* Parker, T. Virgil.

* June 12 – Charlie Parker equals J. T.

* Parker, S., R. Talbert, T. Elliott, S. Gillies, S. Gillies, J. Becker.

Randall Tin-Ear, Doug Holland, Jeff Kay, " Ninjalicious " ( AKA Jeff Chapman ), Sky Ryan, Tim Brown, Josh Saitz, Dan Halligan, Heath Row, Jeff Koyen, Bob Conrad, Jen Angel, Seth Robson, Karl Wenclas, Asha Anderson, Emerson Dameron, Jerod Pore, Jim Goad, Cullen Carter, Steen Sigmund, Darby Romeo, Jim Hogshire, Debbie Goad, Cali Macvayia, Don Fitch, Jeff Potter, Joel McClemore, Kris Kane, Marc Parker, Paul T. Olson, Robert W. Howington, Sean Guillory, Ruel Gaviola, Jeff Somers, Tom Hendricks, Chip Rowe, Brent Ritzel and Shaun Richman.

Among this group of settlers were Silas M. Parker, Moses Herrin, Elisha Anglin, Luther T. M. Plummer, David Faulkenberry, Joshua Hadley, and Samuel Frost.

The land for building the courthouse was purchased from Andrew McCants, John T. Gray, John Sturdivant, John L. Parker, and a Mr. Covington.

Its members included former governors John M. Parker and Ruffin G. Pleasant and New Orleans Mayor T. Semmes Walmsley.

* T. Jefferson Parker

The first two houses in Clayton were built by Thomas Potts and Lewis T. Pounds, and Parker & Foote was the first store.

Joyce Spratt is the current mayor, and the town has five council members — Michael E. Henry ( District 1 ), Michael D. Nordstrom ( District 2 ), Parker J. Durham ( District 3 ), Charles T. Cephas ( District 4 ) and Christopher D. Adams ( District 5 ).

* Barry T. Parker ( born 1932 ), member of the New Jersey General Assembly and State Senate.

* Parker T. Williamson, minister and author.

Robert L. Cochran, Laura Parker, Curtis Inabinett, Jr., Annie Brown, Harold T. " Buck " Dukes, Jr., Willie Gordan

Following Lyons's death in 1986 Taylor formed the Feel Trio in the early 1990s with William Parker ( bass ) and Tony Oxley ( drums ); the group can be heard on Celebrated Blazons, Looking ( The Feel Trio ) and the 10-CD set 2 T's for a Lovely T. He has also performed with larger ensembles and big-band projects.

Keaton's only film between the years of 2004 and 2006 was the comedy The Family Stone ( 2005 ), starring an ensemble cast that also included Sarah Jessica Parker, Claire Danes, Rachel McAdams, and Craig T. Nelson.

* Parker, T. Virgil.

; 2002 T. Jefferson Parker, Silent Joe

; 2005 T. Jefferson Parker, California Girl

* Bollmer, Jennifer L .; Kimball, Rebecca T .; Whiteman, Noah Kerness ; Sarasola, José Hernán & Parker, Patricia G. ( 2005 ): Phylogeography of the Galápagos hawk ( Buteo galapagoensis ): A recent arrival to the Galápagos Islands.

In Parker, S. T., Langer, J., and Milbrath, C.

* Conway, J. H .; Curtis, R. T .; Norton, S. P .; Parker, R. A .; and Wilson, R. A .: " Atlas of Finite Groups: Maximal Subgroups and Ordinary Characters for Simple Groups.

& Parker III, T. A.

Most switch-hitters have been right-handed throwers, though among other exceptions have been the following players: Lance Berkman, Dave Collins, Doug Dascenzo, Mitch Webster, Wes Parker, Melky Cabrera, Nick Swisher, Justin Smoak, David Segui and J. T. Snow ( who in the final years of his career hit exclusively left-handed ).

** Jose Angel Cabrera & Dennis Parker ,( engineers ), Daniel Estevez T. ( engineer / mixer ) & Joan Sebastian ( producer & artist ) for Afortunado

There were more changes in personnel when guitarist T. J. Parker and vocalist and bassist Gary Moon replaced Kingery and Manzo in 1988, and were replaced themselves by Mike Cuneo and Richard Campbell during 1989.

Some preferred Judge Alton B. Parker of New York.

In his own state of New York, the two Democratic bellwethers, State Leader Hill and Tammany Boss Murphy, were saying nothing openly against Hearst but industriously boosting their own favorites, Murphy being for Cleveland and Hill for Parker.

More splenetic was Senator Edward Carmack of Tennessee, a Parker man.

The revolution in jazz that took place around 1949, the evolution from the `` bebop '' school of Dizzy Gillespie to the `` cool '' sound of Miles Davis and Lennie Tristano, Lee Konitz, and the whole legend of Charlie Parker, had made an impression on many academic and literary men.

Like the pillars of Hercules, like two ruined Titans guarding the entrance to one of Dante's circles, stand two great dead juvenile delinquents -- the heroes of the post-war generation: the great saxophonist, Charlie Parker, and Dylan Thomas.

Now Dylan Thomas and Charlie Parker have a great deal more in common than the same disastrous end.

Music, of course, is not so explicit an art, but anybody who knew Charlie Parker knows that he felt much the same way about his own gift.

It is the theme of Horace, who certainly otherwise bears little resemblance to Parker or Thomas.

I think all this could apply to Parker just as well, although, because of the nature of music, it is not demonstrable -- at least not conclusively.

Thomas and Parker have more in common than theme, attitude, life pattern.

Similarly, the innovations of bop, and of Parker particularly, have been vastly overrated by people unfamiliar with music, especially by that ignoramus, the intellectual jitterbug, the jazz aficionado.

What Parker and his contemporaries -- Gillespie, Davis, Monk, Roach ( Tristano is an anomaly ), etc. -- did was to absorb the musical ornamentation of the older jazz into the basic structure, of which it then became an integral part, and with which it then developed.

Again, contrary to popular belief, there is nothing crazy or frantic about Parker either musically or emotionally.

Parker and Pollock wanted to substitute a work of art for the world.

Technique pure and simple, rendition, is not of major importance, but it is interesting that Parker, following Lester Young, was one of the leaders of the so-called saxophone revolution.

A poem by Dylan Thomas, a saxophone solo by Charles Parker, a painting by Jackson Pollock -- these are pure confabulations as ends in themselves.

Parker certainly had much more of an influence.

Parker, who agreed with much of this criticism, did not conceal his dissatisfaction with procedural defects.

Parker insisted that the size of the record would have been drastically reduced but for an unavoidable duplication of testimony.

In a private communication written in 1911, Parker had been more to the point.

The vast industrial interests caught up in the Selden suit, as well as the complex character of the automotive art, encouraged both sides to exploit `` every possible chance '' for or against the patent, said Parker.

Parker listed the remedies he deemed essential for reducing the cost and mass of testimony.

Parker called for abolition of the indiscriminate or uncontrolled right of taking depositions before officers of the court who had no authority to limit testimony.

In the end Hough's acidulous protest, which Parker called the `` now somewhat famous note on this ' Selden ' case '', did not go unheeded.

Miss Betsy Parker was one of the speakers on the panel of the Eastern Women's Liberal Arts College panel on Wednesday evening in the Security Life Bldg..