The origin of the Corinthian Order, illustrated in Claude Perrault's Vitruvius, 1684 Claude Perrault incorporated a vignette epitomizing the Callimachus tale in his illustration of the Corinthian order for his translation of Vitruvius, published in Paris, 1684 ( illustration, left ).

From 1670 to 1684 dated pennies were produced each year, showing the king facing right with the inscription, while the reverse shows a crowned " C " with the inscription.

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* 1684 – Isaac Newton's derivation of Kepler's laws from his theory of gravity, contained in the paper De motu corporum in gyrum, is read to the Royal Society by Edmund Halley.

* June 15 – Marguerite De Launay, Baronne Staal, French writer ( b. 1684 )

The opening sections of the ' Principia ' contain, in revised and extended form, nearly all of the content of Newton's 1684 tract ' De motu ...' ( see article De motu corporum in gyrum which summarises the topics and indicates where they reappear in the ' Principia ').

Newton's tract ' De motu ...', which he sent to Halley in late 1684, derived what are now known as the three laws of Kepler, assuming an inverse square law of force, and generalized the result to conic sections.

The contents of ' De motu ...' so excited Halley by their mathematical and physical originality and far-reaching implications for astronomical theory, that he immediately went to visit Newton again, in November 1684, to ask Newton to let the Royal Society have more of such work.

* June 15-Marguerite De Launay, Baronne Staal, French writer ( born 1684 )

On his return to London on 10 December 1684, he informed the Royal Society " that he had lately seen Mr Newton at Cambridge, who had showed him a curious treatise De Motu ", which at Halley's desire he promised to send to the Society to be entered upon their register.

De motu corporum in gyrum ( Latin )( translated as " On the motion of bodies in an orbit ") is the ( presumed ) title of a manuscript by Isaac Newton sent to Edmond Halley in November 1684.

A depiction of a young Hel ( center ) being led to the assignment of her realm, while her brother Fenrir is led forward ( left ) and Jörmungandr ( right ) is about to be cast by Odin ( 1906 ) by Lorenz Frølich.

Artist's depiction of the life cycle of a Sun-like star, starting as a main sequence star at lower left then expanding through the subgiant star | subgiant and giant star | giant phases, until its outer envelope is expelled to form a planetary nebula at upper right.

A contemporary depiction of Stephen's family tree, with his mother Adela of Normandy | Adelin at the top, and, left to right, William, Count of Sully | William, Theobald II, Count of Champagne | Theobald and Stephen

This idealized depiction of ( left to right ) Franklin, Adams, and Jefferson working on the Declaration ( Jean Leon Gerome Ferris, 1900 ) was widely reprinted.

As a notable exception, only one male pharaoh abandoned the rigid symbolic depiction that had become the style of the most official artwork representing the ruler, Pharaoh Amenhotep IV ( later Akhenaten ) of the same eighteenth dynasty, whose wife, Nefertiti, also may have ruled in her own right following the death of her husband.

On the left is a small representation of the town of Daventry ; on the right a depiction of Birmingham, ablaze.

Pheidippides considers him the cleverest of poets ( 1377 ), he particularly enjoys his depiction of incest in Aiolus and he quotes from Alcestis in defense of his right to beat his father ( 1415 ).

According to Dion C. Smythe, Anna “ felt cheated ” because she “ should have inherited .” Indeed, according to Anna Komnene in the Alexiad, at her birth she was presented with “ a crown and imperial diadem .” Anna ’ s “ main aim ” in the depiction of events in the Alexiad, according to Vlada Stankovíc, was to “ stress her own right ” to the throne and “ precedence over her brother, John .”

Archaeological ruins and ancient texts show that handshaking was practiced in ancient Greece as far back as the 5th century BC ; a depiction of two soldiers shaking hands can be found on part of a 5th century BC funerary stele on display in the Pergamon Museum, Berlin ( stele SK1708 ) and other funerary steles like the one of the 4th century BC which depicts Thraseas and his wife Euandria handshaking ( see images on the right ).

On the right there is a figure of Quixote with the face of Salvador Dalí and on the other side, there is a depiction of Sancho Panza with the face of Diego Rivera.

The 1600 depiction of the sylvian fissure ( in top right side ) in Fabricius's Tabulae Pictae 112. 10

A tzompantli is illustrated to the right of a depiction of an Aztec temple dedicated to the deity Huitzilopochtli ; from Juan de Tovar's 1587 manuscript, also known as the Ramírez Codex.

This macabre work is iconic in its own right, and influential in the history of modern kinbaku, in that Itoh Seiu was fascinated by Yoshitoshi's accurate depiction of sakasa zuri ( upside down suspension ).

In the Russian language there are very similar words such as ernoe meaning probably ( when something is uncertain ), lenie or yavlenie meaning representation ( a real depiction of something ), lenie or o meaning rule or right.

A 16th century depiction of Norse gods by Olaus Magnus ; from left to right, Frigg, Thor, and Odin

An opposite depiction is the salutatio of a diogmites, a military police officer, who raises his right arm to greet his commander during his adventus on a relief from 2nd-century Ephesus.

Antisemitic propaganda in Nazi Germany: on the left, a depiction of Capitalist / Communist Vernim in Der Stürmer, September 1944 ; on the right, a painting by Gustave Doré at an exhibition dedicated to the Wandering Jew in 1937 – 8

A depiction of a meeting of the English Parliament in 1278 in which King Alexander III is shown sitting at King Edward I's right.

* In the top right quarter was a depiction of the pithead gear of a coal mine, illustrating the area's traditional source of wealth.

* In the bottom right quarter was a depiction of the legendary Lambton Worm.

The first page illustration of The Attack ( Animorphs ) | The Attack, with David Burroughs Mattingly | David Mattingly's depiction of a Howler in the lower right corner.

The 2nd century BCE depiction of an armed foreigner ( right ), probably a Greek king, with Buddhist symbolism ( triratana symbol of the sword ), also indicates some kind of cultural, religious, and artistic exchange at that point of time.

From left to right, the image begins with a depiction of the coastal Italian town of Atrani ( see Atrani, Coast of Amalfi ).

The first depiction of the lateral sulcus ( in its top right side ) in 1600 in the Tabulae Pictae 112. 10 by Girolamo Fabrici d ' Acquapendente.

Ecce Homo (" Behold the Man "), Antonio Ciseri's depiction of Pilate presenting a scourged Jesus to the people of Jerusalem in Christianity | Jerusalem.

In evidence she offers E35 as the future King Erichthonios presenting the first peplos to his predecessor Kekrops, iconographically similar to the boy ’ s depiction on a fragmentary kylix of the 450s.

Tertullian, in his De Pudentia ( On Modesty ) 7: 1-4 mentions the depiction of a shepherd on Christian cups, calling to mind the parable of the Good Shepherd and thus used as a symbol for Jesus.

Bertolucci increased his fame with his next few films, from Novecento ( 1976 ), an epic depiction of the struggles of farmers in Emilia-Romagna from the beginning of the 20th century up to World War II with an impressive international cast ( Robert De Niro, Gerard Depardieu, Donald Sutherland, Sterling Hayden, Burt Lancaster, Dominique Sanda ) to La Luna, set in Rome and in Emilia-Romagna, in which Bertolucci deals with the thorny issue of drugs and incest, and finally La tragedia di un uomo ridicolo ( 1981 ), with Ugo Tognazzi.

Johannes Dantiscus ' personal seal, a depiction located at Stanford University Libraries, identifies him as Ioannes De Curiis von Höfen, Pruss.

The librettist Verney de Saint-Georges had first been attracted to Hugo's Orientales with its evocation of a ballroom where dancers were condemned to dance all night, and to Heine's De l ' Allemagne and its depiction of the Wilis, Slavonic supernatural beings who lured young men to death by dancing.

A painting known as the De Wikkellkinderen ( The Swaddled Children ), from 1617, is thought to represent a depiction of TTTS.