A woodcut illustration depicting Tertullian

Works of art depicting valkyries include " Die Walküren " ( sketch, 1818 ) by J. G. Sandberg, " Reitende Walküre " ( fresco ), previously located in Munich palace but now destroyed, 1865 / 1866 by M. Echter, " Valkyrien " and " Valkyriens død " ( paintings, both from 1860 ), " Walkürenritt " ( etching, 1871 ) by A. Welti, " Walkürenritt " ( woodcut, 1871 ) by T. Pixis, " Walkürenritt " ( 1872 ) by A. Becker ( reproduced in 1873 with the same title by A. v. Heyde ), " Die Walkyren " ( charcoal, 1880 ) and " Walkyren wählen und wecken die gefallenen Helden ( Einherier ), um sie vom Schlachtfield nach Walhall zu geleiten " ( painting, 1882 ) and " Walkyrenschlacht " ( oil painting, 1884 ) by K. Ehrenberg, " Walkürenritt " ( oil painting, 1888, and etching, 1890 ) by A. Welti, " Walküre " ( statue ) by H. Günther, " Walkürenritt " ( oil painting ) by H. Hendrich, " Walkürenritt " ( painting ) by F. Leeke, " Einherier " ( painting, from around 1900 ), by K. Dielitz, " The Ride of the Valkyries " ( painting, from around 1900 ) by J. C. Dollman, " Valkyrie " ( statue, 1910 ) and " Walhalla-freeze " ( located in the Ny Carlsberg Glyptotek, Copenhagen, 1886 / 1887 ), " Walkyrien " ( print, 1915 ) by A. Kolb, and " Valkyrier " ( drawing, 1925 ) by E. Hansen.

By applying this methodology Graves decoded a woodcut of The Judgement of Paris as depicting a singular Triple Goddess rather than the traditional Hera, Athena and Aphrodite of the narrative the image illustrates.

Chiaroscuro woodcut depicting Playing cupid s by anonymous 16th century Italian artist

Medieval woodcut depicting Pythagoras and Philolaus conducting musical investigations

In the poem Le Chevalier Délibéré written by Olivier de la Marche and first published in 1486, there is an anonymous woodcut depicting a knight carrying a rather simple morning star with spikes mounted in an asymmetrical pattern as well as a flail equipped with a single spiked ball, known in German as a " Kettenmorgenstern " ( literally chain-morning star ) which is technically a military flail.

16th century woodcut from the History of Olaus Magnus, purportedly depicting the astronomical clock in Uppsala Cathedral.

A woodcut depicting the Temple at Uppsala as described by Adam of Bremen, including the golden chain around the temple, the well and the tree, from Olaus Magnus ' Historia de Gentibus Septentrionalibus ( 1555 ).

Another is portrayed in a woodcut from the Nuremberg Chronicle of 1493, depicting the Red Sea drowning Pharaoh's army which is shown carrying a variety of staff weapons including halberds, flails and military forks as well as an ahlspiess.

* German woodcut depicting the bas-relief from the house of Lucius Caecilius Jucundus

The source for the story was a widely popular woodcut illustration by the Danish artist Johan Thomas Lundbye depicting a poor child selling matches printed in a calendar for 1843 ; several illustrations had been sent to Andersen by the editor of an almanac requesting him to write a story around one.

16th century woodcut depicting Ptolemy, from Les vrais portraits et vies des hommes illustres, Paris, 1584, f ° 87.

16th-century woodcut from the History of Olaus Magnus, purportedly depicting the astronomical clock in Uppsala Cathedral designed by Brother Petrus.

In 1925, artist Margaret Preston produced a hand-coloured woodcut depicting waratahs.

A 19th century woodcut by Julius Schnorr von Carolsfeld depicting the scene

Page depicting Constantinople from Nuremberg Chronicle 1491 ; image is a woodcut from Wolgemut's workshop with added hand-colouring

He made a series of woodcut illustrations for an edition of Vergil's Eclogues published by Harry Graf Kessler in 1926 – 27.

During this period he also completed two woodcut series, the Great Passion and the Life of the Virgin, both published in 1511 together with a second edition of the Apocalypse series.

Other works from this period include the thirty-seven woodcut subjects of the Little Passion, published first in 1511, and a set of fifteen small engravings on the same theme in 1512.

The earliest known explicit Renaissance depiction is one of the many woodcut illustrations to Hypnerotomachia Poliphili, a book published in Venice in 1499.

Equally proficient in mathematics and geography as well as classical languages, he produced the first woodcut map of Silesia made on the basis of surveys and data collected from local inhabitants, which he published in 1561 under the title " Silesiae Typus " and dedicated to Nicolaus II.

The woodcut pictures published of the stable and hayloft where the conspirators were arrested reflected a new stage of illustrated journalism that the newspaper pioneered during this time.

He published a translation of De Materia Medica into Italian in 1544 and ten years later later published a work in Latin with all the plants of Dioscorides and 562 woodcut illustrations.

First published in Venice in 1499, in an elegant page layout, with refined woodcut illustrations in an Early Renaissance style, Hypnerotomachia Poliphili presents a mysterious arcane allegory in which Poliphilo pursues his love Polia through a dreamlike landscape, and is, seemingly, at last reconciled with her by the Fountain of Venus.

The book is scarce in its original form, but in 1875 two reproductions of the outline sketches for the designs were published — a lithographic issue of the whole series, and a finer photographic transcript of six of the subjects, which is more valuable than even the finished illustrations of 1841, in which the added light and shade is frequently spotty and ineffective, arid the lining itself has not the freedom which we find in some of Leech's other lithographs, notably in the Fly Leaves, published at the Punch office, and in the inimitable subject of the nuptial couch of the Caudles, which also appeared, in woodcut form, as a political cartoon, with Mrs Caudle, personated by Brougham, disturbing by untimely loquacity the slumbers of the lord chancellor, whose haggard cheek rests on the woolsack for pillow.

A woodcut of the British Royal family with their Christmas tree at Windsor Castle, initially published in the Illustrated London News December 1848, was copied in Godey's at Christmas 1850.

From 1925 to 1932, his woodcut cartoons and faux maps were published frequently in The New Yorker, founded by his high school classmate Harold Ross.

It was published with woodcut illustrations at Venice in 1615.

The first woodcut manhwa, published in 1908.

" The “ Rhinoceros " woodcut ( 34 × 20. 5 cm or 11. 8 × 8. 0 inches ) by David Kandel, published in Sebastian Münster's “ Cosmographia ” of 1598.

In 1754, during the French and Indian War, Franklin published his famous woodcut of a snake cut into eight sections.

In 1992 it was published as a separate volume with woodcut illustrations by Christopher Wormell.

* Receptář barevného dřevorytu of colored woodcut ( published 1934 )-theoretical work on woodcut techniques

The Mowing-Devil: or, Strange News out of Hartford-shire is the title of an English woodcut pamphlet published in 1678.

One of over a hundred woodcut illustrations introduced in the 10th edition of Vestiges published in 1853.

Sakai published a series of 100 woodcut prints based on paintings by Kōrin, and his painting painted on the back of Kōrin ’ s " Wind and Thunder Gods screen " is now at the Tokyo National Museum.

1493 woodcut of the City of Basel, from the Nuremberg Chronicle.

This woodcut shows Nuremberg as a prototype of a flourishing and independent city in the 15th century

Erfurt, woodcut from the Nuremberg Chronicle, 1493

Milan as it appeared in 1493, woodcut from the Nuremberg Chronicle.

Portrayal of Genoa in 1493, woodcut from the Nuremberg Chronicle.

Bessarion ; woodcut from the Nuremberg Chronicle.

Pittacus of Mytilene ( c. 640-568 BC ), one of the Seven Sages of Greece ; woodcut from the Nuremberg Chronicle.

A woodcut in the " Liber Chronicarum Mundi ", Nuremberg, 1493

Casmirvs ( left ) in a 1493 woodcut from Hartmann Schedel's Nuremberg Chronicle ( view facing west ).

A woodcut, dated 1493, from the Nuremberg Chronicle, which shows Böhm preaching.

A generic portrait of Richard de media villa, woodcut from the Nuremberg Chronicle

Wolgemut was a leader among the artists reviving the standards of German woodcut at this time, mostly supplying the many publishers in Nuremberg with book illustrations, of which the most attractive were also sold separately.