* Guide to the Elements – Revised Edition, Albert Stwertka, ( Oxford University Press ; 1998 ) ISBN 0-19-508083-1

According to Tom McArthur in the Oxford Guide to World English, " For many people.

The Oxford Guide to World English.

Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs ( Oxford University Press ) ISBN 0-19-515382-0

* Guide to the Elements – Revised Edition, Albert Stwertka, ( Oxford University Press ; 1998 ) ISBN 0-19-508083-1

In Shakespeare: An Oxford Guide: 411 – 423.

The Oxford Guide to Heraldry.

Scotland: An Oxford Archaeological Guide ( 1998 ) online edition

" The origins of Hangman are obscure, but it seems to have arisen in Victorian times ," says Tony Augarde, author of " The Oxford Guide to Word Games " ( Oxford University Press ).

Oxford Guide to World English.

* Lindow, John ( 2002 ) Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs ( Oxford University Press ) ISBN 978-0-19-515382-8

& Rundell, Michael ( 2008 ) The Oxford Guide to Practical Lexicography, Oxford U. P.

* Guide to the Elements-Revised Edition, Albert Stwertka, ( Oxford University Press ; 1998 ) ISBN 0-19-508083-1

The Oxford Guide to Word Games.

* Guide to the Elements – Revised Edition, Albert Stwertka, ( Oxford University Press ; 1998 ) ISBN 0-19-508083-1

* Ride, W. D. L .. A Guide to the Native Mammals of Australia, published by Oxford University Press, Melbourne, 1970, ISBN 19 550252 3

The Oxford Guide to Arthurian Literature and Legend.

) Medieval Folklore: A Guide to Myths, Legends, Tales, Beliefs, and Customs, Oxford University Press ( 2002 ), p. 432f.

" Oxford Guide to Arthurian Literature and Legend.

* Thomas Woodcock and John Martin Robinson, The Oxford Guide to Heraldry ( Oxford 1990 ISBN 0-19-285224-8 ); figure, p. 200

* Braudy, Leo, ed., " Film Theory and Criticism: Introductory Readings "; Oxford University Press ; 6th edition ( March, 2004 ).

* Dudley Andrew, Concepts in Film Theory, Oxford, New York: Oxford University Press, 1984.

* Everson, William K., American Silent Film ( 1978 ) Oxford University Press

Oxford: Oxford University Press / British Film Institute.

* Robert Bresson: A Passion for Film by Tony Pipolo ( Oxford University Press ; 407 pages ; 2010 ) pays particular attention to psychosexual aspects of the French filmmaker's 13 features, from Les Anges du peche ( 1943 ) to L ' Argent ( 1983 ).

* Gerald Thompson, OBE, Wildlife Film Maker, Founding Member of Oxford Scientific Films

After leaving the Rank Organisation in the early 1960s, Bogarde abandoned his heart-throb image for more challenging parts, such as barrister Melville Farr in Victim ( 1961 ), directed by Basil Dearden ; decadent valet Hugo Barrett in The Servant ( 1963 ), which garnered him a BAFTA Award, directed by Joseph Losey and written by Harold Pinter ; The Mind Benders ( 1963 ), a film ahead of its times in which Bogarde plays an Oxford professor conducting sensory deprivation experiments at Oxford University ( precursor to Altered States ( 1980 )); the anti-war film King & Country ( 1964 ), playing an army lawyer reluctantly defending deserter Tom Courtenay, directed by Joseph Losey ; a television broadcaster-writer Robert Gold in Darling ( 1965 ), for which Bogarde won a second BAFTA Award, directed by John Schlesinger ; Stephen, a bored Oxford University professor, in Losey's Accident, ( 1967 ) also written by Pinter ; Our Mother's House ( 1967 ), an off-beat film-noir directed by Jack Clayton in which Bogarde plays an n ' er do well father who descends upon " his " seven children on the death of their mother, British entry at the Venice Film Festival ; German industrialist Frederick Bruckmann in Luchino Visconti's La Caduta degli dei, The Damned ( 1969 ) co-starring Ingrid Thulin ; as ex-Nazi, Max Aldorfer, in the chilling and controversial Il Portiere di notte, The Night Porter ( 1974 ), co-starring Charlotte Rampling, directed by Liliana Cavani ; and most notably, as Gustav von Aschenbach in Morte a Venezia, Death in Venice ( 1971 ), also directed by Visconti ; as Claude, the lawyer son of a dying, drunken writer ( John Gielgud ) in the well-received, multi-dimensional French film Providence ( 1977 ), directed by Alain Resnais ; as industrialist Hermann Hermann who descends into madness in Despair ( 1978 ) directed by Rainer Werner Fassbinder ; and as Daddy in Bertrand Tavernier's Daddy Nostalgie, ( aka These Foolish Things ) ( 1991 ), co-starring Jane Birkin as his daughter, Bogarde's final film role.

* Film and Media Studies also moved up the league tables ; rated by the Times Higher listings as 15th, higher than Oxford University.

Oxford University Press / British Film Institute.

Oxford University Press / British Film Institute.

Oxford University Press / British Film Institute.

* Martin, Helen and Edwards, Sam, New Zealand Film 1912-1996, Oxford, 1997.

* Martin, Helen and Edwards, Sam, New Zealand Film 1912-1996, Oxford, 1997.

* Martin, Helen and Edwards, Sam, New Zealand Film 1912-1996, Oxford, 1997.

Oxford University Press / British Film Institute.

* In the Oxford University Film Foundation's 1982 film Privileged, the students produce and rehearse lines from the play.

* P. Adams Sitney, Visionary Film: The American Avant-Garde ( New York: Oxford University Press, 1974 ).

The British poet Roy Fisher ( b. 1930 ) uses the term in his poetry sequence ' Six Texts For a Film ' in Birmingham River ( Oxford: Oxford University Press, 1994 ).

* Jacob, E. F. ( 1925 ), Studies in the Period of Baronial Reform and Rebellion, 1258-1267, Oxford, Clarendon Press.

This development was further strengthened by the establishment ( in 1996 ) of a series of conferences on the Evolution of Language ( now known as " Evolang "), promoting a scientific, multidisciplinary approach to the issue, and interest from major academic publishers ( e. g., the Studies in the Evolution of Language series has been appearing with Oxford University Press since 2001 ) and scientific journals.

* Pillars of Islam in Oxford Islamic Studies Online

The Emperor ’ s Advisor: Saionji Kinmochi and Pre-War Japanese Politics, Croom Helm, London, and Nissan Institute for Japanese Studies, University of Oxford, 1987

* Anglo, Sydney, Machiavelli-the First Century: Studies in Enthusiasm, Hostility, and Irrelevance, Oxford University Press, 2005, ISBN 0-19-926776-6, ISBN 978-0-19-926776-7

Papers presented at the Twelfth International Conference on Patristic Studies held in Oxford 1995, ed.

* Journal of Inklings Studies, a peer-reviewed academic journal based in Oxford

Vaishnava theology has been a subject of study for many devotees, philosophers and scholars in India for centuries, and in recent decades also has been taken on by a number of academic institutions in Europe, such as the Oxford Centre for Hindu Studies and Bhaktivedanta College.

* Gian Biagio Conte, The Poetry of Pathos: Studies in Vergilian Epic, Oxford, 2007.

B., From Arrian to Alexander: Studies in Historical Interpretation, illustrated, reprint, Oxford University Press, 1988.

Jeffreys enjoys being at the laboratory bench, and prepared his PhD thesis entitled " Studies on the mitochondria of cultured mammalian cells " as a postgraduate student at the Genetics Laboratory, University of Oxford.

Oxford Studies in Theoretical Linguistics.

* Frede, Michael ( 1992 ) ' Plato's Arguments and the Dialogue Form ' in Oxford Studies in Ancient Philosophy, Supplementary Volume, 201-19.

* The Dolphin Project: The Development of a Gulf Gas Initiative, by Justin Dargin, Oxford Institute for Energy Studies Jan 2008 Working Paper NG # 22

" Oxford Bibliographies Online: Islamic Studies.

Shakespearean and Other Studies ( Oxford: Oxford University Press, 1969 ; edited by Helen Gardner )

), Oxford Studies in Metaethics, vol.

* Farmington Institute for Christian Studies at Oxford

Oxford Studies of Composers 6.

*" Dead before Breakfast: The English Gentleman and Honour Affronted ", Dr Stephen Banks in Sheila Bibb and Daniel Escandell ( eds ), Best Served Cold: Studies on Revenge, Oxford: Inter-Disciplinary Press, 2010.

Beginning in the early 1970s he became a prolific illustrator for many anarchist, radical, alternative and mainstream publications, organisations, groups and individuals including Freedom Press, Undercurrents, Respect for Animals, BIT Newsletter, Arts Lab Newsletter, Idiot International, 1977 Firemans Strike, Libertarian Education, The Idler, Radical Community Medicine, Anarchy Magazine, Black Flag, Anarchy Comix, Common Ground, Industrial Worker, Aberlour Distillery, Country Life, Graphical Paper and Media Union, The Times Saturday Review, Tolpuddle Martyrs Festival, New Scientist, Oxford University Press, Penguin Books, Times Educational Supplement, London Anarchist Bookfair, Public and Commercial Services Union, The Sunday Times Magazine, Catholic Worker, Soil Association, The Bodleian Library, New Statesman, Cienfeugos Anarchist Review, Headline Books, The Financial Times, Resurgence, Scotland on Sunday, Town and Country Planning Association, Movement Against A Monarchy, Nursing Times, John Hegarty, The Listener, Zero, McCallan Whisky, Solidarity, New Society, News from Neasden, House & Garden, The Tablet, Radical Science Journal, Royal Mail, The Co-ops Fairs, Picador Books, Pluto Press, Working Press, Anarchismo, Insurrection, Our Generation, Ogilvy & Mather, Vogue, Radio Times, National Union of Teachers, Faber & Faber, Pimlico, Trades Union Congress, Transport and General Workers Union, Serpents Tale, Compendium Books, Poison Girls, Yale University Press, The Daily Telegraph, The Independent, Elephant Editions, Intelligent Life, Landworker, Zounds, Honey, New Musical Express, Knockabout Comics, Trickett and Webb, The Times, See Sharp Press, Countryside Commission, Industrial Common Ownership Movement, BBC Worldwide, Stop the War Coalition, The Folio Society, Unison, Anarchist Studies, Country Standard, Fitzrovia News, Anarchist Black Cross and many others.

Located to the north east of the Meadow, directly behind the new building of the Oxford Centre for Islamic Studies.