO's, including Douglas N. Daft ( Coca-Cola Company ), Gerald M. Levin ( AOL Time Warner Inc .), Maurice R. Greenberg ( American International Group, commercial insurer ), and Dean O ' Hare ( Chubb Corporation, insurer ).

Among the many baseball players ( including well known stars ) who served during World War II were Moe Berg, Joe DiMaggio, Bob Feller, Hank Greenberg, Stan Musial ( in 1945 ), Warren Spahn, and Ted Williams.

Just one character, Greenberg ( played by Felix Bressart ), an actor in the theatrical company, is made obviously Jewish.

, members of the Township Committee are Mayor Sandra H. Haimoff ( term ends December 31, 2012 ), Deputy Mayor Robert J. Tillotson ( 2014 ), W. Theodore Bourke ( 2013 ), Sari Greenberg ( 2014 ) and Thomas C. McDermott ( 2013 ).

In the 1955 essay " American-Type Painting " Greenberg promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still, as the next stage in Modernist art, arguing that these painters were moving towards greater emphasis on the ' flatness ' of the picture plane.

Coined by the influential art critic Clement Greenberg in his essay called " Modernist Painting ", the phrase " integrity of the picture plane " has come to denote how the flat surface of the physical painting functions in older as opposed to more recent works.