* Le Chef-d ' œuvre inconnu ( 1831 )

In 1831, the newspaper Le Figaro featured a number of works by the young generation of Romantic artists and published them in the Jeunes-France.

* 1831: First article in Le Mercure de France au XIXe siècle

At first he attempted Véron to accept the opéra-comique Le portefaix to a libretto by Scribe, which he had been contracted to compose in early 1831 ; but Véron insisted on a full five act piece.

In 1831, he obtained an introduction to Armand Carrel, the editor of Le National, who gave him the task of reading English and German papers for excerpts.

Having worked first as a mason and then as a compositor, he joined P. Dubois in the foundation of Le Globe which became in 1831 the official organ of the Saint-Simonian community, of which he became a prominent member.

Together with Henri-Florent Delmotte and Hippolyte Rousselle, he wrote in 1831, the year where the current Belgium became separated from the northern Netherlands the theater piece " Le candidat à la royauté: esquisse en trois tableaux mêlés de couplets “.

Next year, on 20 June 1831, he had another big success, with Le Philtre, starring the great tenor, Adolphe Nourrit.

Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's Le philtre ( 1831 ).

* 1831: Le philtre, adapted by Felice Romani into the libretto for Donizetti ' sL ' elisir d ' amore.

In 1829 he published Les Chouans, the first novel to which he signed his own name ; this was followed by Louis Lambert ( 1832 ), Le Colonel Chabert ( 1832 ), and La Peau de chagrin ( 1831 ).

Occurring from September 1826 until July 1831, Le Rouge et le Noir is the Bildungsroman of Julien Sorel, the intelligent, ambitious, protagonist from a poor family, who fails to understand much about the ways of the world he sets to conquer.

* Le Docteur Festus-created 1831, first published 1846.

* The opening epigraph quotes " Le Refus " ( 1831 ) by the French songwriter Pierre-Jean de Béranger ( 1780 – 1857 ), translated to English as " his heart is a suspended lute, as soon as it is touched, it resounds ".

He met George Sand, then Madame Dudevant, at Le Coudray in the house of a friend, and when she came to Paris in 1831 they had a relationship.

The modern cimbasso is most commonly used in opera scores by Giuseppe Verdi from Oberto to Aida, and by Giacomo Puccini in Le Villi only, though the word also appears in the score of Vincenzo Bellini's Norma, which premiered in 1831.

He followed this with dozens of well-received novels and stories, including La Peau de chagrin (" The Magic Skin "), in 1831, Le Père Goriot (" Father Goriot ") in 1835, and the two-volume Illusions perdues (" Lost Illusions "), in 1837 and 1839.

It was composed in Italy in 1831, often using previously written music, and first performed at the Paris Conservatoire on 9 December 1832 as Le retour à la vie, mélologue en six parties.

Its presence is felt in Boieldieu's greatest success, La dame blanche ( 1825 ) as well as later works by Auber ( Fra Diavolo, 1830 ; Le domino noir, 1837 ), Hérold ( Zampa, 1831 ), and Adolphe Adam ( Le postillon de Longjumeau, 1836 ).

* Histoire critique des négociations relatives au Traité du 11 décembre 1831, prescrivant la démolition des forteresses, in: Le Spectateur militaire, 1850.

* Le petit homme rouge au château des Tuileries-Paris ( 1831 ) ( 107 pages )

* The Unknown Masterpiece ( Le Chef-d ' oeuvre inconnu, 1831 )