Russell Crowe commented, " I like being on Ridley's set because actors can perform [...] and the focus is on the performers.

" In regard to the adult humor, Butch Hartman stated "... being concerned with the content of the episodes wasn ’ t our main focus ", and creator Van Partible remembers that " No one was really watching Cartoon Network [...] As far as content, they were pretty lenient on all the kind of things that were going on.

Destiny's speech was simply italic ( really just slanted ) [...] Neil had a specific idea about Delirium's style, that it represent a sort of mad variety, getting louder and softer, like something going in and out of focus.

Division into five acts seems to me the most suitable for any opera that would reunite the elements of the genre: [...] where the dramatic focus was combined with the marvellous: where the nature and majesty of the subject [...] demanded the addition of attractive festivities and splendid civil and religious ceremonies to the natural flow of the action, and consequently needed frequent scene changes.

He stated that " while not every joke works [...] the focus on Brian's feelings is pretty significant for the series from both an entertainment and ongoing storyline perspective.

An Emmerdale spokeswoman said: [...] " Adele will be taking a 12-month break at the end of the year to focus on other projects but will return to Emmerdale in 2008 .”[...].

[...] It is not as philosophically thorough as the works of D. Saliba, A. M. Goichon, or L. Gardet, but it is probably the best essay in English on this important thinker of the Middle Ages.

Under Ambrose's major influence, emperors Gratian, Valentinian II and Theodosius I carried on a persecution of Paganism .< ref name = " MacMullen1984p100 "> MacMullen ( 1984 ) p. 100: ‘ The law of June 391, issued by Theodosius [...] was issued from Milan and represented the will of its bishop, Ambrose ; for Theodosius — recently excommunicated by Ambrose, penitent, and very much under his influence < sup > 43 </ sup > — was no natural zealot.

[...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography ".

" In the longer text of the Martyrs of Palestine, chapter 12, Eusebius states: " I think it best to pass by all the other events which occurred in the meantime: such as [...] the lust of power on the part of many, the disorderly and unlawful ordinations, and the schisms among the confessors themselves ; also the novelties which were zealously devised against the remnants of the Church by the new and factious members, who added innovation after innovation and forced them in unsparingly among the calamities of the persecution, heaping misfortune upon misfortune.

This change has essentially affected Garfield's design ; who underwent a " Darwinian evolution " in which he began walking on his hind legs, " slimmed down ", and " stopped looking [...] through squinty little eyes ".

:" I call your own kind self to witness [...] the last pages of Heart of Darkness where the interview of the man and the girl locks in — as it were — the whole 30000 words of narrative description into one suggestive view of a whole phase of life and makes of that story something quite on another plane than an anecdote of a man who went mad in the Centre of Africa.

He described Jack Benny as " very warm and approachable [...] He was a guy who dug the idea of other people on the show getting laughs, which sort of spoiled me for other people in comedy.

[...] I think he felt his voice wasn't getting represented on the show.

[...] Underpinning this broader concept of universality is the Principle of the Universality of Science ( ICSU Statute 5 ) which is more narrowly focused on the freedoms and responsibilities of science.

Kennings could be developed into extended, and sometimes vivid, metaphors: tröddusk törgur fyr [...] hjalta harðfótum “ shields were trodden under the hard feet of the hilt ( sword blades )” ( Eyvindr Skáldaspillir: Hákonarmál 6 ); svarraði sárgymir á sverða nesi “ wound-sea (= blood ) sprayed on headland of swords (= shield )” ( Eyvindr Skáldaspillir: Hákonarmál 7 ).

[...] There is no mispronounced or misheard phrase in either Ojibwe or Cree that comes close to meaning ' on my way.

His long-time co-writer Charles McKeown comments about Gilliam's recurring interests, " the theme of imagination, and the importance of imagination, to how you live and how you think and so on [...] that's very much a Terry theme.

Waits, looking back at the period, has said, I was sick through that whole period [...] It was starting to wear on me, all the touring.

As part of the production, Smallfilms had to send the scripts to the BBC, but on reading the script for episode three, they asked Postgate to remove some " Clanger-speak ", explaining that although whistled, " you can ’ t say that on children ’ s television [...] you just can ’ t ".

[...] When the Prime Minister met Nelson Mandela in Namibia, Mandela knew about Vanuatu because it has always been among the countries in the region that have most clearly spoken out on the problem of apartheid ".

[...] You are in the story, you speak to the shadows ( characters ) and they reply, and instead of being on a screen, the story is all about you, and you are in it.

[...] We will come out with a new model in November on how to improve high level referees.

Lavater later described Mendelssohn in his book on physiognomy, " Physiognomische Fragmente zur Beförderung der Menschenkenntnis und Menschenliebe " ( 1775 – 1778 ), as " a companionable, brilliant soul, with piercing eyes, the body of an Aesop — a man of keen insight, exquisite taste and wide erudition [...] frank and open-hearted "— ending his public praise with the wish of Mendelssohn recognizing, " together with Plato and Moses ... the crucified glory of Christ ".

[...] As time goes on, the psychological accent shifts from the motives for the magical act on to the measures by which it is carried out — that is, on to the act itself.

The boldest, most radical notion in the book is [...] the belief that the individual can and should proceed toward truth by means of his own powers of perception and reasoning ; and that he can in this way discover truths previously unknown.

It is true that he always recognized the importance of the organization of individual life and the ' development of a wealth of individual forms ' ( GS, III, p. 358 ), but he stressed the fact that ' self-education can only be continued [...] in the wider context of development of the world ' ( GS, VII, p. 33 ).

[...] it is significantly enlightening to substitute for the individual ' happiness ' ( for which every living being is supposed to strive ) power [...] joy is only a symptom of the feeling of attained power [...] ( one does not strive for joy [...] joy accompanies ; joy does not move )

Further, it has been claimed that " the ' Humboldtian ' university became a model for the rest of Europe [...] with its central principal being the union of teaching and research in the work of the individual scholar or scientist.

Parson states that " this point [...] is independent of the sense in which individual is concretely autonomous or creative rather than ' passive ' or ' conforming ', for individuality and creativity, are to a considerable extent, phenomena of the institutionalization of expectations "; they are culturally constructed.

Fishing, however, is not the sole perpetrator of changes to marine life-pollution is another example [...] No one factor operates in isolation and components of the ecosystem respond differently to each individual factor.

[...] The individual mandate, by contrast, vests Congress with the extraordinary ability to create the necessary predicate to the exercise of an enumerated power and draw within its regulatory scope those who would otherwise be outside of it.

On 27 November 2010, Pope Benedict XVI spoke that “ from the moment of its conception life must be guarded with the greatest care .” [...] With regard to the embryo in the mother's womb, science itself highlights its autonomy, its capacity for interaction with the mother, the coordination of biological processes, the continuity of development, the growing complexity of the organism. It is not an accumulation of biological material but rather of a new living being, dynamic and marvelously ordered, a new individual of the human species.

[...] The second level at which we detect the operations of mind is the level of direct human experience.

An attempt ( in no way capable of exhaustively covering the " tremendous range " of psychedelic experience ) to give " a [...] general view of their effects on perception, thought, and feeling " follows:

[...] Whatever the circumstances they have lived through and because of that experience, they are determined to define for themselves who they are and who they should be.

Describing the unique aesthetics of Pialat's work, film critic Kent Jones wrote: " Even more than Jean Eustache [...] Pialat was an irascibly private artist, charting a twisted, crook-backed path with each new movie, almost always emerging with works in which the mind-bending vitality of immediate experience trumps all belief systems, allegiances, plans.

[...] He was always willing to bend his narratives around experience.

To create [...] a country where, despite its having had great experience of hatred, all its diverse elements will begin [...] to enjoy real rights.

[...] There are some who, from obtuseness or lack of experience, turn away from such phenomena as from " folk-diseases ," with contempt or pity born of consciousness of their own " healthy-mindedness.

" Timothy Corrigan, in 2000, claimed that To Autumn ' may be, as other critics have pointed out, his greatest achievement in its ability [...] to redeem the English vernacular as the casual expression of everyday experience, becoming in this his most exterior poem even in all its bucolic charm.

A Rock Solid “ has captured a sense of experimentation with form [...] It is rare in literature for a reader to have a glimpse of the poet chipping through the rock solid of experience in order to see the poem ” ( Meyer, 88-90 ).

[...] One cannot apply to experience as counter-argument, because [...] what happens then in the interior and behind the physiological processes is only known by someone who experiences dying itself, and this unto its very end.

* Bat Ye ' or defined dhimmitude as the condition and experience of those who are subject to dhimma, and thus not synonymous to, but rather a subset of the dhimma phenomenon: " dhimmitude [...] represents a behavior dictated by fear ( terrorism ), pacifism when aggressed, rather than resistance, servility because of cowardice and vulnerability.

However, according to Iōannēs Polemēs, the important Orthodox theologian Gregory Palamas did not believe that sinners would experience the divine light: " Unlike Theophanes, Palamas did not believe that sinners could have an experience of the divine light [...] Nowhere in his works does Palamas seem to adopt Theophanes ' view that the light of Tabor is identical with the fire of hell.

Speaking in 2008, Safina stated: " that was a great experience in my life [...] it also boosted my confidence because I showed I could play well even with the crowd against me.

[...] It is a melancholy experience for a professional mathematician to find himself writing about mathematics.

Egyptian religious leader Sheikh Saad, who has campaigned against the practice, is quoted in the report: “ We have decided that our daughter will not go through this bad, inhumane experience [...] I am part of the change .”

[...] By focusing our attention on the relation between language and the rest of the world rather than between experience and nature, post-positivistic analytic philosophy was able to make a more radical break with the philosophical tradition.

[...] Resident Evil is supposed to be a terrifying experience, and much of the terror stems from pitting players against foes who completely outmatch them.

In short, the causes and correlates of conscious experience should not be confused with their ontology [...] the only evidence about what conscious experiences are like comes from first-person sources, which consistently suggest consciousness to be something other than or additional to neuronal activity.

" Frank Provo of GameSpot, on the other hand, wrote that " each level [...] is a game unto itself, which makes for a rather pleasing and varied experience.

Saul Austerlitz from The Boston Globe wrote that the album was " intended to cater primarily to rabid fans ", commenting that those who are not fans of Slipknot will probably " find the experience of listening to both discs of 9. 0: Live roughly comparable to being hit in the head repeatedly with a two-by-four two hours of sludgy, indistinguishable songs, punctuated by profane outbursts about how the idiot media [...] has ignored and abused them ".

[...] Of course it would be strange for me to point a finger at her ( Astrid Lindgren's ) imagination, but I can not help wondering about how a handicapped child may experience Jonatan Lionheart's deathwishes.