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Performance and art
* Performance art
The " state of the art " Clinical Performance Lab is located in the James Tower of Swedish Cherry Hill, a few blocks away from the main campus.
This is called Performance art.
She's So Unusual led Lauper to win an award at the 1985 Grammy Awards: Best New Artist, the album also won the Grammy for Best Album Package, this award went to the art director, Janet Perr ; Additionally, it received four nominations ; Album of the Year, Record of the Year and Best Female Pop Vocal Performance for " Girls Just Want To Have Fun ", and Song of the Year for " Time After Time ".
* Performance art
File: Wayne_gaussoin_performance. jpg | Performance art by Wayne Gaussoin ( Picuris Peublo ), Museum of Contemporary Native Art, Santa Fe, NM, 2009
* Performance art
Performance art can happen anywhere, in any venue or setting and for any length of time.
Performance art is an essentially contested concept: any single definition of it implies the recognition of rival uses.
The in this time widely discussed difference, how concepts of visual arts and concepts of performing arts are utilized, can determine the meanings of a performance art presentation ( compare Performance: A Critical Introduction by Marvin Carlson, P. 103, 2-105, 1 ).
Performance art is a term usually reserved to refer to a conceptual art which conveys a content-based meaning in a more drama-related sense, rather than being simple performance for its own sake for entertainment purposes.
Performance artists often challenge the audience to think in new and unconventional ways, break conventions of traditional arts, and break down conventional ideas about " what art is ".
Performance art activity is not confined to European or American art traditions ; notable practitioners can be found in Asia and Latin America.
Performance art was anticipated, if not explicitly formulated, by Japan's Gutai group of the 1950s, especially in such works as Atsuko Tanaka's " Electric Dress " ( 1956 ).
Performance art, because of its relative transience, by the 1970s, had a fairly robust presence in the avant-garde of East Bloc countries, especially Yugoslavia and Poland.
Despite the fact that many performances are held within the circle of a small art-world group, RoseLee Goldberg notes, in Performance Art: From Futurism to the Present that " performance has been a way of appealing directly to a large public, as well as shocking audiences into reassessing their own notions of art and its relation to culture.
Among the performance art most discussed in the art-world of this decade were a performance by Linda Montano and Tehching Hsieh between July 1983 and July 1984, Art / Life: One Year Performance ( Rope Piece ), and Karen Finley ’ s I'm an Ass Man 1987.
Performance poets relied more on the rhetorical and philosophical expression in their poetics than performance artists, who arose from the visual art genres of painting and sculpture.
Performance art at about the same time appeared in Cuba, the Caribbean and China.
fr: Performance ( art )
it: Performance art
Performance poets relied more on the rhetorical and philosophical expression in their poetics than performance artists, who arose from the visual art genres of painting and sculpture.
Performance poetry with music peaked during the 1980s just as performance art peaked in the 1970s.

Performance and
# Words You Don't Want to Hear During Your Annual Performance Review August 19, 2002 to May 25, 2003
* ISO / TR 20983: 2003 Information and documentation Performance indicators for electronic library services
Medley also had solo success: In 1984, he scored country hits with " Till Your Memory's Gone " and " I Still Do " ( which crossed over to the adult contemporary charts and later became a " cult " hit with the Carolina Beach / Shag dance club circuit ); and in late 1987, his duet with Jennifer Warnes "( I've Had ) The Time of My Life ", which appeared on the soundtrack for Dirty Dancing topped the Billboard Hot 100 and won both an Academy Award and a Golden Globe Award for Best Original Song for a Motion Picture ( for the three songwriters, which did not include Medley ) as well as a Grammy Award for Best Pop Performance by a Duo or Group with Vocals ( which, of course, did ).
A common way of characterizing network management functions is FCAPS Fault, Configuration, Accounting, Performance and Security.
** 1988 – Nominated Best Performance by an Actress in a TV-Series Drama for Beauty and the Beast
** 1989 – Nominated Best Performance by an Actress in a TV-Series Drama for Beauty and the Beast
As a solo musician and member of The Police, Sting has received sixteen Grammy Awards for his work, receiving his first Grammy for Best Rock Instrumental Performance in 1981, three Brit Awards winning Best British Male in 1994, a Golden Globe, an Emmy Award, and several Oscar nominations for Best Original Song.
Image: BeuysAchberg78. jpg | Performance artist Joseph Beuys in 1978: Jeder Mensch ein Künstler Auf dem Weg zur Freiheitsgestalt des sozialen Organismus-Every person an artist On the way to the libertarian form of the social organism
* 1975 Best Country Vocal Performance, Female, " I Can't Help It ( If I'm Still In Love With You )" from Heart Like a Wheel
* 1976 Best Pop Vocal Performance, Female, Hasten Down the Wind
* 1987 Best Country Performance by a Duo or Group with Vocal, Trio ( with Dolly Parton and Emmylou Harris )
* 1988 Best Mexican-American Performance, Canciones de Mi Padre
* 1989 Best Pop Vocal Performance by a Duo or Group with Vocal, " Don't Know Much " from Cry Like a Rainstorm, Howl Like the Wind with Aaron Neville
* 1990 Best Pop Vocal Performance by a Duo or Group with Vocal, " All My Life " from Cry Like a Rainstorm, Howl Like the Wind with Aaron Neville
* 1970 Best Contemporary Vocal Performance, Female, " Long, Long Time " from Silk Purse
* 1975 Best Pop Vocal Performance, Female, Heart Like a Wheel
* 1977 Best Pop Vocal Performance, Female, " Blue Bayou " from Simple Dreams
* 1980 Best Rock Vocal Performance, Female, " How Do I Make You " from Mad Love
* 1982 Best Pop Vocal Performance, Female, " Get Closer " from the album Get Closer
* 1982 Best Rock Vocal Performance, Female, " Get Closer " from the album Get Closer
* 1983 Best Pop Vocal Performance, Female, What's New
* 1985 Best Pop Vocal Performance, Female, Lush Life
* 1987 Best Pop Vocal Performance by a Duo or Group with Vocal, " Somewhere Out There " from the soundtrack to An American Tail with James Ingram

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