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Albery was the author of a large number of other plays and adaptations, including Coquettes ( 1870 ); Pickwick, a four-act drama ( based on Dickens's The Pickwick Papers ( 1871 ); Pink Dominos ( 1877 ), a farce that ran for an extremely successful 555 performances and was one of a series of adaptations from the French which he made for the Criterion Theatre, where his wife, the actress Mary Moore ( who after his death became Lady Charles Wyndham ( 1861 — 1931 )), played the leading parts ; Jingle ( a farcical version of Pickwick ), produced at the Lyceum in 1878 ; and Oriana ( with music by Frederic Clay ).
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Albery and was
The novel was first adapted for the theatre by Richard Cotterell with Lance Severling for the Prospect Theatre Company, and staged at the Albery Theatre on 27 November 1975 by directors Toby Robertson and Timothy West.
The production, which was staged at the Albery Theatre, received enthusiastic reviews.
When Ian Albery retired as chief executive in October 2002 he was succeeded by Jean Luc Choplin, who had recently worked for Disneyland in Paris and Los Angeles and at one time worked with Rudolf Nureyev as a managing director of the Paris Opera Ballet.
The work was performed by the Minnesota Opera in February 2004, staged by Tim Albery and starring Patricia Racette as Fosca, William Burden as Giorgio and Evelyn Pollock as Clara.
In 1973 it was renamed the Albery Theatre in tribute to the late Sir Bronson Albery who had presided as its manager for many years.
In 1961, Albery bought the site, a space that was once the vat room and hops warehouse of a brewery.
John Albery was educated at Winchester College and Balliol College, Oxford.
Coming from the theatrical Albery family, he was an enthusiastic senior member of the University College Players, organizer of the Univ Revue, held in the college Hall, and writer for Experimental Theatre Club revues.
She played the role for three years at The Albery Theatre in London before moving to fill the role at the Music Box Theatre in New York ( 1993 ) where she was nominated for a Tony Award and won the Theatre World Award for Outstanding Broadway Debut.
It was filmed on 14 March 1994 at the Albery Theatre, released on VHS, and follows his first show, Live at the Ambassadors.
Sir Donald Arthur Rolleston Albery ( London 19 June 1914 – 14 September 1988 ) was an English theatre impresario who did much to translate the adventurous spirit of London in the 1960s into theatrical reality.
Born into a theatrical family, his father was director Sir Bronson James Albery, his first job was struggling to manage Sadler's Wells Ballet during the air raids of World War II.
Albery was knighted in 1977 for his services to the theatre.
From 1885 onwards his leading actress was Miss Mary Moore ( Mrs. Albery ), who became his partner in the proprietorship of the Criterion and Wyndham's theatres, and of his New Theatre, opened in 1903 ; and her delightful acting in comedy made their long association memorable on the London stage.
The Global Ideas Bank's origins lie in the Institute for Social Inventions, which was set up in 1985 by Nicholas Albery, social inventor and visionary.
Another minister was Nicholas Albery of BIT.
Her first attempt as a stage actress was as Eliza, opposite Roy Marsden as Higgins, in the 1997 West End production of Pygmalion ( Albery Theatre ), produced by Bill Kenwright.
In 2005, his play Blackbird was produced by the Edinburgh International Festival, directed by Peter Stein and transferred in February 2006 to the Albery Theatre in London's West End.
James AlberyJames Albery ( 4 May 1838 – 15 August 1889 ) was an English dramatist.
Albery was born in London.
Albery's and Moore's son was Bronson Albery ( 1881-1971 ), a theatre director, after whom the Albery Theatre is named.
Albery and other
In 1872 – 74, among other successes, he portrayed Tom Larkin in Good News by H. J. Byron, the Irishman Brulgruddery in John Bull by the younger Colman ; Bob Acres in The Rivals by Richard Brinsley Sheridan, together with Charles James Mathews and Samuel Phelps ; the title role in a Robert Reece burlesque called Don Giovanni in Venice ; another title role in Guy Fawkes by H. J. Byron, and created the role of the barrister Hammond Coote in Wig and Gown by James Albery.
Albery and plays
On leaving school Albery entered an architect's office, and started to write plays.
* Albery ’ s plays are collected in a two-volume edition at the British Library at 2303 f. 14.
Albery and 1870
These were followed by The Gentleman in Black ( 1870, also with Gilbert ), In Possession ( 1871, also for German Reed ), Happy Arcadia ( 1872, with Gilbert ), Oriana ( 1873, with a libretto by James Albery ), Green Old Age and Cattarina ( both 1874, with libretti by Robert Reece ), Princess Toto ( 1875, the last collaboration between Clay and Gilbert ), and Don Quixote ( 1876 ).
Albery and );
Subsequent London revivals have starred Ruth Chatterton ( Globe Theatre, 1937 ); Ingrid Bergman ( Albery Theatre, September 1973 — note, John Gielgud's staging, also starring Ingrid Bergman and Jack Gwillim, was subsequently revived at the Shubert Theatre on Broadway in April 1975 ); and Jenny Seagrove ( Apollo Theatre, April 2002, then transferring to the Lyric Theatre, June 2002 ).
Albery and on
After this, she starred as Dunyasha the Royal Shakespeare Company's production of The Cherry Orchard at Albery Theatre in London and on tour ( 1996 – 97 ), followed by another summer in Regents Park as the title character in Kiss Me, Kate ( 1997 ).
It closed on 13 March 1976 after 156 performances at the Aldwych, the Albery Theatres in London and the Ethel Barrymore Theater in New York City.
Blood Brothers had a year-long national tour beginning in 1987, produced by Bill Kenwright ( and directed by Kenwright and Bob Tomson ), leading to a revival at the Albery Theatre, opening on 28 July 1988 and closing on 16 November 1991.
The Noël Coward Theatre, formerly known as the Albery Theatre, is a West End theatre on St. Martin's Lane in the City of Westminster, London.
The West End production starring Antony Sher, with Rupert Graves as Alan, opened on October 1, 1985 at Albery Theatre on St. Martin's Lane, where it ran for slightly more than seven months.
* Blood Brothers – opened 28 July 1988 at the Albery Theatre, later transferring to the Phoenix Theatre and closing on 27 October 2012 – 24th year
Albery and Pink
As Charles Surface, his best part for many years, and in a breezy three-act farce, Pink Dominoes, by James Albery, and in Brighton, an anglicized version of Saratoga by Bronson Howard ( 1842 – 1908 ), who married his sister, he added greatly to his popularity both at home and abroad.
Albery and ),
Other stage work at this time included The Night of the Ball ( New Theatre, 1955 ), the new Robert Bolt play Flowering Cherry ( Haymarket, 1958, Broadway, 1959 ), Toys in the Attic ( Piccadilly, 1960 ), The Wings of the Dove ( Lyric, 1963 ), A Measure of Cruelty ( Birmingham Repertory, 1965 ), A Present for the Past ( Edinburgh, 1966 ), The Sacred Flame ( Duke of York's Theatre, 1967 ) with Gladys Cooper, The Battle of Shrivings ( Lyric, 1970 ) with John Gielgud and Lies ( Albery, 1975 ).
It played at the Albery Theatre ( the renamed New Theatre ; now the Noel Coward Theatre ), starring Roy Hudd as Fagin, which ran for over two years.
* Cressida ( John Shank ), The Almeida Theatre at the Albery, 2000
* Endgame ( Hamm ), Albery Theatre, 2004
* Celebration Pinter staged reading ( Lambert ), Gate Theatre, Dublin / Albery, 2005
The COC's first performances in the new opera house were of Wagner's Der Ring des Nibelungen, with designs by Michael Levine and 4 different directors: Michael Levine ( Das Rheingold ), Atom Egoyan ( Die Walküre ), François Girard ( Siegfried ), and Tim Albery ( Götterdämmerung ).
On the West End stage she has featured in Noises Off in 1983 ( Savoy Theatre ), Steel Magnolias in 1989 ( Lyric Theatre ) and Quartet in 1999 ( Albery Theatre ).
In 1916 he married Mary Moore ( widow of James Albery ), who for 30 years had been his leading lady and had also been associated with him as a manager.
* Nicholas Albery, Poem for the Day ( 1995 ), p. 377
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