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Lob and der
* Horst Haider Munske: Lob der Rechtschreibung.
To this didactic and descriptive category belong his best poems, Trost-Gedichte in Widerwãrtigkeit des Krieges ( written 1621, but not published until 1633 ); Zlatna, oder von der Ruhe des Gemüths ( 1622 ); Lob des Feldlebens ( 1623 ); Vielgut, oder vom wahren Glück ( 1629 ), and Vesuvius ( 1633 ).
; Das Wandern ; Der Lindenbaum ; Horch, horch, die Lerch ; Auf dem Wasser zu singen ; Die Post ; Aufenthalt ; Lob der Tränen ; Erlkönig.
de: Lob der Torheit
36 L ' éloge des larmes ( Lob der Tränen ).
*# Lob der Tränen
* Lob der Musik, cant., op. 54, solo vv, chorus, orch, c1939
Lob dem dreiein ' gen Gott, der Nacht und Dunkel schied

Lob and cantata
The motet Sei Lob und Preis mit Ehren ( BWV 231 ) is spurious ; it is part of a cantata by Telemann.

Lob and by
Superdupont is a French comic strip created in 1972 by Marcel Gotlib and Jacques Lob, with the collaboration of Alexis.
* Tome 1: Superdupont ( by Jacques Lob, Gotlib and Alexis )
* Tome 2: Amour et forfaiture ( by Jacques Lob, Gotlib and Solé )
* Tome 3: Opération Camembert ( by Jacques Lob, Gotlib and Solé )
* Tome 4: Oui nide Iou ( by Jacques Lob, Gotlib, Alexis, Solé, Daniel Goossens, Neal Adams and Coutelis )
* Tome 5: Les âmes noires ( by Jacques Lob, Gotlib, Alexis, Solé )
Two further collaborations with ProSieben provided the second and third top ten result in a row respectively in 2011 ( Lena Meyer-Landrut with " Taken by a Stranger ") and 2012 ( Roman Lob with " Standing Still ").
Lob and Richmond cite solutions by C. L. Lehmus ( 1819 ), Eugène Charles Catalan ( 1845 ), J. Derousseau ( 1895 ), A. Pampuch ( 1904 ), and J. L. Coolidge ( 1916 ), all based on algebraic formulations of the problem.

Lob and ),
# Conquer the five thieves: It is every Sikh's duty to defeat these five thieves: Pride ( a ’ Hankar ), Anger ( Kr ’ odh ), Greed ( Lob ’ H ), Attachment ( Mo ’ H ), and Lust ( K ’ haam ).
* Lob ( tennis ), a tennis shot
* Lob ( comics ), the pen name of French comics writer Jacques Lob
* Meir Lob ben Jehiel Michel Weiser, Malbim ( 1809 – 1879 ), rabbi

Lob and for
* Lob, a synonym for the English folklore creature the lubber fiend
* " Lob ", archaic English word for " spider ", from which is derived the name of Shelob in The Lord of the Rings
showed that, for every triangle, the Lob – Richmond procedure produces three circles with larger area than the Malfatti circles, so the Malfatti circles are never optimal.
LaRoche is most famous for throwing his own variant of the eephus pitch, which he called ' La Lob.

der and Torheit
1719 ); Vernünflige Gedanken über allerhand auserlesene und juristische Handel ( 1720 – 1721 ); Historie der Weisheit und Torheit ( 3 vols., 1693 ); Kurze Lehrsätze van dem Laster der Zauberei mit dem Hexenprozess ( 1704 ); Weitere Erläuterungen der neueren Wissenschaft anderer Gedanken kennen zu lernen ( 1711 ).

der and cantata
Some of his notable compositions include the series of nineteen Klavierstücke ( Piano Pieces ), Kontra-Punkte for ten instruments, the electronic / musique-concrète Gesang der Jünglinge, Gruppen for three orchestras, the percussion solo Zyklus, Kontakte, the cantata Momente, the live-electronic Mikrophonie I, Hymnen, Stimmung for six vocalists, Aus den sieben Tagen, Mantra for two pianos and electronics, Tierkreis, Inori for soloists and orchestra, and the gigantic opera cycle Licht.
The style is most often used in preludes to suites, and can be found in non-staged vocal works such as cantatas, for example in the opening chorus of Bach's cantata Nun komm, der Heiden Heiland, BWV 61.
Widerstehe doch der Sünde ( Just resist sin ), BWV 54, is a church cantata by Johann Sebastian Bach.
Dürr describes it as a call to resistance and compares it to the beginning of the recitative " Siehe, ich stehe vor der Tür ", a call to be ready, in the cantata for Advent Nun komm, der Heiden Heiland, BWV 61, also composed in 1714.
The only other extant cantata for the Sunday is the chorale cantata Herr Christ, der einge Gottessohn, BWV 96, composed in 1724.
The music is a reworking of the second movement of Bach's Ratswechsel cantata Gott, man lobet dich in der Stille, BWV 120 on the words Jauchzet, ihr erfreute Stimmen.
The cantata Denn du wirst meine Seele nicht in der Hölle lassen, BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig.
Bach used Organ obbligato to show at a glance the importance of the organ part ( in for example cantata Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 and cantata Gott ist mein König, BWV 71 ).
* After 1745 Bach performs the Passion cantata pastiche Wer ist der, so von Edom kömmt ( BC D 10 ).
Goehr will return time and again to the idea of carrying out a synthesis of fragments or unfinished projects left by other artists, albeit in a metaphorical way: the cantata The Death of Moses resonates with Schoenberg's unfinished Moses und Aron ; the opera Arianna ( 1995 ) is the setting of the libretto of a lost opera by Monteverdi ; and the posthumously published prose fragments by Franz Kafka lurk behind Das Gesetz der Quadrille ( 1979 ), Sur terre en l ’ air ( 1997 ) and Schlussgesang ( 1990 ).
Wie schön leuchtet der Morgenstern ( How beautifully shines the morning star ), BWV 1, is a church cantata by Johann Sebastian Bach.
The cantata is based on the chorale Wie schön leuchtet der Morgenstern ( 1599 ) by Philipp Nicolai, which was associated with Epiphany but also with the Annunciation.
The center of the cantata is the Easter hymn Erschienen ist der herrlich Tag by Nikolaus Herman ( 1560 ), praising the day of the resurrection.
His hymn " Wenn Gott der Herr nicht bei uns hält ", a paraphrase of Psalm 124, was used by several composers as a base for organ and choral music, including Bach's chorale cantata BWV 178.
One of the few occasions he conducted was while playing the harpsipiano: he directed Bach's Brandenburg concerto no. 5 from the instrument and realized the continuo part of Bach's cantata Widerstehe doch der Sünde, BWV 54, in a 1960s television recording ( now to be seen in The Glenn Gould Collection ).
The Bach-Gesellschaft began publishing Bach's works in 1851 with a volume that started with BWV 1, the cantata Wie schön leuchtet der Morgenstern, BWV 1.

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