Ross ' interest in the arts was particularly strong during this period: from 1901 to 1908, in personal and professional partnership with More Adey, he managed the Carfax Gallery, a small commercial gallery in London, co-founded by John Fothergill and the artist William Rothenstein.

He obtained works by such artists as Charles Conder, William Rothenstein, John Singer Sargent, Walter Sickert, and Philip Wilson Steer.

He sat for artists such as Sir William Rothenstein, who painted Don Roberto as The Fencer ; Sir John Lavery whose famous Don Roberto: Commander for the King of Aragon in the Two Sicilies for many years graced the cover of the Penguin Books edition of Conrad's Nostromo and whose equestrian portrait of Don Roberto on his favourite horse Pampa ; G. P. Jacomb-Hood who painted his official portrait on entering parliament, who along with Whistler were personal friends.

* Spencer, Stanley, and John Rothenstein.

In 1978, Sir John Rothenstein, for nearly 30 years Director of the Tate Gallery, London, called Dora Carrington " the most neglected serious painter of her time.

While in London Davies also became friendly with a number of artists, including Jacob Epstein, Harold and Laura Knight, Nina Hamnett, Augustus John, Harold Gilman, William Rothenstein, Walter Sickert, Sir William Nicholson and Osbert and Edith Sitwell.

Roberts was offended that the catalogue ‘ would lead the uninitiated to suppose that the artists designated as " Other Vorticists " are in some way subservient to Lewis ', and published a series of ' Vortex Pamphlets ' in which he railed against the exhibition, the catalogue, the press coverage and the account of his own career contained in Modern English Painters by the Tate's director, Sir John Rothenstein, which appeared at about the same time.

Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H. G. Wells, Joseph Conrad and the artist Augustus John.

Rothenstein had four children: John, Betty, Rachel and Michael.

John Rothenstein later gained fame as an art historian and art administrator ( he was Director of the Tate Gallery from 1938 to 1964 ).

* Rothenstein, John.

* Sir John Rothenstein ( 1901 – 1992 ), art historian, and Director, Tate Gallery, 1938 – 1964

The Great Bardfield Artists of the 1940s and 1950s were: John Aldridge, Edward Bawden, George Chapman, Stanley Clifford-Smith, Audrey Cruddas, Walter Hoyle, Michael Rothenstein, Eric Ravilious ( who lodged with Bawden at Brick House ), Sheila Robinson and Marianne Straub.

Historic NEAC members and exhibitors include Thomas Kennington ( founder member and first secretary ), Frank Bramley ( foundation member ), Alfred William Rich, Margaret Preston, Walter Sickert, Augustus John, Charles Wellington Furse, William Rothenstein, Lindsay Bernard Hall, Thomas Cooper Gotch, Mary Sargant Florence, Henry Strachey, Clare Atwood, Eve Garnett, Frank McEwen, James Jebusa Shannon, James Jebusa Shannon, Cecil Mary Leslie, Mary Elizabeth Atkins, Philip Wilson Steer, Neville Bulwer-Lytton, 3rd Earl of Lytton, Muirhead Bone, Robert Polhill Bevan, Dugald Sutherland MacColl, Neville Lewis, Charles Holmes, Carron O Lodge, Geoffrey Tibble, Alexander Mann, Hercules Brabazon Brabazon and Frank Hughes.

The English painter William Rothenstein described this performance in his first volume of memoirs:

Sir William Rothenstein ( 29 January 1872 – 14 February 1945 ) was an English painter, draughtsman and writer on art.

During the 1890s Rothenstein exhibited with the New English Art Club and contributed drawings to The Yellow Book and The Savoy ( periodical ).

* 1934 William Rothenstein — Form and content in English Painting

Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art, London ( 1888 – 1893 ), where he was taught by Alphonse Legros, and the Académie Julian in Paris ( 1889 – 1893 ), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec.

Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II.

Along with his friend and collaborator Jacob Epstein, he planned the construction in the Sussex countryside of a colossal, hand-carved monument in imitation of the large-scale Jain structures at Gwalior Fort in Madhya Pradesh, to which he had been introduced by the Indiaphile William Rothenstein.

His fellow intellectuals there were Sir William Rothenstein, Walter Sickert, Charles Ricketts, Lucien Pissarro, Ezra Pound, and Edmund Dulac.

* Rothenstein, J.

While driving through the fictional Beechum County, Alabama, NYU students and friends Billy Gambini ( Ralph Macchio ) and his friend Stan Rothenstein ( Mitchell Whitfield ) accidentally neglect to pay for a can of tuna after stopping at a convenience store.

In 1939, he went on a painting holiday at the suggestion of one of his friends, William Rothenstein, to Leonard Stanley in Gloucestershire.

Frears currently lives in London with his wife, the painter Anne Rothenstein, and his two younger children Frankie and Lola.

ISBN 3-520-37105-7 .</ ref > Grand Master Conrad Zöllner von Rothenstein then immediately terminated all trade with England.

The collection also included work from artists of other genre including those of Stanley Spencer, Samuel Palmer, Albert Moore, Frederic, Lord Leighton, Henri Fantin-Latour, Lucien Pissarro, William Nicholson, Walter Crane, Charles Conder, Jessie Marion King, William Morris's daughter May Morris, William Rothenstein, Charles Ricketts, and of course Paul Nash.

William Rothenstein was a friend.

According to William Rothenstein, " Ricketts, with his pale, delicate features, fair hair and pointed red-gold beard, looked like a Clouet drawing.

He was advised by his friend, the poet Gordon Bottomley, and by the artist William Rothenstein, that he should attend the Slade School of Art at University College, London.

William Rothenstein was born into a German-Jewish family in Bradford, West Yorkshire.

* John M. Valentine, Beginning Aesthetics: An Introduction To The Philosophy of Art.

The Penguin Edition of 1956 includes an Introduction by John Sparrow.

An Introduction to the Classical Functions of Mathematical Physics, John Wiley and Sons, Inc., New York, 1996.

* F. Jensen Introduction to Computational Chemistry, John Wiley & Sons ( 1999 ).

* Introduction to Languages and the Theory of Computation by John C. Martin McGraw Hill 1996 ( 2nd edition )

* John E. Hopcroft and Jeffrey D. Ullman, Introduction to Automata Theory, Languages and Computation, Addison-Wesley Publishing, Reading Massachusetts, 1979.

* Raymond Wilder ( 1965 ) Introduction to the Foundations of Mathematics 2nd edition, Chapter 2-8: Axioms defining equivalence, pp 48 – 50, John Wiley & Sons.

* TIB = The Interpreter ’ s Bible, The Holy Scriptures in the King James and Revised Standard versions with general articles and introduction, exegesis, exposition for each book of the Bible in twelve volumes, George Arthur Buttrick, Commentary Editor, Walter Russell Bowie, Associate Editor of Exposition, Paul Scherer, Associate Editor of Exposition, John Knox Associate Editor of New Testament Introduction and Exegesis, Samuel Terrien, Associate Editor of Old Testament Introduction and Exegesis, Nolan B. Harmon Editor, Abingdon Press, copyright 1955 by Pierce and Washabaugh, set up printed, and bound by the Parthenon Press, at Nashville, Tennessee, Volume XI, Philippians, Colossians and Exegesis by Francis W. Beare, Exposition by G. Preston MacLeod, Thessalonians, Pastoral Epistles First and Second Epistles to Timothy, and the Epistle to Titus, Philemon, Hebrews

The term essentialist first appeared in the book An Introduction to the Philosophy of Education which was written by Michael John Demiashkevich.

* John B. Hudson, Surface Science – An Introduction, ( BUTTERWORTH-Heinemann 1992.

* Gravett, Sandra L., " An Introduction to the Hebrew Bible: A Thematic Approach " ( Westminster John Knox Press, 2008 )

* Curren-Aquino, Deborah T. ( 1989a ) " Introduction: King John Resurgent ," in Curren-Aquino ( ed ) 1989b.

* Hughes, G. E., ( 1992 ) John Buridan on Self-Reference: Chapter Eight of Buridan's Sophismata, with a Translation, and Introduction, and a Philosophical Commentary, Cambridge Univ.

* Introduction to Flight, John D. Anderson, Jr., McGraw-Hill, ISBN 0-07-299071-6 – The author is the Curator of Aerodynamics at the Smithsonian Institution's National Air & Space Museum and Professor Emeritus at the University of Maryland.

* Prose Merlin, Introduction and Text ( TEAMS Middle English text series ) edited by John Conlea, 1998.

* Holm, John ( 2000 ), An Introduction to Pidgins and Creoles, Cambridge Univ.

( 1994 ) " 1066 and the Introduction of Chivalry into England ," in Garnett, George and John Hudsdon.

The Introduction establishes Darwin's credentials as a naturalist and author, then refers to John Herschel's letter suggesting that the origin of species " would be found to be a natural in contradistinction to a miraculous process ":

A different version of this parody attributed to George Gamow and Nigel Calder was published in Galaxies in the Universe: An Introduction by Linda Sparke and John Gallagher ( Cambridge University Press, 2000-ISBN 0-521-59740-4 ).

* A Chosen Faith: An Introduction to Unitarian Universalism ( Revised edition ) by John A. Buehrens and Forrest Church, 1998, Beacon Press, ISBN 0-8070-1617-9.

* The Poems of Saint John of the Cross ( English Versions and Introduction by Willis Barnstone ), Indiana University Press, 1968, revised 2nd ed.

* Poems of St John of The Cross ( Translated and Introduction by Kathleen Jones ), Burns and Oates, Tunbridge Wells, Kent, UK, 1993, ISBN 0-86012-210-7

* John M. Frame, Apologetics to the Glory of God: An Introduction ( Phillipsburg: Presbyterian and Reformed, 1994 ).