Kodachrome 35mm slide film introduced, but not widely adopted by colleges and universities.

When digital sound was applied to 35mm release prints, starting with Batman Returns in 1992, the same 5. 1 layout was adopted.

Jones ' Whisper family including the 6mm Whisper, which has been adopted by Knight's Armament Corporation for their new Knight's Armament Company PDW as the 6 × 35mm PDW.

An international competition comprising a maximum of 20 feature films in 35mm and digital HD format.

An international competition of short films in 35mm, whose length does not exceed 30 minutes.

In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1. 37: 1 Academy aspect ratio provided by 35mm film.

* VistaVision could be ( and most often was ) further printed down to standard vertical 35mm reels keeping its 1. 66: 1 widescreen aspect ratio, which meant exhibitors did not need to purchase additional projection equipment, unlike CinemaScope.

70mm film ( or 65mm film ) is a wide high-resolution film gauge, with higher resolution than standard 35mm motion picture film format.

The standard film size for ciné cameras was quickly established as 35mm film and this remains in use to this day.

Not all IMAX cinemas were prepared to accept Disney's terms to present the film ; however, following the IMAX release, a standard 35mm run followed in June at regular theatres.

The cameras have short film loads ranging from 30 seconds to two minutes and the cost of the film stock is much greater than standard 35mm film.

As an example, the image on a 8x10 inch piece of sheet film has approximately fifty six times the surface area of a standard 35mm image.

Sizes of the sensors used in most current digital cameras relative to a standard 35mm frame

It uses the standard 35mm film in cassettes.

During the HD remastering process a 13-second portion of the episode had to be upconverted from a standard definition source as the original 35mm elements could not be located.

Eventually, aspect ratios of 1. 85: 1 in North America and 1. 66: 1 in Europe became standard for 35mm productions shot with normal non-anamorphic lenses.

The Canon FD lens mount is a physical standard for connecting a photographic lens to a 35mm single-lens reflex camera body.

Even before Earthquake ended its theatrical run, MCA began a program to re-engineer the Sensurround system to enable the recording of the deep bass on a standard 35mm optical soundtrack, with no external rumble generator being required, as well as improve fidelity and the overall effect and to simplify the system.

The photographers were restricted to one frame per building and used standard 35mm photographic equipment and colour negative film.

* Film is standard 35mm

The camera uses standard 35mm film, and has a built-in viewfinder and flash, and works by shooting with 2 fixed lenses.

Instead of 24 shots on a standard 24-exposure 35mm roll, the PhotoBlaster creates a tetraptych ( a photo divided into four parts ).

In this spirit, many of his works are sequences showing attempts at accomplishing an arbitrary goal, such as Throwing Three Balls in the Air to Get a Straight Line ( 1973 ), in which the artist attempted to do just that, photographing the results, and eventually selecting the " best out of 36 tries ", with 36 being the determining number just because that is the standard number of shots on a roll of 35mm film. This work was published in 1973 by a young Italian publisher: Giampaolo Prearo that was one of the first to believe and invest in the work of Baldessari.

All formats designed for digital cinematography are progressive scan, and capture usually occurs at the same 24 frame per second rate established as the standard for 35mm film.

One used standard 35mm film and Academy ratio, the other used an experimental 65mm widescreen format at a 2: 1 aspect ratio.

The Techniscope format uses a two film-perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35mm film photography.

Techniscope's 2. 33: 1 aspect ratio is easily cropped to the 2. 39: 1 widescreen ratio, because it uses half the amount of 35mm film stock and standard spherical lenses.

The 828 format uses the same basic film stock as 135 film ( standard 35mm film ), but the film lacks the sprocket holes of 135.

All negatives were in 35mm, the standard for theatrical release.

Because of the popularity of Edison's and Lumière's cameras, 35mm film began to become the dominant gauge.

New releases include La Sardina cameras, a line of wide-angle cameras inspired by vintage sardine cans, and the LomoKino, a 35mm analog movie camera.

On 2 January 2001, a second series named Bill and Ben began on CBBC on BBC Two, this time involving stop-motion animation, 35mm film style and full color, and made by Cosgrove Hall Films with a team of ten animators.

Other films shot in widescreen were the musical Happy Days ( 1929 ) which premiered at the Roxy Theater, New York City, on February 13, 1930, starring Janet Gaynor and Charles Farrell and a 12 year old Betty Grable as a chorus girl ; Song o ’ My Heart, a musical feature starring Irish tenor John McCormack and directed by Frank Borzage ( Seventh Heaven, A Farewell to Arms ), which was shipped from the labs on March 17, 1930, but never released and may no longer survive, according to film historian Miles Kreuger ( the 35mm version, however, debuted in New York on March 11, 1930 ); and the western The Big Trail ( 1930 ) starring John Wayne and Tyrone Power, Sr. which premiered at Grauman's Chinese Theatre in Hollywood on October 2, 1930, all of which were also made in the 70mm Fox Grandeur process.

VistaVision is a higher resolution, widescreen variant of the 35mm motion picture film format which was created by engineers at Paramount Pictures in 1954.

Paramount did not use anamorphic processes such as CinemaScope but refined the quality of their flat widescreen system by orienting the 35mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print.

The first of these, Cinerama, debuted in September 1952, and consisted of three strips of 35mm film projected side-by-side onto a giant, curved screen, augmented by seven channels of stereophonic sound.

The film was entirely financed by the band and shot on 35mm with a 24-track quadraphonic sound recording.

The short film was blown-up to 35mm, sixty prints were made, and the film was theatrically released by Universal Studios for two years in the United States and Canada.

If a sensor smaller than the full-frame 35mm film format is used, as in most digicams, then the field of view is cropped by the sensor to smaller than the 35mm full-frame format's field of view.

For example, a camera with a 1 / 1. 8 " sensor has a 5. 0x field of view crop, and so a hypothetical 5-50mm zoom lens produces images that look similar ( again the differences mentioned above are important ) to those produced by a 35mm film camera with a 25 – 250mm lens, while being much more compact than such a lens for a 35mm camera since the imaging circle is much smaller.

The Pen system design team, led by Yoshihisa Maitani, later created the OM system, a full-frame professional 35mm SLR system designed to compete with Nikon and Canon's bestsellers.

* 1936 – Introduction by IHAGEE of the Ihagee Kine Exakta 1, the first 35mm.

For a period of time the only existing copy was a 35mm print owned by Capra, until he made a duplicate negative from it and donated a newly minted print to the Library of Congress.

Having previously only existed on worn 16mm prints, the film was restored and enlarged to 35mm by the UCLA Film and Television Archive and Milestone Films, thanks in part to a donation from filmmaker Steven Soderbergh.

The film was originally released with a conventional optical soundtrack in April 1953, but the success of the film convinced the producers to re-mix the soundtrack in May with a new three-track, stereophonic soundtrack, which was recorded and played on a 35mm magnetic full coat reel installed by Altec, in interlock on another dubber in the projection booth.

Other footage of real humpbacks either did not exist on 35mm film or would have been difficult to match to specific actions required by the script.

Press cameras were largely superseded by the 6x6cm medium format Rolleiflex in the early to mid-1960s and later by 35mm rangefinder or single-lens reflex cameras.

While it would have been less expensive to film on the new media form of video, as the movies were contracted by TV studios it was required that they be turned in on 35mm film.

Unlike most 35mm camera systems the Nikon F had a wide range of lenses, covering 21 mm to 1000 mm focal length by 1962.

IMAX production by default is at least 3 to 5 times more expensive than common 35mm production.

) But because of the considerable noise made by IMAX cameras, 35mm and 70mm cameras had to be used for shooting the film's dialogue scenes, and dialogue had to be dubbed when shot with IMAX cameras.