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* The archtop guitar incorporates a top, either carved out of solid wood or heat-pressed using laminations, that is arched like instruments in the violin family, usually with an f-hole rather than a round sound hole.
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archtop and guitar
The most common type is often called a flat-top guitar, to distinguish it from the more specialized archtop guitar and other variations.
The strings are gathered at the tail like an archtop guitar, but the top is flatter.
By age 16 he had bought his first guitar ( a Harmony acoustic archtop with a sunburst finish ) and begun making contacts in the music business, becoming friends with folk singer Erik Darling, a latter-day member of the Weavers.
The first electric guitars used in jazz were hollow archtop acoustic guitar bodies with electromagnetic transducers.
There are three main types of modern acoustic guitar: the classical guitar ( nylon-string guitar ), the steel-string acoustic guitar, and the archtop guitar.
The typical archtop guitar has a large, deep, hollow body whose form is much like that of a mandolin or violin family instrument.
The strings are gathered at the tail like an archtop guitar, but the top is formed from thin spruce ( like a flat-top or classical ) forced into a shallow dome.
The first successful magnetic pickup for a guitar was invented by George Beauchamp, and incorporated into the 1931 Ro-Pat-In ( later Rickenbacker ) " Frying Pan " lap steel ; other manufacturers, notably Gibson, soon began to install pickups in archtop models.
The Gibson L5, an acoustic archtop guitar which was first produced in 1923, was an early “ jazz ”- style guitar which was used by early jazz guitarists such as Eddie Lang.
It was an acoustic archtop fitted with a guitar pickup, which sensed the vibrations in the metal strings so that they could be amplified by a guitar amplifier.
As players such as Bobby Broom, Peter Bernstein, Howard Alden, Russell Malone, and Mark Whitfield revived the sounds of traditional jazz guitar, there was also a resurgence of archtop luthierie ( guitar-making ).
While jazz can be played on any type of guitar, from an acoustic instrument to a solid-bodied electric guitar such as a Fender Stratocaster, the full-depth archtop guitar has become known as the prototypical " jazz guitar.
The original acoustic archtop guitars were designed to enhance volume: for that reason they were constructed for use with relatively heavy guitar strings.
He had constructed a special version of the Gibson L-5 archtop guitar featuring diminished dimensions of neck scale and body depth, befitting his own smaller stature.
archtop and top
An archtop guitar is a steel-stringed acoustic or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz players.
The top or belly ( and often the back ) of the archtop guitar is either carved out of a block of solid wood, or heat-pressed using laminations, the latter being a less expensive construction method.
Although archtop normally refers to a hollow-bodied, arched top instrument, some makers of solid-bodied guitars with carved bellies also refer to these as archtop to distinguish these from flat top guitars.
The top of the guitar is gently arched or domed — achieved by bending a flat piece of wood rather than by the violin-style carving used in archtop guitars ; the top is also rather thin at about 2mm.
In the 1930s, the company built archtop guitars whose back and top were carved in the manner of violins.
archtop and carved
All of the initial Irish bouzoukis had flat tops, but within a few years luthiers such as Stefan Sobell began experimenting with carved, arched tops, taking their cue from American archtop guitars and mandolins.
archtop and solid
The Guild Guitar Company, founded in 1952 by Alfred Dronge in New York City, moved production to Westerly in 1967 and continued to make its well respected archtop, acoustic and solid body guitars there until 1996, when they were bought by Fender Musical Instruments and production was moved to Corona, California.
Paul Bigsby's innovation of the tremolo arm for archtop and electric guitars is still in use today and may have influenced Leo Fender's design for the Stratocaster solid body electric guitar, as well as the Jaguar and Jazzmaster.
Fender intended the Jazzmaster to represent a solid body alternative to the hollow body archtop guitars that were then ubiquitous among Jazz guitarists.
archtop and using
In the early 1970s, using the guitarra and a 1930s archtop Martin guitar as models, English luthier Stefan Sobell created a " cittern ," a hybrid instrument primarily used for playing folk music, which has proved to be popular with folk revival musicians.
" The Log ", a prototype solid-body guitar built by Les Paul in 1940, can be considered as a forerunner of neck-through, as he built it by using a 2x4 piece of pine as the neck and body core, and mounted the disassembled part of an archtop onto it.
archtop and is
Wilson's main guitar is a custom archtop by luthier John Monteleone ; he has also played a blond 1958 Gibson Byrdland and various Gibson Les Pauls.
The American luthier Orville Gibson specialized in mandolins, and is credited with creating the archtop guitar.
His main guitar is the ' Martin Taylor Artistry ' archtop with another, nylon-stringed, archtop used for Spirit of Django.
The archtop guitar is often credited to Orville Gibson, whose innovative designs led to the formation of the Gibson Mandolin-Guitar Mfg.
It is estimated there are nearly 100 archtop guitar luthiers in North America alone.
The Mohan veena is a cross between an archtop and an Indian veena.
The pickup is most often mounted on the body of the instrument, but can be attached to the bridge, neck and / or pickguard, as on many electro-acoustic archtop jazz guitars and string basses.
At any rate, since the genesis of the Irish bouzouki in the late 1960s, luthiers have incorporated so many aspects of mandolin construction, particularly when building archtop Irish bouzoukis, that for most it is a moot point.
archtop and instruments
Martin also developed a line of archtop instruments during the 1930s.
Before the advent of amplification, the Selmer guitar had the same kind of appeal for European players that the archtop guitar did in America: it was loud enough to be heard over the other instruments in a band.
archtop and family
Chet Atkins later wrote that his brother, home on a family visit, presented the younger Atkins with an expensive Gibson archtop guitar that had been given to Jim Atkins by Les Paul.
archtop and usually
Co introduced the violin-inspired f-hole design now usually associated with archtop guitars, after designing a style of mandolin of the same type.
F-hole archtop guitars were immediately adopted upon their release by both jazz and country musicians and have remained particularly popular in jazz music, usually with flatwound strings.
archtop and with
Typically, jazz electric guitarists use an archtop with a relatively broad hollow soundbox, violin-style f-holes, a " floating bridge ", and a magnetic pickup.
In keeping with such an aesthetic, young guitarists of this era sought a clean and round tone and they often played traditional hollow-body archtop guitars which were played without electronic effects.
In the 1990s, there was a resurgence of interest among jazz guitarists in acoustic archtop guitars with floating pickups.
( The 760J " Jazzbo ," an archtop model, was only built as a prototype, with three examples known to exist.
Most guitars of the day, with the exception of Gibson's L-5 archtop jazz guitars, had necks joined at the 12th fret, half the scale length of the string.
In spite of this, during the 1960s, David Bromberg had a Martin archtop converted to a flat-top guitar with exceptionally successful results, and as a result, Martin has recently begun issuing a David Bromberg model based on this conversion.
The first seven-string guitars were built in the " hollowbody " or " semi-hollow " archtop styles, where the guitar has a central resonating chamber, or a central block with resonant chambers on the sides.
This was a transitional model with no f-holes and a much smaller body than the classic archtop.
In 1958, the L5CES was redesigned with humbucking pickups ; most, but certainly not all, subsequent archtop guitars conform loosely to the pattern set by this model.
The electric archtop was particularly popular with jazz musicians Tal Farlow, Barney Kessel and Johnny Smith.
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