This is the primary recording format used in many professional audio workstations in the television and film industry.

The film was shot in the anamorphic format with Panavision C-and E-Series lenses.

For pre-recorded presentations, the rendered frames are transferred to a different format or medium such as film or digital video.

The combination of focal length, subject distance, and format size defines magnification at the film / sensor plane.

In the post-production process, camera-original film negatives ( the film that physically ran through the camera ) are scanned into a digital format on a scanner or high-resolution telecine.

" The film has been released on the UMD format for Sony's PlayStation Portable.

More amateur formats began to use acetate based film, and several, including Kodak's own 16 mm format, were designed specifically to be manufactured with safety base.

The primary characteristic of a film format is its size and shape.

In the case of motion picture film, the format may also include audio parameters ( though often not ).

Another version of " O Canada " in rock format was recorded by Lee and Lifeson on the accompanying soundtrack CD for the Trey Parker and Matt Stone film South Park: Bigger, Longer, and Uncut released in 1999.

* Manufacturing Consent-first half of the companion book with corresponding audio from the film in RealAudio format

-DPX film format

Panoramic format images can be taken with cameras like the Hasselblad Xpan on standard film.

APS was developed by several of the major film manufacturers to provide a film with different formats and computerized options available, though APS panoramas were created using a mask in panorama-capable cameras, far less desirable than a true panoramic camera, which achieves its effect through a wider film format.

Rolling Stone magazine changed its format in the 1990s to appeal to younger readers, often focusing on young television or film actors and pop music.

The screwball format arose largely as a result of the major film studios ' desire to avoid censorship by the increasingly enforced Hays Code.

* Medium format ( film )

The film was released in Blu-ray format in Italy by Cecchi Gori.

In 2009, Legend Films coproduced a colorized 3-D version of the film with PassmoreLab, a company that converts 2-D film into 3-D format.

A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

Also, hydrogenated amorphous silicon, a-Si: H in short, is of technical significance for thin film solar cells.

Although Coppola insisted that this was purely coincidental, for not only was the script for The Conversation completed in the mid-1960s ( before the election of Richard Nixon ) but the spying equipment used in the film was discovered through research and the use of technical advisers and not, as many believed, by revelatory newspaper stories about the Watergate break-in.

German cinema has made major technical and artistic contributions to film.

Formalist film theory is a theory of film study that is focused on the formal, or technical, elements of a film: i. e., the lighting, scoring, sound and set design, use of color, shot composition, and editing.

: The Director is responsible for overseeing the creative aspects of a film, including controlling the content and flow of the film's plot, directing the performances of Actors, organizing and selecting the locations in which the film will be shot, and managing technical details such as the positioning of cameras, the use of lighting, and the timing and content of the film's soundtrack.

However, there are also variant types, such as infrared film ( in black and white or false color ); specialist technical films, such as those used for X-rays ; and obsolete processes, such as orthochromatic film.

Caprino directed and animated ; Bjarne Sandemose ( Caprino's principal collaborator throughout his career ) built most of the props, sets and cars and was in charge of the technical aspects of making the film ; Ingeborg Riiser designed the puppets and Gerd Alfsen made the costumes and props.

Before commencing work, he returned to the Netherlands to make Industrial Symphony for Philips Electric which is considered to be a film of great technical beauty.

This material became Olympia, a successful film which has since been widely noted for its technical and aesthetic achievements.

There was varied response in the obituary pages of leading publications, although most recognized her technical breakthroughs in film making:

" Similarly, Krantz argues that of the many opinions offered about the Patterson film, " nly a few of these opinions are based on technical expertise and careful study of the film itself "

A production team is the group of technical staff who produce a play, television show, recording, or film.

The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, synchronized dialogue was only made practical in the late 1920s with the perfection of the Audion amplifier tube and the introduction of the Vitaphone system.

In his autobiography, Plummer said that Chapman was to have been a technical adviser on the film but the French authorities would not allow him in the country because he was still wanted over an alleged plot to kidnap the Sultan of Morocco.

Critics point out that the film Pearl Harbors US-biased portrayal of events is a compensation for technical assistance received by the US armed forces.

When the film was premiered in Russia in October 2002, 52 veterans of the K-19 submarine accepted flights to the Saint Petersburg premiere ; despite what they saw as technical as well as historical compromises, they praised the film and in particular the performance of Harrison Ford.

This exhibition process was impractical because for the footage to travel through a projector at the normal 24 frames per second, the film had to roll at 3 feet per second, double the speed of 35 mm film and causing many technical and mechanical problems.