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Berry and Ginsburg, now christened " Jan & Arnie ", re-recorded their vocals on a professional recording system.

According to Berry's biographer Mark A. Moore, " The song ( with backing vocals, plus additional instruments added by the Ernie Freeman combo ) had a raucous R & B flavor, with a bouncing bomp-bomp vocal hook that would become a signature from Jan on future recordings.

In July 1958 Jan & Arnie released their second single, " Gas Money " backed with " Bonnie Lou " ( Arwin 111 ), both written by Berry, Ginsburg, and Altfeld.

With Sheb Wooley, The Champs, Link Wray and his Ray Men, Frankie Avalon, The Kalin Twins, and Dicky Doo & The Don ' ts, Jan & Arnie were a featured act on the Summer Dance Party that toured the US East Coast, including Pennyslvania, Massachusetts, and Connecticut in July 1958.

On August 24, 1958, Jan & Arnie played in a live show hosted by Dick Clark that featured Bobby Darin, the Champs, Sheb Wooley, The Blossoms, The Six Teens, Jerry Wallace, Jack Jones, Rod McKuen, and the Ernie Freeman Orchestra in front of nearly 12, 000 fans at the first rock-n-roll show ever held at the Hollywood Bowl.

By September 6, 1958, Jan & Arnie's third and final single, " The Beat That Can't Be Beat " backed with " I Love Linda " ( Arwin 113 ), again composed by the Berry, Ginsburg, and Altfeld team, was released.

On October 19, 1958 Jan & Arnie performed " The Beat That Can't Be Beat " on CBS's Jack Benny Show.

Berry signed a series of contracts with Screen Gems to write and produce music for Jan and Dean, as well as other artists such as Judy & Jill ( Berry's girlfriend Jill Gibson and Dean Torrence's girlfriend Judy Lovejoy ), The Matadors, and Pixie ( a young female solo singer ).

During this time, Berry co-wrote and / or arranged and produced songs for artists outside of Jan and Dean, including The Angels (" I Adore Him ", Top 30 ), the Gents, the Matadors ( Sinners ), Judy & Jill, Pixie ( unreleased ), Jill Gibson, Shelley Fabares, Deane Hawley, The Rip Chords (" Three Window Coupe ", Top 30 ), and Johnny Crawford, among others.

During this period, they also began to experiment with cutting-edge comedy concepts such as the original ( unreleased ) Filet of Soul and Jan & Dean Meet Batman.

Berry began to sing again in the early 1970s, and he arranged and produced a number of singles ( both solo and as Jan & Dean ) between 1972 and 1978 on the Ode and A & M labels, facilitated by friend and former manager Lou Adler.

The part of Jan & Dean's band, Papa Doo Run Run, was played by themselves.

Johnston and Berry had known each other since high school, and had played music together in Berry's garage in Bel Air — long before Jan & Dean or the Beach Boys were formed.

Interestingly, in 1979, Jan also performed over 100 concerts of Jan and Dean songs with another front man from Hawaii, Randy Ruff, so Torrence toured briefly as " Mike & Dean ," with Mike Love of the Beach Boys.

Noted Chicago Tribune columnist Bob Greene penned a 2008 book, When We Get to Surf City: A Journey Through America in Pursuit of Rock and Roll, Friendship, and Dreams, detailing his occasional appearances with Jan & Dean's touring band throughout the 1990s and early 2000s.

" His website, Jan & Dean, features — among other things — rare images, a complete Jan & Dean discography, biography, and a timeline of his career with cohort Jan Berry.

Jan and Dean were a rock and roll duo, popular from the late 1950s through the mid 1960s, consisting of Jan Berry and Dean Torrence.

After Torrence returned from a six-month compulsory stint in the US Army Reserve, Berry and Torrence began to make music as " Jan and Dean.

" With the help of record producers Herb Alpert and Lou Adler, Jan and Dean scored a No. 10 hit with " Baby Talk " ( 1959 ), their first song to contain a few of the soon to be famous elements that became associated with surf ( close vocal harmonies, selective use of major and minor chords, falsetto doo-wop singing ) and then scored a series of hits over the next couple of years.

Unlike most other rock ' n roll acts of the period, Jan and Dean did not give music their full-time attention.

Jan and Dean were college students, maintaining their studies while writing and recording music and making public appearances on the side.

Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson.

Jan and Brian Wilson collaborated on roughly a dozen hits and album cuts for Jan and Dean, including the number one national hit " Surf City ", written by Brian Wilson, in 1963.

In 1964, at the height of their fame, Jan and Dean hosted and performed at The T. A. M. I.

Jan and Dean also filmed two unreleased television pilots: Surf Scene in 1963 and On the Run in 1966.

After the surf craze, Jan and Dean scored two Top-30 hits in 1965: " You Really Know How to Hurt a Guy " and " I Found a Girl "— the latter from the album Folk ' n Roll.

In December 1967, Jan and Dean signed an agreement with Warner Bros. Records.

Warner issued three singles under the name " Jan and Dean ", but a 1968 Berry-produced album for Warner Bros., the psychedelic Carnival of Sound, remained unreleased until February 2010, when Rhino Records ' " Handmade " label put out CD and vinyl compilations of all tracks recorded for Carnival, along with various outtakes and remixes from the project.

In 1973, Jan and Dean made an appearance at the Hollywood Palladium, as part of Jim Pewter's " Surfer's Stomp " reunion, in which the duo attempted to lip sync " Surf City ," and the record failed.

Their first actual multi-song concert billed as Jan and Dean took place in 1978 in New York City at The Palladium as part of the Murray the K Brooklyn Fox Reunion Show.

The biopic starred Richard Hatch as Jan Berry and Bruce Davison as Dean Torrence, with cameo appearances by Dick Clark, Wolfman Jack, Mike Love of the Beach Boys, and Bruce Johnston ( who at that time was temporarily out of the Beach Boys ), as well as Berry himself ( near the end of the movie, he can be seen sitting in the audience, watching " himself " ( Richard Hatch ) perform onstage ).

* 1995 Jízda / en: The Ride ( Czech republic ) – director Jan Svěrák

Waimea Bay was made famous to the general public in the 1964 film Ride the Wild Surf and in the Jan and Dean song which played at the end of the film and became a Top 20 National hit.

Waimea Bay is a song on Jan and Dean's Ride The Wild Surf album.

*" The Lumbees Ride Again ", Greensboro Daily News, 20 Jan. 1958: 4A.

* Wild Wood Jan Needle ( Rushton illustrations only ) ( Andre Deutsch, 1981 )

* Fairley, Jan " A Wild, Savage Feeling ".

In 1660, by order of Jan van Riebeek, a hedge of Wild Almond and brambles was planted to afford some protection to the perimeter of the Dutch colony.

In 2007, Keener played Jan Burres in Sean Penn's critically acclaimed film Into the Wild, based on Jon Krakauer's best-selling book of the same name.

Later Jan Rohde, a Norwegian artist born in the United States recorded it with lyrics together with the bands the Adventurers and the Wild Ones.