Hans Keller gave similar endorsement.

* 1915 – Hans Peter Keller, German writer ( d. 1988 )

From the 1950s onward, Hans Keller developed a ' two-dimensional ' method of analysis that explicitly considered form and structure from the point of view of listener expectations.

Others, such as Hans Keller ( who devised a technique he called Functional Analysis ) used no prose commentary at all in some of their work.

* Keller, Hans.

Hans Keller and ed.

Within the music division, a ' BBC rebellion ' gathered force, with its most vocal members including Hans Keller and Robert Simpson.

The three founding critics were Henk Schaafsma of NRC Handelsblad, Hans Keller of Volkskrant, and Han G. Hoekstra of Het Parool.

* 1973: Hans Keller, Het Gat van Nederland

de: Hans Peter Keller

In 1967 it was Robinson who presented the edition of ' The Look of the Week ' in which classical musicologist Hans Keller was brought face to face with the young Pink Floyd.

It was revealed that the piece had been produced by Hans Keller and Susan Bradshaw at the BBC.

* Keller, Hans.

* Keller, Hans.

* Keller, Hans, Donald Mitchell, and Jeremy Noble.

* Keller, Hans, and Anton Weinberg.

* Maconie, Robin, and Hans Keller.

* Zak, Pjotr Hans Keller.

He studied composition with James Patten, Elisabeth Lutyens and Hans Keller, as well as widening and enriching his musical knowledge by working with non-guitarists Anthony Kinsella ( piano ) and Vic Bennett ( clarinet ).

She also received instruction from Sir Peter Maxwell Davies and Hans Keller.

* Mitchell, Donald, and Hans Keller, editors.

* Sittauer, Hans L. Friedrich Gottlob Keller.

Between 1957 and 1960 he studied privately with Hans Keller, an association which he has always acknowledged as formative.

Hans Keller ( 11 March 1919 – 6 November 1985 ) was an influential Austrian-born British musician and writer who made significant contributions to musicology and music criticism, as well as being an insightful commentator on such disparate fields as psychoanalysis and football.

* David Matthews ( Piano Trio No. 1 ; ' To Hans Keller ')

Donald Knuth notes that Hans Peter Luhn of IBM appears to have been the first to use the concept, in a memo dated January 1953, and that Robert Morris used the term in a survey paper in CACM which elevated the term from technical jargon to formal terminology.

Artists represented include Josef Albers, Donald Baechler, Thomas Hart Benton, Lucile Blanch, Louise Bourgeois, Charles Burchfield, Alexander Calder, Greg Colson, Dan Christensen, Ronald Davis, Stuart Davis, Richard Diebenkorn, Arthur Dove, William Eggleston, Helen Frankenthaler, Arshile Gorky, Keith Haring, Grace Hartigan, Marsden Hartley, Robert Henri, Eva Hesse, Hans Hofmann, Edward Hopper, Jasper Johns, Franz Kline, Willem de Kooning, Lee Krasner, Ronnie Landfield, John Marin, Knox Martin, John McCracken, John McLaughlin, Robert Motherwell, Bruce Nauman, Louise Nevelson, Barnett Newman, Kenneth Noland, Jackson Pollock, Maurice Prendergast, Kenneth Price, Robert Rauschenberg, Man Ray, Mark Rothko, Morgan Russell, Albert Pinkham Ryder, Cindy Sherman, John Sloan, Paul Pfeiffer, Andy Warhol, and hundreds of others.

At one end of the spectrum is the admiration of Donald Tovey (" healthy, unaffected, and drily energetic ", " rich in solid musical facts ", cast in " reinforced concrete ") and Maynard Solomon (" pellucid, brave, utterly lacking in sentimentality or affectation ") and the kindly tolerance of Hans von Bülow (" quite a pretty and tasteful little piece, protected from the dangers of obsolescence by what one might call its melodic neutrality ").

In this way he acquired works by approximately 750 artists, including Flavin, Ryman, Hanne Darboven, Eva Hesse, Donald Judd, On Kawara, Carl Andre, Dan Graham, Hans Haacke, Gerhard Richter, and others.

Notable guests included Hans Blix, Pelé, Paulo Coelho, Liv Ullmann, Ronan Keating, Donald Trump, Robbie Williams, Leona Naess, Joe Cocker, Solomon Burke, Nicole Kidman, Desmond Tutu, Meat Loaf, Anastacia, the Pet Shop Boys, Marianne Faithfull, Jan Guillou, Isabella Rossellini, Kevin Warwick, Carola Häggkvist, Isabel Allende and Wyclef Jean, Barry Farber, Melanie Chisholm, Mika, Al Gore, Will Smith, Jada Smith.

The writers whose work has appeared in The Freeman in recent decades include such libertarians as Charles W. Baird, Donald J. Boudreaux, Clarence Carson, Stephen Davies, Richard Epstein, Burton Folsom, Jr., David R. Henderson, Robert Higgs, David Kelley, Tibor Machan, Wendy McElroy, Lawrence W. Reed, George Reisman, Hans Sennholz, Bernard Siegan, John Stossel, George Leef, Thomas Szasz and Walter E. Williams.

In 1977, Hans von Storch co-founded a 100-member Donald Duck Club, defending Donald Duck against the accusations of indecent behavior.

* Hotter, H. Hans Hotter: Memoirs ( Edited and translated by Donald Arthur, with forewords by Dietrich Fischer-Dieskau and Zubin Mehta ), UPNE, 2006.

She has worked with many renowned choreographers, such as Alvin Ailey, Lar Lubovitch, Donald McKayle, Judith Jamison, Ulysses Dove, Jerome Robbins, Bill T. Jones, Garth Fagan, Katherine Dunham, Hans van Manen and Carmen de Lavallade.

Cerro Torre was featured in the 1991 film Scream of Stone, directed by Werner Herzog and starring Vittorio Mezzogiorno, Hans Kammerlander, and Donald Sutherland.

* Hans Keller and Donald Mitchell ( Contrs & Eds ): Benjamin Britten-A Commentary on His Works from a Group of Specialists ( ISBN 0-8371-5623-8 ).

His teachers have included Henri Lazarof, Lou Harrison, Donald Jenni, Richard Hervig, Jacob Druckman, Hans Werner Henze, and Martin Bresnick.

Visiting faculty have included Giorgio Agamben, Chantal Akerman, Pierre Alféri, Pierre Aubenque, Alain Badiou, Lewis Baltz, Julian Barnes, Jean Baudrillard, Yve-Alain Bois, Catherine Breillat, Victor Burgin, Judith Butler, Sophie Calle, Hélène Cixous, Diane Davis, Manuel DeLanda, Claire Denis, Jacques Derrida, Tracey Emin, Bracha Ettinger, Christopher Fynsk, Antony Gormley, Peter Greenaway, Durs Grünbein, Werner Hamacher, Barbara Hammer, Donna Haraway, Michael Hardt, Martin Hielscher, Michel Houellebecq, Shelley Jackson, Mitchell Joachim, Friedrich Kittler, Claude Lanzmann, Christian Marclay, Colum McCann, Carl Mitcham, Jean-Luc Nancy, Klaus Ottmann, Hans Ulrich Obrist, Cornelia Parker, Laurence A. Rickels, Avital Ronell, Paul D. Miller a. k. a. DJ Spooky that Subliminal Kid, Wolfgang Schirmacher, Volker Schlöndorff, Michael Schmidt, Hendrik Speck, Bruce Sterling, Allucquére Sandy Stone, Elia Suleiman, Friedrich Ulfers, Gregory Ulmer, Agnès Varda, Paul Virilio, Victor J. Vitanza, Hubertus von Amelunxen, Margarethe von Trotta, John Waters, Samuel Weber, Caveh Zahedi, Krzysztof Zanussi, Siegfried Zielinski, Slavoj Žižek and Jan Zwicky.

Outside of classical music, notable jazz and improvising musicians using this instrument include Carla Marciano, James Carter, Anthony Braxton, La Monte Young, Roscoe Mitchell, Joseph Jarman, Paul McCandless, Lol Coxhill, Roger Frampton, Hans Koller, Wolfgang Fuchs, Douglas Ewart, Larry Ochs, Vinny Golia, Thomas Chapin, Martin Archer, and Ian Anderson.

In 2003, Hans Dau with other partners, who were running the successful West Coast offices of the original Mitchell Madison Group, joined forces and decided to re-launch the firm by acquiring the brand name in bankruptcy court.

Mitchell was re-elected in the 1981 election, defeating Liberal Hans Daigeler and New Democrat Judy Wasylycia-Leis by an increased margin.

Mitchell lost to Hans Daigeler in the 1987 provincial election, by 3, 636 votes.

Other distinguished speakers who addressed the society in the course of the 20th century include Baron Friedrich von Hügel, Fr Ronald Knox, Fr Martin d ' Arcy, Sir Alec Guinness, Arthur Michael Ramsey, HRH The Princess Royal, Rowan Williams, John Finnis, Malcolm Muggeridge, Lord Longford, Immanuel Jakobovits, Viscount Monckton, Maurice Wiles, Terry Eagleton, William Rees-Mogg, Hans Adolf Krebs, Basil Mitchell, Dorothy Hodgkin, Auberon Waugh, Richard Southern, F. R.