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* La lingua sarda: Storia, spirito e forma, Max Leopold Wagner, a cura di Giulio Paulis, Nuoro 1997
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Some Related Sentences
La and lingua
* La lingua sarda contemporanea: grammatica del logudorese e del campidanese: norma e varietá dell ' uso: sintesi storica.
* Faustino Nazzi, Alle origini della " Gladio ": la questione della lingua slovena nella vita religiosa della Slavia Friulana nel secondo dopoguerra ( Udine: La Patrie dal Friûl, 1997 ).
La and Storia
* Barbuto, Marcelo ( 2008 ) “ Lettere non tanto chiare ”, La Cultura, Rivista di Filosofia, Letteratura e Storia, 2, pp. 331 – 8.
* Agostino Lombardo, La poesia inglese dall ' estetismo al simbolismo ( Roma: Edizioni di Storia e Letteratura, 1950 )
* Geza de Francovich, " La corrente comasca nella scultura romanica I and II ", Rivista dell ' Istituto della Storia d ' Arte e Archeologia 8 ( 1936 ), pp 267 – 305, 9 ( 1937 ) pp 46 – 129.
He wrote many short stories in verse and diverse novels including Un suicidio a fior d ' acqua ( 1864 ), Angioli nelle tenebre ( 1865 ), La contessa di Karolystria ( 1883 ), Abracadabra and Storia dell ' avvenire ( 1884 ).
* Mr. Gartel was recently included in the Italian Art History Textbook: La Storia Dell Arte published by Editions Giunti ( c ) 2001, Firenze.
He has since become a clear favorite of several of Italy's top directors, appearing in Tonino Cervi's Ritratto Di Borghesia In Nero ( 1977 ), Mauro Bolognini's La Dame Aux Camelias ( 1981 ), with Isabelle Huppert, and Pupi Avati's Storia Di Ragazzi E Di Ragazze ( 1989 ), to name only a few.
* Foschi, R. ( 2003 ) ' La Psicologia Sperimentale e Patologica di Pierre Janet e la Nozione di Personalità ( 1885 – 1900 )', Medicina & Storia, 5, 45-68.
La and e
Since 2000, there have also been complete recordings issued or re-issued of the operas Axur Re d ' Ormus, Falstaff, Les Danaïdes, La Locandiera, La grotta di Trofonio, Prima la musica e poi le parole and Il mondo alla rovescia.
His best operas of this period are La Rosaura ( 1690, printed by the Gesellschaft für Musikforschung ), and Pirro e Demetrio ( 1694 ), in which occur the arias " Le Violette ", and " Ben ti sta, traditor ".
The later Neapolitan operas ( L ' amor volubile e tiranno 1709 ; La principessa fedele 1710 ; Tigrane, 1714, & c .) are showy and effective rather than profoundly emotional ; the instrumentation marks a great advance on previous work, since the main duty of accompanying the voice is thrown upon the string quartet, the harpsichord being reserved exclusively for the noisy instrumental ritornelli.
These cultures show a variety of influences: Pomeranian, Milograd, Scythian and Getic, with La Tene and Roman Danubian influences evident at their maturity ; making them more " Central European " in outlook ( i. e. similar to the Przeworsk culture ) rather than of the " forest-Venedic " or Carpic-Dacian types.
* A more-or-less faithful adaptation starring Christopher Lee was produced in Italy in 1964 under the title La cripta e l ' incubo ( Crypt of the Vampire in English ).
For example, in Il Barbiere there is an aria for the Count ( often omitted ) " Cessa di più resistere ", which Rossini used ( with minor changes ) in the cantata Le Nozze di Teti e di Peleo and in La Cenerentola ( the cabaletta for Angelina's rondo is almost unchanged ).
La scrittura e la notazione, lo strumento e il repertorio dal ' 500 alla contemporaneità, preface by Luis de Pablo, Suvini Zerboni, Milano, 2008.
The most characteristic differences, for instance, between Roman Italian and Milanese Italian are the gemination of initial consonants and the pronunciation of stressed " e ", and of " s " in some cases: e. g. va bene " all right ": is pronounced by a Roman ( and by any standard-speaker ), by a Milanese ( and by any speaker whose native dialect lies to the north of La Spezia-Rimini Line ); a casa " at home " is for Roman and standard, for Milanese and generally northern.
Under Goebbels auspices the participating members ( e. g. Pierre Drieu La Rochelle and Robert Brasillach ) founded the " Europäische Schriftstellervereinigung " ( European Writers ' League ), officially in March 1942.
Around the time of the release of Obedience to Authority ( i. e. 1973-1974 ), a version of the experiment was conducted at La Trobe university in Australia.
* Palermo G., ( 2005 ) ( Italy ), La violenza intrafamiliare tra diritto e mediazione, La città del sole, Napoli, ISBN 88-8292-285-5
Also in Mexico, Benny and Perez Prado recorded several mambos including " La mucura ", " Rabo y oreja ", and " Pachito e che ".
The ministry and Passion of Jesus, as portrayed in one or more of the New Testament Gospels, has also been a theme in film, almost since the inception of the medium ( e. g., " La Passion ", France, 1903 ).
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