For a period of time the only existing copy was a 35mm print owned by Capra, until he made a duplicate negative from it and donated a newly minted print to the Library of Congress.

A 35mm nitrate copy of Reel 1, the " lab reference " print, was still held by Technicolor-Hollywood and screened privately in the 1960s ; that reel is today in the collection of the Academy Film Archive.

This 35mm master was released for junking in 1968, and no copy of the play is known to exist.

He was quoted as saying: " As long as I'm alive, and as long as I'm rich, the New Beverly will be there, showing films shot on 35mm.

Two series were made in 1963 and 1964 and ( presumably because it was shot on 35mm film rather than video ) the entire series has reportedly been preserved in the BBC archives.

This was a half-frame 35mm camera.

K. Nüchterlein's Kine Exakta ( Germany, 1936 ) was the first integrated 35mm SLR to enter the market.

Other films shot in widescreen were the musical Happy Days ( 1929 ) which premiered at the Roxy Theater, New York City, on February 13, 1930, starring Janet Gaynor and Charles Farrell and a 12 year old Betty Grable as a chorus girl ; Song o ’ My Heart, a musical feature starring Irish tenor John McCormack and directed by Frank Borzage ( Seventh Heaven, A Farewell to Arms ), which was shipped from the labs on March 17, 1930, but never released and may no longer survive, according to film historian Miles Kreuger ( the 35mm version, however, debuted in New York on March 11, 1930 ); and the western The Big Trail ( 1930 ) starring John Wayne and Tyrone Power, Sr. which premiered at Grauman's Chinese Theatre in Hollywood on October 2, 1930, all of which were also made in the 70mm Fox Grandeur process.

VistaVision is a higher resolution, widescreen variant of the 35mm motion picture film format which was created by engineers at Paramount Pictures in 1954.

* VistaVision could be ( and most often was ) further printed down to standard vertical 35mm reels keeping its 1. 66: 1 widescreen aspect ratio, which meant exhibitors did not need to purchase additional projection equipment, unlike CinemaScope.

The film was entirely financed by the band and shot on 35mm with a 24-track quadraphonic sound recording.

The short film was blown-up to 35mm, sixty prints were made, and the film was theatrically released by Universal Studios for two years in the United States and Canada.

The standard film size for ciné cameras was quickly established as 35mm film and this remains in use to this day.

* 1934 – The 135 film cartridge was introduced, making 35mm easy to use.

* 1949 – The Contax S camera was introduced, the first 35mm SLR camera with pentaprism for eye-level viewing.

The rights were purchased in 2007 at a cost of US $ 150 000 and the film was restored and transferred from a 16mm to a 35mm print.

Having previously only existed on worn 16mm prints, the film was restored and enlarged to 35mm by the UCLA Film and Television Archive and Milestone Films, thanks in part to a donation from filmmaker Steven Soderbergh.

The film was originally released with a conventional optical soundtrack in April 1953, but the success of the film convinced the producers to re-mix the soundtrack in May with a new three-track, stereophonic soundtrack, which was recorded and played on a 35mm magnetic full coat reel installed by Altec, in interlock on another dubber in the projection booth.

The first use of Dolby Digital was to provide digital sound in cinemas from 35mm film prints.

He filmed it at first in 16mm, but when the producer Pierre Braunberger saw the results, Resnais was asked to remake it in 35mm.

FSM's was an almost completely expanded version remixed from album masters at Warner Bros. archives and the multi-track 35mm magnetic film stems at 20th Century Fox.

Also premiered was a 35mm restored print of the Lou Costello-produced 1948 short film 10, 000 Kids and a Cop, which was shot at the Lou Costello Jr.

Cameras with digital image sensors that are smaller than the typical 35mm film size have a smaller field or angle of view when used with a lens of the same focal length.

If a sensor smaller than the full-frame 35mm film format is used, as in most digicams, then the field of view is cropped by the sensor to smaller than the 35mm full-frame format's field of view.

The BBC based its Film Department at the studios ; and at its peak 56 film crews used the studios as a base for location filming of dramas, documentaries and other programmes ; shot on 16mm and occasionally 35mm film.

Instead, the IMAX system specifies a separate six-channel 35mm ( 1. 377 inch ) magnetic film, recorded and played back on a film follower locked to picture, just as Vitaphone had been ( utilizing 16-inch 33 1 / 3 RPM electrical transcription discs ) in the early 20th century, and was the same technology used to provide the 7-channel soundtrack accompanying films photographed and exhibited in the Cinerama process in the mid-1950s.

) But because of the considerable noise made by IMAX cameras, 35mm and 70mm cameras had to be used for shooting the film's dialogue scenes, and dialogue had to be dubbed when shot with IMAX cameras.

The Beseler Topcon line of 35mm cameras used the same lens mount as the Exakta.

The arrangement was to film using digital video, but Clark and Lachman used 35mm film instead.

From 1968 on, he used 35mm Nikon cameras and lenses almost exclusively for their portability.

* 10x14mm, 12x17mm, 14x21mm and 8x11mm negative carrier used with 35mm enlarger.

John Schlesinger used his own money to blow up the 16mm BBC version of the film to 35mm.

MCA's Sensurround + Plus, used on the film Zoot Suit, employed dbx Type-II with the 4-track magnetic sound format on 35mm film prints, providing the motion picture with a stereo soundtrack capable of wide dynamic range and freedom from noise.

Sizes of the sensors used in most current digital cameras relative to a standard 35mm frame

* In 1967 CBS Laboratories introduced the Electronic Video Recording format, which used video and telecined-to-video film sources, which were then recorded with an electron-beam recorder at CBS ' EVR mastering plant at the time to 35mm film stock in a rank of 4 strips on the film, which was then slit down to 4 8. 75 mm film copies, for playback in an EVR player.

One 35mm / 70mm projector has been retained, but is very rarely used.

He shot it on a 35mm Maurigraphe camera, and used a beach in Dieppe as his location, the same beach that was used in his later films.

* 135 film, the cartridge version of 35mm photographic film, used widely in still photogaphy

This 35mm four-track magnetic sound format was used from 1954 through 1982 for " roadshow " screenings of big-budget feature films.

However 70mm film continued to be used for prestigious " roadshow " screenings until the introduction of digital sound on 35mm film in the early 1990s removed one of the major justifications for using this expensive format.

Although some have not necessarily used 35mm or color slides, and some have even exchanged images for texts ( Robert Barry ) the color slides are the most commonly used and they could be sometimes accompanied with written text, either on the slides or as an intertitle.

2-perf camera systems use only 2 perforations per frame on 35mm film, which gives an aspect ratio close to the 2. 39: 1 aspect ratio used in anamorphic prints.

In 1894, while box office manager of the Phoenix Opera House in Waukegan, Illinois, George K. Spoor teamed with inventor Edward Hill Amet ( 1860 – 1948 ) to build and exhibit The Magniscope, the first practical 35mm movie projector ever designed and used in a large audience display.