On 9 September 1958, the Literary Gazette critic Viktor Pertsov retaliated by denouncing, " the decadent religious poetry of Pasternak, which reeks of mothballs from the Symbolist suitcase of 1908-10 manufacture.

He published numerous articles, stories, and reviews, enhancing his reputation as a trenchant critic that he had established at the Southern Literary Messenger.

Literary critic Walter Anderson maintains that Conrad is an ardent materialist with an unusual understanding of the implications of this reductionist paradigm.

Literary critic Fredric Jameson has characterized the difference between the two genres by describing science fiction as turning " on a formal framework determined by concepts of the mode of production rather than those of religion "-that is, science fiction texts are bound by an inner logic based more on historical materialism than on magic or the forces of good and evil.

Literary critic James Wood calls him " cruel in punishment, evasive in argument, lusty for power, and repressive in politics ".

Literary critic known for his newsletter " Nouvelles de la république des lettres " and his powerful Dictionnaire historique et critique, and one of the earliest influences on the Enlightenment thinkers to advocate tolerance between the different religious beliefs.

Literary critic Richard Ellmann writes: Wilde does not name the book but at his trial he conceded that it was, or almost, Huysmans's A Rebours ... To a correspondent he wrote that he had played a ' fantastic variation ' upon A Rebours and some day must write it down.

Literary critic Edmund Wilson found in Sherman's Memoirs a fascinating and disturbing account of an " appetite for warfare " that " grows as it feeds on the South ".

Literary critic Terry Eagleton is not wholly opposed to Cultural Studies theory like Bloom, but has criticised certain aspects of it, highlighting what he sees as its strengths and weaknesses in books such as After Theory ( 2003 ).

Literary critic Hugh M. Richmond notes that Richard's beliefs about the Divine Right of Kings tend to fall more in line with the medieval view of the throne.

" Literary critic Neil Philip would later relate that " this sense of a numinous, sacred potency in landscape " was something that imbued all of Garner's work.

Literary critic Neil Philip also argued that further folkloric and mythological influences could be seen in the character of Nastrond, who had both a foul smell and an aversion to fresh water, characteristics traditionally associated with the Nuckalevee, a creature in Scottish folklore.

" The novel has also been dismissed by a number of literary critics as " merely a sentimental novel ," while critic George Whicher stated in his Literary History of the United States that " Nothing attributable to Mrs. Stowe or her handiwork can account for the novel's enormous vogue ; its author's resources as a purveyor of Sunday-school fiction were not remarkable.

Literary critic Anthony W. Lee notes in his essay " Dryden's Cinyras and Myrrha " that this translation, along with several others, can be interpreted as a subtle comment on the political scene of the late seventeenth-century England.

Literary critic Eugen Simion called it " the most valuable " among Eliade's earliest literary attempts, but noted that, being " ambitious ", the book had failed to achieve " an aesthetically satisfactory format ".

Literary critic Paul Haeffner writes that Shakespeare had a great understanding of language and the potential of every word he used.

Literary critic and philosopher Kenneth Burke first coined and described the expression " scapegoat mechanism " in his books Permanence and Change ( 1935 ), and A Grammar of Motives ( 1945 ).

Literary critic and political writer Isabel Paterson had urged the move to Connecticut, where she would be only " up country a few miles " from Paterson, who had been a friend for many years.

* John Updike: Literary realism / modernism and aestheticist critic

" Literary critic Mary Rose Kasraie echoed Lofreda's analysis, saying, " Paglia gives no indication she has read any studies related to women, or recent studies about imagination, nature and culture " and reiterates the " terrible gaps in her coverage.

Literary critic Darrell Schweitzer, however, comments that The Cats of Ulthar resembles Dunsany in " mood and execution " only and that " has no obvious parallels in any Dunsany story ".

" Literary critic and academic Helen Vendler, in 1988, declared that " in the ode ' To Autumn ,' Keats finds his most comprehensive and adequate symbol for the social value of art.

On the Kercopian Literary Criticism in the Slovenian Literary Field ), written with a rare combination of fine irony and piercing analytical style, on drastically unrefexive criticism in Slovenian literature she has shown how important it is for a critic to be disposable and open to the artistic work and at the same time able to produce analytical distances in relation to the work read and evaluated, and in the next step to compound both experiences into a certain perspective, which can come out as his / her own distinctive approach and a singular way of seeing things and works of art.

* Reflections on the Canadian Literary Imagination: A Selection of Essays by Northrop Frye

Subsequently, Frye elaborated on these observations, especially in his conclusion to Carl F. Klinck's Literary History of Canada ( 1965 ).

The Literary Gazette said that Gosse now stood " alone and unrivalled in the extremely difficult art of drawing objects of zoology so as to satisfy the requirements of science " as well as providing " vivid aesthetic impressions.

Literary historicism as a critical movement has been said to originate with him.

Poe's friend Thomas Holley Chivers said that " The Gold-Bug " ushered in " the Golden Age of Poe's Literary Life ".

Literary scholar Peter Hunt said he believes the series "... changed British literature, affected a whole generation's view of holidays, helped to create the national image of the English Lake District and added Arthur Ransome's name to the select list of classic British children's authors ".

Literary use of the Catalan language is generally said to have started with the religious text known as Homilies d ' Organyà, written late in either late 11th or early 12th century, though the earlier Cançó de Santa Fe, from 1054 – 76, may be Catalan or Occitan.

The Times Literary Supplement said of the book: " It comes near to being a work of art.

" Another anonymous review followed in the 29 July 1820 Literary Chronicle and Weekly Review that quoted the poem with a note that said that " Among the minor poems, many of which possess considerable merit, the following appears to be the best ".

A Boston Transcript reviewer said her " poetry sings " and a Literary Review contributor admired her " charming " child poems and French flavor.

The New Canadian Library was said to have been an important factor in the establishment of the Canadian Literary identity.

" Swinnerton himself said of his work: " My best books, in my own opinion, are Harvest Comedy and The Georgian Literary Scene, but I do not regard either one as of lasting importance ....

The Literary Review has said that " Faulks has the rare gift of being popular and literary at the same time "; the Sunday Telegraph called him " One of the most impressive novelists of his generation ... who is growing in authority with every book ".

His Times Literary Supplement review called the book " an unrelieved disaster ", Gardner " not the most self-assured of writers ", and said that the plot was " absurd " and " blundering ".

Literary historians have said that Cable's treatment of racism in his fiction influenced the later work of William Faulkner and Robert Penn Warren.

Before all of them was Washington Irving, said to be the first American " Literary Lion " and mentor to several other American writers.

T. J. Binyon, writing in The Times Literary Supplement said, " Christopher Wood's style is lusher than Ian Fleming's, and teeters throughout on the brink of parody.

" Literary critic and professor George Edward Woodberry said that the story " for mere physical disgust and foul horror, has no rival in literature.

Lovecraft said that the story was based on a dream, which was in turn inspired by the last line of Lord Dunsany's story " The Probable Adventure of the Three Literary Men ", quoted in the story itself: " the unreverberate blackness of the abyss ".

The trustees were required to " hold and use or allow the said land hereby granted and the buildings to be erected thereon to be at all times hereafter maintained and used as and for a Trades Hall and Literary Institute for the use of the Artificers and Operatives of Sydney aforesaid and others under and in accordance with such Regulations as shall from time to time be made by the Governor ".

Redmond O ' Hanlon, a Times Literary Supplement correspondent said that " Flannery tells his beautiful story in plain language, science popularising at its antipodean best ".

Literary critic Jovan Skerlić said one of the most striking aspects of Vojislav's activity is the attention he drew to the form and technique of poetic creation: Vojislav Ilić ima veliko čisto pesnički talenat, više čiste umetnosti, no i jedan srpski pesnik pre njega.

Maurice Willson Disher of The Times Literary Supplement was impressed in his review of 16 May 1942 when he said, " Some devoted souls may sigh for Hercule Poirot, but there are bound to be others who will be glad to find his place taken in the ‘ new Agatha Christie ’ by Miss Marple.

Maurice Willson Disher said in The Times Literary Supplement of April 28, 1945 that, " When a specialist acquires unerring skill there is a temptation to find tasks that are exceptionally difficult.

Julian MacLaren-Ross enthusiastically reviewed the novel in the April 20, 1951 issue of The Times Literary Supplement when he said it was: " more of a thriller than a detective story, though there are plenty of mysteries and two surprises reserved for the closing chapters ; one of these is perhaps her best since the unmasking of the criminal in The Seven Dials Mystery ".

The Times Literary Supplement of November 16, 1967 said, " It really is bold of Agatha Christie to write in the persona of a working-class boy who marries a poor little rich girl, but in a pleasantly gothic story of gypsy warnings she brings it all off, together with a nicely melodramatic final twist.