The well-known Romanesque church of Gavoi is dedicated to him, as is the town of San Gavino Monreale, and a number of communes in Corsica.

* the Romanesque former cathedral of San Simplicio ( 11th-12th century ).

* San Francesco d ' Assisi, a late Romanesque church ( 1238 – 98 ) with a restored Gothic façade, located on Corso Cairoli.

* The 11th-century, three-naved Basilica of San Gavino, which was built using only precious hardstones like marble, porphyry and granite, is the largest Romanesque church in Sardinia.

* Romanesque church of San Giusto.

* San Fedele, a Romanesque church erected around 1120 over a pre-existing central plan edifice.

The city maintains an important collection of Romanesque churches of both stone and brick, which include San Esteban, San Millán, San Martín, la Santísima Trinidad, San Andrés, San Clemente, Santos Justo y Pastor, la Vera Cruz and San Salvador and others.

The church of San Bartolomeo is a Romanesque building from the 11th century, in limestone.

San Leonardo ( 14th century ) has a façade mixing Gothic and Romanesque elements, and a side mullioned window with vegetable decorations influenced by the Apulian architecture of the period.

* The Cathedral of San Rufino ( St. Rufinus ), with a Romanesque façade with three rose windows and a 16th ‑ century interior ; part of it is built on a Roman cistern.

* The Romanesque churches of Santa Maria Nuova ( twelfth century ), San Sisto ( second half of the ninth century ), and San Giovanni in Zoccoli ( eleventh century ).

* Pieve di San Paolo, in San Paolo, erected as Palaeo-Christian baptismal church, rebuilt in the 8th-9th centuries and then rebuilt in Romanesque style in the 13th century.

* The Romanesque San Giovanni Fuoricivitas ( 12th – 14th century ).

The frescoes from San Baudelio de Berlanga and Santa Cruz de Maderuelo are particularly important among the Romanesque paintings in the collection.

During this period many edifices were created or restored including the belfry of the Torrazzo, the Romanesque church of San Francis, the Cathedral's transepts and the Loggia dei Militi.

* San Gregorio Maggiore ( 11th-12th century ), is a Romanesque church which has been restored to original lines only in recent times.

* San Paolo inter vineas ( 10th century ) is a typical Spoletine Romanesque church.

Some of the city's most prominent historical buildings are the Cathedral, the finest example of French-style classic Gothic architecture in Spain, the Basilica of San Isidoro, one of the most important Romanesque churches in Spain and resting place of Leon's medieval monarchs, the Monastery of San Marcos, a prime example of plateresque and Renaissance Spanish architecture, and the Casa Botines, a Modernist creation of the architect Antoni Gaudí.

* Santa Maria a Poppiena, at Poppiena, documented from 1099, in Romanesque style ( notable the facade rose window ).

Romanesque art owes much to the East, from which it borrowed not only its decorative forms but the plan of some of its buildings, as is proved, for instance, by the domed churches of south-western France.

Down the narrow, short street that extends from the main gate of the fortress is the Chiesa di Sant ' Agostino with its simple Romanesque façade, also built in the 13th century.

Its large campus features an eclectic mix of buildings, ranging from nineteenth-century Romanesque structures to contemporary buildings.

In Romanesque and Gothic architecture, where the Classical system had been replaced by a new esthetic composed of arched vaults springing from columns, the Corinthian capital was still retained.

The nave and transepts, Romanesque in style, date mainly from the earliest, the façade of the south transept from the latest of those periods, the choir and apse chapels from the 12th and 13th centuries.

* The Church of St. James, also called Schottenkirche, a Romanesque basilica of the 12th century, derives its name from the monastery of Irish Benedictines ( Scoti ) to which it was attached ; the principal doorway is covered with very singular grotesque carvings.

* Examples of the Romanesque basilica style are the church of Obermünster, dating from 1010, and the abbey church of St. Emmeram, built in the 13th century, remarkable as one of the few German churches with a detached bell tower.

The centre is picturesque and its streets are interesting for predominant remains of historical architecture, especially from the Romanesque period.

In later centuries, many Central European cultural influences travelled to Iberia through the Way of St. James, from the Gothic and Romanesque styles, to the Occitan lyric poetry.

There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century.

It evolved from Romanesque architecture and was succeeded by Renaissance architecture.

The widespread introduction of a single feature, the pointed arch, was to bring about the stylistic change that separates Gothic from Romanesque, and broke the tradition of massive masonry and solid walls penetrated by small openings, replacing it with a style where light appears to triumph over substance.

The date of the moving of the cathedral to Llandaff is disputed, but elements of the fabric date from the 12th century, such as the impressive Romanesque Urban Arch, named after the 12th century Bishop, Urban.

James built and consecrated the Cathedral of Lleida, which was constructed in a style transitional between Romanesque and Gothic with little influence from Moorish styles.

The church of Santa Maria contains outstanding works of art, and there are murals dating from the Romanesque period to the Gothic.

There is also an altar stone dating from the 10th century and medieval and Romanesque tombstones ( one of which documents the name of the Roman town of Egara ).

** Romanesque frescoes of Saint Thomas Becket from the 12th century

It was one of the favorite residences of the kings of Castile, built in the transition from Romanesque to Gothic and Mudéjar decor highlighting its ample rooms.

The centre of the old town is the huge Market Place, the largest in Germany ( 10, 000 square metres ), surrounded by elegant buildings with styles ranging from 14th-century North German Gothic to 19th-century Romanesque revival.

During the Second World War the church was damaged ; during the restoration a Romanesque crypt from the 11th century was found.

The majority of the windows now visible at Chartres were made and installed between 1205 and 1240, however four lancets preserve panels of Romanesque glass from the 12th century which survived the fire of 1195.

Almost totally reconstructed from the original stones, based on a 1779 sketch made by Beranger, the Priests ' House is a small Romanesque building, with a decorative arch at the east end.