* Suprematism: Kazimir Malevich

* 1878 – Kazimir Malevich, Ukrainian painter and art theorist ( d. 1935 )

Kazimir Severinovich Malevich ( see names ) ( 23 February 1879, previously 1878: see below15 May 1935 ) was a Russian painter and art theoretician.

Kazimir Malevich was born near Kiev in the Kiev Governorate of the Russian Empire ( today Ukraine ).

From 1896 to 1904 Kazimir Malevich lived in Kursk.

File: Taking in the Rye Kazimir Malevich 1911. jpeg | Taking in the Rye, 1911

File: The Knife Grinder Principle of Glittering by Kazimir Malevich. jpeg | The Knifegrinder, 1912

File: Portrait of Matiushin Kazimir Malevich 1913. jpeg | Portrait of Matiushin, 1913

File: Composition with the Mona Lisa Kazimir Malevich 1914. jpeg | Composition with the Mona Lisa, 1914

* Drutt, Matthew ; Malevich, Kazimir, Kazimir Malevich: suprematism, Guggenheim Museum, 2003, ISBN 0-89207-265-2

* Milner, John ; Malevich, Kazimir, Kazimir Malevich and the art of geometry, Yale University Press, 1996.

* Kazimir Malevich in the State Russian Museum.

* All Paintings of Kazimir Malevich

* Andrei Nakov's works on Kazimir Malevich

* Guggenheim: Kazimir Malevich

* Kazimir-Malevich. org-128 works by Kazimir Malevich

* Kazimir Malevich Website

pt: Kazimir Malevich

Jean-Claude Marcadé, " Malevich, Painting and Writing: On the Development of a Suprematist Philosophy ", Kazimir Malevich: Suprematism, Guggenheim Museum, April 17, 2012 Edition

At this early time in his career, he began creating his first abstract drawings, influenced by the Suprematism of Kazimir Malevich, in 1915.

Kazimir Malevich developed the style, which can be seen in his The Knife Grinder ( signed 1912, painted 1913 ), though he later abandoned it for Suprematism.

hr: Kazimir III.

Kazimir was the first of 14 children, only nine of whom survived into adulthood.

By the early 1960s minimalism emerged as an abstract movement in art ( with roots in geometric abstraction of Kazimir Malevich, the Bauhaus and Piet Mondrian ) that rejected the idea of relational and subjective painting, the complexity of abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of action painting.

Wassily Kandinsky, Piet Mondrian, and Kazimir Malevich all believed in redefining art as the arrangement of pure color.

It obtained for its faculty some of the most important artists in the country, such as El Lissitzky and Kazimir Malevich.

Finally what makes this gallery extremely important is the amazing collection Russian avant-garde with works by Kazimir Malevich, Wassily Kandinsky, Natalia Goncharova, Mikhail Larionov and so on.

File: Marevich, Suprematist Composition-White on White 1917. jpg | Kazimir Malevich, Suprematist Composition: White on White, 1918

Its participants – Piotr Buchkin, Rudolf Frentz, Alexander Samokhvalov, Isaak Brodsky, Kuzma Petrov-Vodkin, Kazimir Malevich, Nikolai Dormidontov, Mikhail Avilov among them – became the founding fathers of the Leningrad school while their works formed one of its richest layers and the basis of the largest museum collections of Soviet painting of the 1930-1950s.

Visual artists such as David Burlyuk, Mikhail Larionov, Natalia Goncharova and Kazimir Malevich found inspiration in the imagery of Futurist writings and were poets themselves.

She helped many aspiring talents and was acquainted with many leading figures of Russian and international culture, such as Sergei Eisenstein, Lev Kuleshov, Boris Pasternak, Vsevolod Meyerhold, Kazimir Malevich, Sergei Paradjanov, Maya Plisetskaya, Rodion Shchedrin, Andrei Voznesensky, Yves St. Laurent and Pablo Picasso.

With Kazimir Malevich he was one of the two most important figures in the Russian avant-garde art movement of the 1920s, and he later became an important artist in the Constructivist movement.

It was founded by Kazimir Malevich in Russia, in 1915.

In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto From Cubism to Suprematism.

Kasimir Malevich originated Suprematism when he was an established painter having exhibited in the Donkey's Tail and the Der Blaue Reiter ( The Blue Rider ) exhibitions of 1912 with cubo-futurist works.

In " Suprematism " ( Part II of his book The Non-Objective World, which was published 1927 in Munich as Bauhaus Book No. 11 ), Malevich clearly stated the core concept of Suprematism:

In " Suprematism " ( Part II of The Non-Objective World ), Malevich writes:

Rather, Suprematism envisions man-the artist-as both originator and transmitter of what for Malevich is the world's only true reality-that of absolute non-objectivity.

Suprematism ( Supremus No. 58 ), Krasnodar Museum of Art ( Malevich, 1916 )

The Supremus group, which in addition to Malevich included Aleksandra Ekster, Olga Rozanova, Nadezhda Udaltsova, Ivan Kliun, Liubov Popova, Nikolai Suetin, Ilya Chashnik, Nina Genke-Meller, Ivan Puni and Ksenia Boguslavskaya, met from 1915 onwards to discuss the philosophy of Suprematism and its development into other areas of intellectual life.

Under the leadership of Malevich they renamed to UNOVIS, chiefly focusing on his ideas on Suprematism and producing a number of projects and publications whose influence on the avant-garde in Russia and abroad was immediate and far-reaching.

The term itself would be invented by the sculptors Antoine Pevsner and Naum Gabo, who developed an industrial, angular style of work, while its geometric abstraction owed something to the Suprematism of Kasimir Malevich.