With respect to swearing between colleagues, the site explains that " lthough it may sound strange, the appropriateness swearing [...] is influenced largely by the industry you are in and the individuals you work with ".

:‘ Did you ever hear of Russian Roulette ?’ [...] With the Russian army in Romania, around 1917, some officer would suddenly pull out his revolver, put a single cartridge in the cylinder, spin the cylinder, put it to his head and pull the trigger.

" The cast are all truly excellent, and all have genuine moments of brilliance [...] the low spot would be the new material [...] With so much good material to call on it is madness to insert indifferent items.

[...] With respect to Manuscripts, it is indisputable that he was acquainted with every variety which is known to us, having distributed them into two principal classes, one of which corresponds with the Complutensian edition, the other with the Vatican manuscript.

Jack Nerrad wrote in Driving Today, " the Rocket V-8 set the standard for every American V-8 engine that would follow it for at least three decades [...] With a displacement of 303 cubic inches and topped by a two-barrel carburetor, the first Rocket V-8 churned out at 3, 600 rpm and 263 pound-feet of torque at a lazy 1800 rpm no mid-range car in the world, save the Hudson Hornet, came close to the Rocket Olds performance potential ..."

About three months since died M. Robert Greene, leaving many papers in sundry booksellers ' hands, among other his Groatsworth of Wit, in which a letter written to divers play-makers is offensively by one or two of them taken, and because on the dead they cannot be avenged, they willfully forge in their conceits a living author [...] With neither of them that take offence was I acquainted, and with one of them I care not if I never be.

[...] With your help we can occupy The Reality Studio and retake their universe of Fear Death and Monopoly.

[...] With regard to his own staff, he did not suffer fools gladly, and at times many of us appeared to be fools.

"... with all the stress / Of vision search ’ d for him, as one would look [...] from old Skiddaw ’ s top, when fog conceals / His rugged forehead in a mantle pale, / With an eye-guess towards some pleasant vale / Descry a favourite hamlet faint and far.

[...] With tonight's resolution, I will not be offering any further comments on this matter.

[...] With apologies to RedState readers, [...] I ’ ve had no hesitation in stringing the media along like Folks has done.

With respect to religion, there is little indication that Kingsley was raised Christian ; instead, she was a self-proclaimed believer with, " summed up in her own word [...] ' an utter faith in God '" and even identified strongly with what was described as ' the ' African religion '.

With business partner Rebekah Hay, she announced in 2010 that she would be opening Pammy's " the world's first legal bordello [...] exclusively for female clients.

In May 2012, credit for the shooting of Roberto Adinolfi, an Ansaldo Nucleare executive, was claimed by an anarchist group who targeted him for stating that none of the deaths following the 2011 Tōhoku earthquake and tsunami were caused by the Fukushima Daiichi nuclear disaster itself: " Adinolfi knows well that it is only a matter of time before a European Fukushima kills on our continent [...] Science in centuries past promised us a golden age, but it is pushing us towards self destruction and slavery [...] With our action we give back to you a small part of the suffering that you scientists are bringing to the world.

“ With grace and courage, and with the support of his family, he never gave up and he never gave in [...] His bold creativity has ensured a written legacy.

With its rigid Robo-drummer beats and homogenized blend of computers and vocal harmonies, the music was shocking in its airtight quality [...] Design is fairly seamless, yet its biggest flaw lies in its title.

On 27 November 2010, Pope Benedict XVI spoke that “ from the moment of its conception life must be guarded with the greatest care .” [...] With regard to the embryo in the mother's womb, science itself highlights its autonomy, its capacity for interaction with the mother, the coordination of biological processes, the continuity of development, the growing complexity of the organism. It is not an accumulation of biological material but rather of a new living being, dynamic and marvelously ordered, a new individual of the human species.

" In his review of the episodes on the DVD Christmas With the Simpsons, Digitally Obsessed critic Joel Cunningham wrote that " Miracle on Evergreen Terrace " is " a good one [...] A nice combo of humor, satire, and heartwarming holiday fuzzies.

When the Peel Commission made its1937 recommendations about partition and population transfer for Palestine, Magnes sounded the alarm: With the permission of the Arabs we will be able to receive hundreds of thousands of persecuted Jews in Arab lands [...] Without the permission of the Arabs even the four hundred thousand that now are in Palestine will remain in danger, in spite of the temporary protection of British bayonets.

" AllMusic wrote, " With their fifth album [...] the band capitalizes on their pop sensibilities and even manages to turn their prior weaknesses into strengths, resulting in a collection of gloriously blank, cleverly stupid neo-new wave songs.

The problem is that [...] too often it seems like little more than an overbudgeted, double-length episode of the Next Generation television series.

As part of the production, Smallfilms had to send the scripts to the BBC, but on reading the script for episode three, they asked Postgate to remove some " Clanger-speak ", explaining that although whistled, " you can ’ t say that on children ’ s television [...] you just can ’ t ".

Andrew Leal wrote, " The plot is standard [...] recalling nothing so much as a more graphic episode of Filmation's He-Man series.

" In the Chicago Sun-Times, Ginny Holbert rated the episode three stars, and wrote " The clever series [...] stars an appealing group of actors who are just a bit funnier and better-looking than your average friend " but that Joey and Rachel's characteristics were under-developed.

Gustelle and Oliveira define DPH as " dissociative, trance-like, [...] but, unlike a daydream, [...] not self-directed "— however, daydreams and waking reveries are often characterised as " passive ", " effortless ", and " spontaneous ", while hypnagogia itself can sometimes be influenced by a form of autosuggestion, or " passive concentration ", so these sorts of episode may in fact constitute a continuum between directed fantasy and the more spontaneous varieties of hypnagogia.

The beginning of the episode thus shows that those with white skin can be uncivilized savages and those with yellow skin can be civilized and rational [...] This would be counter to the hegemonic representation of Asians in the United States media ; that diverse collective of peoples are consistently constructed in film and television as a menacing ' yellow horde.

Catharine Lumby of the University of Sydney cited the episode as an example of good satire as it " managed to explore a lot of issues in quite a deep way [...] without being overtly political " which she claimed, along with the episode's humor, made its anti-homophobia message more successful than that of other gay-themed shows like Queer as Folk.

" According to Knight Ridder, " some conservative groups [...] growled in advance over the episode ", but most pre-broadcast publicity was directed at the outing.

Kennerley further wrote that " based on this episode, [...] The Simpsons is in top form.

The list stated that the episode " offers three completely different tales, [...] boasting a potent combination of wit and humor " that, " the laughs never end " and that it " does a great job of incorporating Halloween-themed stories with the standard Simpsons charm ".

The episode was " so long " because, according to Oakley, " all three of these segments are very complex stories [...] and it's hard to fit three complete stories into 21 minutes.

" Kay McFadden of The Seattle Times wrote that the episode is " certainly not on a par with that all-time doppelganger classic, " Treehouse of Horror VII ", [...] still, No. 9's dialogue is sharp and there's reassuring continuity to such beloved institutions as Itchy and Scratchy.

[...] This episode doesn't say ' Watch The Critic all over it.

He concluded his review by writing that the episode is " mediocre [...] at best.

Commenting on the episode, Selman said " It's kind of a combination of really nice, observational designs and then just [...] things that are deliberately wrong.

" That was kind of fun for me to try to make this stuff [...] as crazy as the story is, make it realistic ", Kirkland commented on directing the episode.

In the DVD commentary for the episode, the episodes showrunner Mike Scully opined that " there is a lot of truth in this story [...] There are certain requirements that the school has to meet in order to get state funding, and there are things that they'd rather look the other way on if it's gonna cost them money.

Warren Martyn and Adrian Wood of I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide called it " An odd episode [...] that goes on a bit too long and could probably have done with an entertaining B story.

Scully jokingly said that the episode was " thrown together [...] without thought or structure " by the writers.

[...] Throughout this episode, Apu's identity is reinforced as exotic other, but not so much as ' South Asian ' other, as an ' American ' ideal other, that more wholesome, romantic male juxtaposed to the Duff drinking, couch potato male typified by the men of Moe's bar and Homer Simpson.

" They also argued that the episode, as well as the series as a whole, offers a kind of intellectual defense of the common man against intellectuals, which they opined " helps explain its popularity and broad appeal [...] Saved Lisa's Brain " defends the common man against the intellectual, in a way that both the common man and the intellectual can understand and enjoy.

Jonathan Gray analyzed the self-referentiality in The Simpsons in his 2006 book Watching with The Simpsons: Television, Parody, and Intertextuality, writing that " Sitcoms constantly ' reset ' themselves, living in [...] an ' existential circle ' in which nothing really changes, and every episode starts more or less where the last one started ; and The Simpsons frequently plays with this sitcom clock, and with the amnesia of sitcom memory.

In his book Drawn to Television – Prime-time Animation from the Flintstones to Family Guy, Keith Booker wrote: " The episode details in a rather sentimental fashion the early struggles of the irresponsible Homer to support his new family [...] Such background episodes add an extra dimension to the portrayal of the animated Simpson family, making them seem oddly real and adding weight to their status as a family with a long history together.