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Missa and Maria
* G. Edward Bruner, DMA: " Editions and Analysis of Five Missa Beata Virgine Maria by the Spanish Composers: Morales, Guerreo, Victoria, Vivanco, and Esquivel.
Missa Assumpta est Maria / Missa Sicut Iilium.
Includes Missa Quam Pulchra Es, Ave Maria, Salve Maria, Sancta Maria, Da Pacem, Inviolata.
* Missa Dolce fiamella mia a 5-on madrigal by Giovanni Maria Nanino.
His late four-voice mass, Missa Maria zart, tentatively dated to around 1504, is based on a devotional song popular in Tyrol, which he probably heard as he went through the region around 1503 to 1504.
* Missa Maria zart, Gimell CDGIM 032, performed by the Tallis Scholars, directed by Peter Phillips.
* G. Edward Bruner, DMA: " Editions and Analysis of Five Missa Beata Virgine Maria by the Spanish Composers: Morales, Guerreo, Victoria, Vivanco, and Esquivel.
* G. Edward Bruner, DMA: " Editions and Analysis of Five Missa Beata Virgine Maria by the Spanish Composers: Morales, Guerreo, Victoria, Vivanco, and Esquivel.
One of his masses for six voices, the Missa Ave sanctissima Maria, is a six-voice canon, a technically difficult feat reminiscent of some of the work of Ockeghem.
# Missa Assumpta est Maria ( 4vv );
# Missa Ave Maria ( 4vv );
# Missa Ave sanctissima Maria ( 6vv );
3 Missa Assumpta Est Maria
4 Missa Ave Maria
5 Missa Ave Sanctissima Maria
* Missa Ave Maria en Vespera, Capilla Flamenca and Psallentes, 2005 ( MEW 0633 )
Peñalosa was evidently fond of contrapuntal puzzles and canons, as evidenced by the quodlibet, and by the Agnus Dei of his Missa Ave Maria peregrina, which combines a plainsong tune with a retrograde ( backwards ) version of a famous secular song by Hayne van Ghizeghem.
* Penalosa: Missa Ave Maria, Missa Nunca fue pena mayor.
The Munich years were especially important for Kerll: he was apparently favoured by Ferdinand Maria, who would provide support for the rest of Kerll's life ; in 1664 he was ennobled by the emperor ; in 1669 his first published works appeared: Delectus sacrarum cantionum, a collection of vocal music, and a Missa pro defunctis, both dedicated to Ferdinand Maria.

Missa and with
The Ninth Symphony was premiered on 7 May 1824 in the Kärntnertortheater in Vienna, along with the Consecration of the House Overture and the first three parts of the Missa Solemnis.
One of his most important works, the Missa Papae Marcelli ( Pope Marcellus Mass ), has been historically associated with erroneous information involving the Council of Trent.
Compositions that could be considered a precedent for aleatory composition date back to at least the late 15th century, with the genre of the catholicon, exemplified by the Missa cuiusvis toni of Johannes Ockeghem.
* Missa Cantata ( Latin for " sung mass "): celebrated by a priest without deacon and subdeacon, and thus a form of Low Mass, but with some parts ( the three variable prayers, the Scripture readings, Preface, Pater Noster, and Ite Missa Est ) sung by the priest, and other parts ( Introit, Kyrie, Gloria, Gradual, Tract or Alleluia, Credo, Offertory Antiphon, Sanctus and Benedictus, Agnus Dei, and Communion Antiphon ) sung by the choir.
That same year it released a Beethoven bicentennial set that included the 1935 Missa Solemnis with the Philharmonic and LPs of the 1948 televised concert of the ninth symphony taken from an FM radio transcription, complete with Ben Grauer's comments.
Additional releases included a number of Beethoven symphonies recorded with the New York Philharmonic during the 1930s, a performance of Mozart's Piano Concerto No. 27 on February 20, 1936, at which Rudolf Serkin made his New York debut, and one of the most celebrated underground Toscanini recordings of all, the legendary 1940 broadcast version of Beethoven's Missa Solemnis, which has better soloists ( Zinka Milanov, Jussi Bjoerling, both in their prime ) and a more powerful style than the 1953 RCA studio recording, although the microphone placement was kinder to the soloists in 1953.
Disillusioned with composition, he wrote virtually nothing for the next 20 years-until shortly before his death, when a sudden flowering of creativity produced among a number of works the mass ' Missa Sanctae Mariae Magdalenae ', ( available on an ASV CD, DCA961 ).
Among the music Helmut Hochstein lists as being composed for Venice, are to be found four oratorios: " Isacco figura del Redentore ", " La Betulia liberata ", " Joas ", " Juda proditor "; some numbers in a collection of solo motets called Modulamina Sacra ; one Missa breve in F major with its Credo in D major, probably a second mass in G major, 47 one Te Deum, and five psalms.
Missa quadragesimalis is a simple a cappella setting ( with only a continuo part provided ) for four voices, as is the Stabat Mater.
On its completion, Bach visited Augustus and presented him with a copy of the Missa, together with a petition to be given a court title, dated July 27, 1733.
Bach presented these as a Missa with a set of parts ( Kyrie plus Gloria, BWV 232a ) to Augustus with a note dated 27 July 1733, in the hope of obtaining the title, " Electoral Saxon Court Composer ", complaining that he had " innocently suffered one injury or another " in Leipzig.
* Missa " Cum Jubilo " for mixed chorus a cappella ( or with piano, organ, or string orchestra ), Op.
He published only three books of motets, in 1566, 1581 and 1581 ; a few of his works, such as the Missa Dominicalis appeared in anthologies with the music of other composers.
Bach adapted the music with only minor changes for the Gratias of his Missa for the court of Dresden in 1733, which expresses the same idea.
The choir's recordings include two discs of Palestrina on the Hyperion label – the Missa Hodie Christus Natus Est with motets for Advent and Christmas, and the Missa Dum Complerentur with Pentecost motets and plainchant.
He is known to have written at least one work after his dismissal from Ferrara ( the Missa de beata virgine ), and he may have still have been alive in 1513 since there is a mention in a treatise of Vincenzo Galilei that Brumel was one of a group of composers who met with Pope Leo X in that year ; however since Vincenzo was writing more than a generation later and reporting second-hand, and no other corroborating evidence has been found, this account is not considered to be certain.
Brumel wrote a Missa l ' homme armé, as did so many other composers of the Renaissance: appropriately, he set it as a cantus firmus mass, with the popular song in long notes in the tenor, to make it easier to hear.
All of his masses, with the exception of the highly unusual 12-voice Missa Et ecce terræ motus, are for four voices.

Missa and motet
Some of his masses show influence from the Venetian School, particularly in their use of polychoral techniques ( for example, in the eight-voice Missa osculetur me, based on his own motet ).
Includes Gombert's motet, Lugebat David Absalon, the Obrecht Missa Sub tuum presidium, as well as motets by Willaert, Clemens non Papa, Ockeghem, Des Prez, and Mouton.
Includes Mouton's motet, Nesciens mater, the Obrecht Missa Sub tuum presidium, as well as motets by Willaert, Clemens non Papa, Ockeghem, Des Prez, and Gombert.
# Missa Missus est Gabriel angelus ( based on the motet by Josquin ), 4vv
# Missa Paranymphus ( based on the motet by Compère ), 4vv
Allowing the " 30 " to be a mistake, the Italian song referred to is either the 40-part motet Ecce beatam lucem or the 40-60 voice mass Missa sopra Ecco sì beato giorno, both by Alessandro Striggio, who is known to have visited London in June 1567 after a trip through Europe during which he arranged other performances of Missa sopra Ecco sì beato giorno.

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