* Reynolds, Simon.

Writing towards the end of 1987, music critic Simon Reynolds dubbed Public Enemy " a superlative rock band ".

For that purpose, they believed, the music needed to stay " accessible and unpretentious ", in the words of music historian Simon Reynolds.

* Reynolds, Simon ( 1999 ).

* Reynolds, Simon ( 2005 ).

Critic Simon Reynolds described this movement as " a rash of blurry, neo-psychedelic bands ".

As Simon Reynolds put it, " trip hop is merely a form of gentrification.

Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration " at its most mutually fruitful and equitable.

Simon Reynolds wrote in his book Rip It Up and Start Again: Post Punk 1978 – 1984 that " The Residents and their ' representatives ' were one and the same ", elaborating on one of his blogs that " this was something that anybody who had any direct dealings with Ralph figured out sooner rather than later.

Second Coming received a mixed reception from the British press, which music journalist Simon Reynolds attributed to " the resentment that the Roses, divorced from the cultural moment that gave them meaning, were now just another band ".

* Reynolds, Simon.

* Simon Reynolds ' Energy Flash: a Journey Through Rave Music and Dance Culture ( ISBN 0-330-35056-0 )

* Simon Reynolds ' Generation Ecstasy: Into the World of Techno and Rave Culture ( ISBN 0-415-92373-5 )

Music critic Simon Reynolds said in 1992 that " there's a feeling of burnout in the culture at large.

Uncut magazine's Simon Reynolds wrote of the band: " Once upon a time, a band from the North came with a sound so fresh and vigorous it took the nation by storm.

* Reynolds, Simon.

Simon Reynolds declares that " Being a Throbbing Gristle fan was like enrolling in a university course of cultural extremism.

Early industrial music often featured tape editing, stark percussion and loops distorted to the point where they had degraded to harsh noise, such as the work of early industrial group Cabaret Voltaire, which Journalist Simon Reynolds described as characterized by " hissing high hats and squelchy snares of rhythm-generator.

She writes the group's lyrics, which tend to lean towards Marxist social commentary rather than " affairs of the heart " ( in the opinion of music journalist Simon Reynolds ).

In the song, Sadier sings " about capitalism's cruel cycles of slump and recovery " with lyrics that constitute " a plainspoken explanation of one of the central tenets of Marxian economic analysis " ( said critics Simon Reynolds and Stewart Mason, respectively ).

" Simon Reynolds commented in Rolling Stone that the group's earlier records form " an endlessly seductive body of work that sounds always the same, always different.

So was San Francisco's Chrome, who mixed Jimi Hendrix, The Sex Pistols and tape music experiments, and Killing Joke, considered by Simon Reynolds as " a post-punk version of heavy metal ".

* Reynolds, Simon ( 2005 ).

Simon Reynolds identifies the usual appearance of

* Simon Reynolds ( 2005 ), Rip It Up and Start Again Postpunk 1978 – 1984, London: Faber and Faber

Many famous actors and entertainers have resided there, including Burt Reynolds, Rip Torn, Bob Hope, Charlton Heston, James Dean, Madonna, Jerry Seinfeld, Larry David, Alicia Keys, John Michael Bolger, and Sylvester Stallone.

* 2006-" Only Loved at Night " on Rip it Up-compiled by Simon Reynolds author of Rip it Up and Start Again

Many notable actors appeared on the series, including Ed Asner, Mary Astor, Roscoe Ates, Gene Barry, Ed Begley, Barbara Bel Geddes, Charles Bronson, Edgar Buchanan, Macdonald Carey, Art Carney, John Cassavetes, Jack Cassidy, Dabney Coleman, Tom Conway, Joseph Cotten, Bob Crane, Hume Cronyn, Robert Culp, Bette Davis, Francis De Sales, Bruce Dern, Brandon deWilde, Angie Dickinson, Diana Dors, Robert Duvall, Denholm Elliott, Peter Falk, John Forsythe, Anne Francis, Lorne Greene, Edmund Gwenn, Sir Cedric Hardwicke, Charles Herbert, Dame Wendy Hiller, Skip Homeier, Lou Jacobi, Joyce Jameson, Carolyn Jones, Don Keefer, Brian Keith, Jack Klugman, Jessie Royce Landis, Peter Lawford, Christopher Lee, Cloris Leachman, Peter Lorre, John McIntyre, E. G. Marshall, Herbert Marshall, Walter Matthau, Darren McGavin, John McGiver, Lee Majors, Jayne Mansfield, Steve McQueen, Tyler McVey, Audrey Meadows, Joyce Meadows, Vera Miles, Elizabeth Montgomery, Joanna Moore, Roger Moore, Vic Morrow, Leslie Nielsen, Robert Newton, Fess Parker, George Peppard, James Philbrook, Sydney Pollack, Judson Pratt, Robert Redford, Michael Rennie, Burt Reynolds, William Shatner, Dan Sheridan, Henry Silva, Barbara Steele, Jan Sterling, Dean Stockwell, Stella Stevens, Beatrice Straight, Jessica Tandy, Torin Thatcher, Rip Torn, Dick Van Dyke, Robert Vaughn, Richard Waring, Dennis Weaver, Estelle Winwood, Joanne Woodward, Fay Wray, and Keenan Wynn.

In his book Rip It Up and Start Again: Post Punk 1978-1984, Simon Reynolds identifies Teenage Jesus & the Jerks as an exercise in rock sacrilege.

According to Simon Reynolds in his book Rip It Up and Start Again, Levene was an avid progressive rock fan who had served at age fifteen as a roadie for Yes on their Close to the Edge tour.

* Reynolds, Simon Rip It Up and Start Again: Post Punk 1978-1984 ( Faber and Faber, 2005 ) ISBN 0-571-21569-6

Others who appeared on the show over the years include Malcolm X, Martin Luther King, Jr., James Meredith, Sam Sheppard, Mother Teresa, Jerry Rubin, Angela Davis, Madelyn Murray O ' Hair, Alfred Hitchcock, Fred Astaire, Judy Garland, Bette Davis, Gene Kelly, Gene Tierney, Lucille Ball, Vivian Vance, Mark Hamill, Ginger Rogers, Ricardo Montalban, Howard Keel, Celeste Holm, Dorothy Lamour, Dana Andrews, Vincent Price, Natalie Wood, Joan Crawford, Cliff Robertson, Peter Lawford, Nanette Fabray, Jack Lemmon, Tony Curtis, Lee Marvin, Paul Newman, Sean Connery, Roger Moore, Carrie Fisher, Robert Wagner, Diahann Carroll, George Hamilton, Victor Buono, Peter Ustinov, Tammy Grimes, Valerie Harper, Richard Dreyfuss, John Travolta, Louis Armstrong, Rosemary Clooney, Bing Crosby, Ethel Merman, Sammy Davis, Jr., Harrison Ford, Eydie Gorme, Jack Jones, Harry Belafonte, Liza Minnelli, Paul Anka, Robert Goulet, Carol Lawrence, Edie Adams, Debbie Reynolds, Gwen Verdon, Connie Francis, Olivia Newton-John, Ben Vereen, Joey Heatherton, Frankie Laine, Eartha Kitt, Sergio Mendes, Buddy Rich, Jerry Vale, Lola Falana, Frankie Valli, Pearl Bailey, Lou Rawls, Yank Barry, Tina Turner, Tom Waits, Eddy Arnold, Johnny Cash, Roy Clark, Kenny Rogers, Ray Stevens, Janis Ian, Bernie Taupin, Ian Anderson, Marcel Marceau, Muhammad Ali, Howard Cosell, Joe Namath, Mason Reese, Ralph Nader, Rex Reed, Martha Mitchell, Victor Borge, Kreskin, Imogene Coca, Phyllis Diller, Fannie Flagg, Lily Tomlin, Joan Rivers, Elayne Boosler, Milton Berle, George Burns, Sid Caesar, Mel Brooks, Alan King, Bill Cosby, Henny Youngman, Jack Carter, Redd Foxx, Rodney Dangerfield, Jan Murray, Shecky Greene, Buddy Hacket, Joey Bishop, Red Skelton, Steve Allen, Dan Rowan, Dick Martin, George Schindler, Marty Allen, Robert Klein, George Carlin, Sandy Baron, Artie Johnson, Frank Gorshin, Soupy Sales, Jonathan Winters, Charlie Callas, Norm Crosby, Rip Taylor, Foster Brooks, Irwin Corey, Leonard Barr, Pat Cooper, Rich Little, Stan Kann, Steve Landesberg, Andy Kaufman, Jimmie Walker, Jay Leno, Moe Howard of The Three Stooges, Gloria Parker with her Musical Glasses, Ruth Dickson, Jimmy Edmonson ( better known as " Professor Backwards " who appeared more times than any other guest ).

* Reynolds, Simon, Rip It Up and Start Again: Postpunk 1978-1984

The many performers who have appeared at the theatre include Pearl Bailey, Ethel Barrymore, Lionel Barrymore and John Barrymore, Warren Beatty, Sarah Bernhardt, Claire Bloom, Edwin Booth, John Wilkes Booth, Fanny Brice, Carol Channing, George M. Cohan, Claudette Colbert, Katharine Cornell, Hume Cronyn, Tim Curry, Denishawn, Ruth Draper, Todd Duncan, Maurice Evans, Lillian Gish, Ruth Gordon, Julie Harris, Rex Harrison, Helen Hayes, Audrey Hepburn, Katharine Hepburn, Joseph Jefferson, James Earl Jones, Lucille La Verne, Eva LeGallienne, Jerry Lewis, Alfred Lunt and Lynn Fontanne, Eartha Kitt, Ian McKellen, Mary Martin, Ethel Merman, Rita Moreno, Helen Morgan, Rosie O ' Donnell, Laurence Olivier, Annie Oakley, Geraldine Page, Robert Redford, Debbie Reynolds, Chita Rivera, Will Rogers, Rosalind Russell, George C. Scott, Kevin Spacey, Sting, Jessica Tandy, Norma Terris, Marlo Thomas, Lily Tomlin, Franchot Tone, Rip Torn and Liv Ullmann.

* Keeping the British End Up: Four Decades of Saucy Cinema ( 3rd edition ) Simon Sheridan ( Reynolds & Hearn 2007 )

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )

In 1990, following similar moves by MGM colleagues Debbie Reynolds and Angela Lansbury, Charisse produced the exercise video Easy Energy Shape Up, targeted for active senior citizens.

" Minarets " and " Seek Up " are full-band studio recordings, and " I'll Back You Up " and " Christmas Song " are Dave Matthews and Tim Reynolds live acoustic recordings.

* Tim Reynolds – guitars on " Minarets ", " Seek Up ", " I'll Back You Up ", and " Christmas Song "

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )

* Simon Sheridan Keeping the British End Up: Four Decades of Saucy Cinema, Reynolds & Hearn Books, 2007, third edition

* Debbie Reynolds ( with Molly Shannon as Ann Miller in the " Leg Up " skits )

Reynolds and Fife renamed themselves The Revillos for contractual reasons, recruiting new members, including original Rezillo Hi-Fi Harris, and released an album Rev Up in 1980 under the new name.

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )

Some felt that " Hit ' Em Up " showcased Shakur ranting and raving like a fool, and J. R. Reynolds of Billboard called it horrendous, noting that Shakur revealed his true colors upon recording the song.

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )

* Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan ( third edition ) ( 2007 ) ( Reynolds & Hearn Books )