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* The Andantes: Additional background vocals on " Love Woke Me Up This Morning "
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Andantes and Additional
* Additional background vocals by The Andantes: Jackie Hicks, Marlene Barrow and Louvain Demps
* Additional background vocals on " Come On " and " It's Growing ": The Andantes
* Additional background vocals on " Sorry Is A Sorry Word " and " Just One Last Look ": The Andantes
Andantes and background
Recordings of this version took more than a month due to Whitfield overdubbing Gaye's vocals with that of the Andantes ' background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.
The song was co-written by Robinson's fellow Miracles members Pete Moore and Marv Tarplin. The Miracles also sang background on this recording, along with Motown's long-standing female back-up group, The Andantes, and Miracle Marv Tarplin played lead guitar.
Whitfield produced Gaye's version as well, which featured background vocals by The Andantes.
The Vandellas would be joined in the background list of singers with male background vocal group The Love Tones, the Rayber Voices and The Andantes and struggling Motown groups The Temptations and The Supremes while the music was mainly handled by the label's in-house background band, later known as The Funk Brothers.
Andantes and vocals
The mixture of Gaye's raspy vocals and the Andantes ' sweeter harmonies, made Whitfield confident that he had a hit ; however, despite approval from Motown's Quality Control Department, Gordy blocked the release.
* Background vocals by the Andantes: Jackie Hicks, Marlene Barrow and Louvain Demps
As part of the Ian Levine's Motorcity Records project in the late ' 80s and early ' 90s, The Andantes were signed to the label and once again provided a service in recording backing vocals to former Motown artists.
Motorcity Records boss Ian Levine also recorded several songs with The Andantes, issuing a new single " Lightning Never Strikes Twice ", which featured Louvain Demps on lead vocals.
* Background vocals by Abdul " Duke " Fakir, Renaldo " Obie " Benson, Lawrence Payton, and The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps
* Background vocals by Abdul " Duke " Fakir, Renaldo " Obie " Benson, Lawrence Payton, and The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps
* Background vocals by Abdul " Duke " Fakir, Renaldo " Obie " Benson, Lawrence Payton, and the Andantes ( Jackie Hicks, Marlene Barrow, and Louvain Demps )
* Background vocals by The Andantes
" Ain't That Peculiar " features Gaye, with The Andantes on backing vocals, singing about the torment of a painful relationship.
* Background vocals by The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps
* Background vocals by The Miracles ( Claudette Rogers Robinson, Pete Moore, Ronnie White, and Bobby Rogers ) & The Andantes ( Marlene Barrow, Jackie Hicks and Louvain Demps )
* Background vocals by O ' Kelly Isley, Jr., Rudolph Isley and The Andantes: Jackie Hicks, Marlene Barrow and Louvain Demps
The Velvelettes were not used to provide backing vocals since Motown already had its in-house backing group, the Andantes.
* Background vocals by Martha and the Vandellas, The Rayber Voices, The Love Tones, The Temptations, The Supremes, and The Andantes
* Background vocals by Gladys Horton, Katherine Anderson, and The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps
* Background vocals by The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps
Andantes and on
One day, when the Andantes couldn't make a session to back the Miracles ' drummer on songs he was recording, Martha called her groupmates.
Session singers The Andantes substituted for Mary and Cindy on many, although not on all, cuts in subsequent Diana Ross & the Supremes albums.
Both the Let the Sunshine In album and the Cream of the Crop album include tracks on which Florence Ballard, Mary Wilson and Cindy Birdsong sing back-up, often in tandem with the Andantes.
The Andantes provided back-up singing on Motown singles starting in 1962.
The Andantes were used as vocal substitutes for Mary Wilson and Cindy Birdsong on many of The Supremes ' recordings done in 1968 and 1969.
The final Marvelettes album, The Return of The Marvelettes, was actually recorded by Marvelette Wanda Young with the Andantes, not her groupmates, on backgrounds.
In 1963, The Andantes with Gladys Horton of The Marvelettes released the single " Too Hot to Cry, Too Much in Love to Say Goodbye " b / w " Come on Home " as credited to The Darnells.
Throughout the 1960s and early 1970s, The Andantes appeared as backing vocalists on many of Motown's recorded singles, as The Funk Brothers also had when providing instrumentation.
The Andantes appeared as backing vocalists on twelve singles for the Four Tops ( all written and produced by H-D-H ).
Additional and background
Additional background history, usually not covered by specific rules, is often also used to further develop the character.
Additional passes were made on fiberfill clouds with lights behind them to create a lightning storm underway in the background.
Additional unused capacity is used by some broadcasters to transmit utility functions such as background music for public areas, GPS auxiliary signals, or financial market data.
Additional background exists to describe the demeanor and character of the Blood Bowl players with frequent reference to rule breaking and excessive violence in a lighthearted manner.
Additional details and background of the Church in Smith's era is presented in the Church's seven volume set History of the Church.
* Additional historical background
Additional important background may be found on the pages operator norm and L < sup > p </ sup > space.
* Additional peculiar background vocals: Scott Reeder, Josh Homme & Madman Of Encino
" Additional unlockables include the background music changing depending on which game was slotted in and other features like additional chip traders.
* Additional background vocals by Jamie Koch
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* Additional background vocals: Stephanie Spruill, Maxine Willard Waters and Julia Tillman Waters
Additional research has increased the probability that the right parahippocampal gyrus in particular has functions beyond the contextualizing of visual background.
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* Additional background vocals:
* Additional background vocals on " Come On ": James " Pee-Wee " Crawford.
* Additional leads and background vocals on " Standing on the Top ": Eddie Kendricks, David Ruffin, Rick James, and the Mary Jane Girls
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