* Pareles, Jon, and Patricia Romanowski ( eds.

* The Rolling Stone Encyclopedia of Rock & Roll by Holly George-Warren, Patricia Romanowski, Jon Pareles ( 2001 ), Fireside Press ( ISBN 0-7432-0120-5 )

" In the same publication, Jon Pareles noted that the sound that defines Destiny's Child, aside from Knowles ' voice, " is the way its melodies jump in and out of double-time.

Jon Pareles of The New York Times gave the album a favorable review, calling Shakur the " St. Augustine of gangster rap " due to his ambivalence towards the behavior and nature of the gangster lifestyle.

" Jon Pareles of The New York Times said that " Superunknown actually tries to broaden its audience by breaking heavy-metal genre barriers that Soundgarden used to accept.

* George-Warren Holly, Romanowski Patricia, Pareles Jon.

* " Still Soulful, Still Swinging, Still Ready to Bust Loose ," Jon Pareles, The New York Times, April 21, 2007

In 2010, critic Jon Pareles of The New York Times pointed out that all four of the musicals nominated for the Tony Award for Best Musical that year could be described as rock musicals.

" Jon Pareles of The New York Times notes Control takes obvious influence from Prince, describing " he album's pacing, its clipped vocal lines — even the spoken introduction that starts things off " as pure Minneapolis sound ; he adds " ut where the Prince style is usually connected with heavy-breathing come-ons, Miss Jackson is cheerfully standoffish.

Jon Pareles of The New York Times called the album " a tour de force from a sly, articulate musician who sounds comfortable in any era.

* Pareles, Jon ( April 4, 2004 ).

* Pareles, Jon.

The members of the Feelies never stopped playing and collaborating in the 1980s, earning them the distinction of being " the New York area's best-loved underground rockers since the late 1970's ", according to Jon Pareles of the New York Times in 1986.

* Pareles, Jon ( 2006 ).

Jon Pareles wrote in The New York Times that " The sentiment of ' Loser ' [...] reflects the twentysomething trademark, a mixture of self-mockery and sardonic defiance ", noting Beck's " offhand vocal tone and free-associative lyrics " and comparing his vocals to " Bob Dylan talk-singing ".

* Pareles, Jon ( August 27, 1989 ).

Jon Pareles of the New York Times wrote of Ruffins in a July 16, 2001 article, stating that " Mr. Ruffins is an unabashed entertainer who plays trumpet with a bright, silvery tone, sings with off-the-cuff charm and never gets too abstruse in his material ".

" Jon Pareles of The New York Times said that " through the concert, Madonna made a display of arrogance, tossing off profanities, striking tough postures and glaring more often than she smiled.

" Editor of The New York Times, Jon Pareles, gave The Emancipation of Mimi a favorable review, complimenting the fact that Carey wrote all of the album's material.

" Jon Pareles of The New York Times compares Jackson to her brother Michael and Madonna, stating " Jackson's real strength, abetted by Jam and Lewis, is the way she tops dance-club rhythms with pop melodies.

In June 2008, Dianne Reeves covered the song for the JVC Jazz Festival at Carnegie Hall in New York City ; Jon Pareles of The New York Times considered her version to be " easy-swaying ".

The band has variously been described as " bittersweet indie space rock ", " neo-psychedelic, blissed-out indie rock ", " dreamy, spacey psychedelic pop ", and " an uneasy combination of warm, tactile guitars and affectless electronics ".< ref name =" Sisario "> Jon Pareles of The New York Times described the band's songs as " stately anthems orchestrated with full late-psychedelic pomp: fuzz-toned guitar strumming, rippling keyboards brawny drumbeats ".

As the decade progressed, the Crawdaddy staff included Timothy White ( later, an editor of Billboard ), Mitch Glazer, Denis Boyles, Noe Goldwasser, John Swenson and Jon Pareles ( currently a music writer at The New York Times ).

* " Jazz Passengers, A Modernist Septet ", by Jon Pareles

Music critic Jon Pareles noted that with the song:

Music journalist Jon Pareles of The New York Times wrote about Tonedeff's performance at Lollapalooza, noting that Tonedeff " has so many variations of rhythm and tone that his songs are enjoyable even without a rewind button to find out what they meant.

New York Times music critic John Pareles says about Laws of Illusion-" It ’ s a kindly, enveloping sound that Ms. McLachlan has long used to conjure passion and empathy laced with melancholy.

Miles ' songcraft was praised by New York Times critic, John Pareles.

Jon Pareles of The New York Times described it as " inspirational ", and felt that due to its vagueness, the song is would be applicable to all listeners, not just Carey.

Allmusic critic Stephen Thomas Erlewine named the song one of his top two picks from Emotions, while Jon Pareles from The New York Times called it an " uplifting pop-gospel homily ".

Following a favorable review of the album, in which he praised Carey's voice as " invariably astonishing ", as well as the album's production and content, Jon Pareles from The New York Times wrote " So is Mariah Carey more herself than ever?

'" In its review of Whitney, Jon Pareles of The New York Times gave a negative comment, writing that listening to " I Wanna Dance with Somebody " and " You're Still My Man ," another track on the album was like " watching television while someone fiddles with color controls.

Jon Pareles of The New York Times acknowledged that U2 was trying to break its former earnest image and that they were a " vastly improved band " for being " trendy " and " funny "; still, he commented, " U2 wants to have its artifice and its sincerity at the same time — no easy thing — and it hasn't yet made the breakthrough that will unite them.

Jon Pareles of The New York Times complimented the performance, stating: " Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.

Jon Pareles of The New York Times called the performance enthusiastic and punk-pop.

Pareles commented, " rock has been transformed from nemesis to novelty to mainstay.

" Pareles also noted, " Broadway may be the final place in America, if not the known universe, where rock still registers as rebellious.

Pareles attributed some of the new acceptance of rock as theatre to American Idol and its ilk, noting that some of the show's stars have moved to theatre.

" Another driver of rock's acceptance is its own entry into middle age, Pareles said, noting that " as rock ’ s history stretches out ever longer ... it offers just as much room for ... the familiarity and nostalgia that keep the jukebox musicals running.

Still, Pareles concluded, " the last, crucial thrill of a rock performance – the unpredictability – stays just beyond Broadway ’ s reach.

* The World Music Theatre of Jon Appleton ( Folkways Records, 1974 )

* Music for Synclavier and Other Digital Systems: With Jon Appleton, Composer ( Folkways, 1978 )

Music critic Jon Savage asserted that Britpop was " an outer-suburban, middle-class fantasy of central London streetlife, with exclusively metropolitan models.

Music critic Jon Savage pinpointed Be Here Now as the moment where Britpop ended ; Savage said that while the album " isn't the great disaster that everybody says ," he noted that " t was supposed to be the big, big triumphal record " of the period.

The band was also honored with the Award of Merit at the American Music Awards in 2004, and as songwriters and collaborators, Jon Bon Jovi and Richie Sambora inducted into Songwriters Hall of Fame in 2009.

In 2012, Jon Bon Jovi ranked number fifty on the list of Billboard magazine's " Power 100 ", a ranking of " The Most Powerful and Influential People In The Music Business ".

During this time as well, Jon also worked as a teacher at the Los Angeles Recording School teaching Music Business Communications and also was a featured guest for a U. S. Pigface tour where he performed vocals for songs including Pigface's " Insect / Suspect " and Pitchshifter's classic " Genius.

The Jon Holmes radio show on BBC Radio 6 Music has a feature called the Old Gay Whistle Test, a parody where a homosexual pensioner whistles a tune for the listeners to guess.

* Broughton, Simon, Mark Ellingham and Jon Lusk ( 2006 ) The Rough Guide to World Music: Africa and the Middle East v. 1

* It's All About the Music interview August 2003 with Jon Seibels

** Chuck Pirtle, Eric von Schmidt, Jeff Place, John Fahey, Jon Pankake, Kip Lornell, Luc Sante, Luis Kemnitzer, Neil V. Rosenberg & Peter Stampfel ( notes writers ) for Anthology of American Folk Music ( 1997 Edition Expanded ) performed by various artists

* Jon Holmes co-created Dead Ringers, stars in The Now Show and hosts his own show on BBC Radio 6 Music.

XTC performed acoustically in May 1989, and Jon Bon Jovi and Richie Sambora performed " Livin ' on a Prayer " and " Wanted Dead or Alive " during the 1989 MTV Video Music Awards.

* 1970: Human Music ( Flying Dutchman ) with Jon Appleton

Richard Hunt, who, in Jon Stone's words, joined the Muppets as a " wild-eyed 18-year-old and grew into a master puppeteer and inspired teacher ", created Gladys the Cow, Forgetful Jones, Don Music, and the construction worker Sully.

BBC radio DJ Andy Kershaw noted, on a visit to North Korea, that the only recordings available were by the pop singers Jon Hye-yong, Kim Kwang-suk, Jo Kum-hwa and Ri Pun-hui, and the groups Wangjaesan Light Music Band, the Mansudae Art Troupe and the Pochonbo Electronic Ensemble, who play in a style Kershaw refers to as " light instrumental with popular vocal ".

Responses include those from Jon Lech Johansen on February 6, MP3. com founder Michael Robertson on February 8, Warner Music boss Edgar Bronfman and the open DRM Coral Consortium on February 9, head of Yahoo Music Dave Goldberg on February 11, Fred Amoroso of Macrovision on February 16 and the Free Software Foundation on March 7.

The label's publishing arm, TVT Music Publishing signed songwriter / producers Scott Storch who won Top Producer of the Year for ASCAP in 2004, and Lil Jon who won Top Producer of the Year for BMI in 2005.

Music interviewed Jon Spencer and the band performed acoustic versions of " Burn It Off ", " Wail " and " Blues X Man ".

Monk and Tom Carter, an historic assemblage of artists gathered for ' A Celebration Of America's Music ' hosted by Bill Cosby and featuring Natalie Cole, Jon Secada, Tony Bennett, k. d.

For over a decade, Jon Faddis has taught – and continues to teach – at The Conservatory of Music at Purchase College-SUNY, in Westchester, New York, where he teaches trumpet, classes, and an ensemble.

Lawro appeared on The Russell Howard & Jon Richardson show on BBC 6 Music in a feature called " Lawro's Top Three " where he randomly chooses 3 objects or items and the presenters have to guess which order his top 3 go in.

Popular characters and shows included: Blue's Clues, Beavis and Butt-head, SpongeBob SquarePants, The Daily Show with Jon Stewart, South Park, The Real World, Behind the Music, and Rugrats.