The Allmusic review by Marc Gilman awarded the album 4½ stars noting that " While some compositions retain their original structure and sound, some are expanded and probed by Zorn's arrangements, and resemble avant-garde classical music more than jazz.

Allmusic gives the album a favorable review, calling it a " sweetly endearing country-tinged middle of the road pop record ".

Stewart Mason in his Allmusic review of the album described it as a " terrific album " and a " fascinating, underrated release ", " every bit the equal of Safe as Milk and Trout Mask Replica ".

Stephen Thomas Erlewine's review for Allmusic contends that:

" In a review of the band's 2003 greatest hits collection Thank You, Allmusic critic Stephen Erlewine wrote that " STP made music that sounded great at the time and even better now ," and that " this music has stood the test of the time ," calling Thank You " nearly perfect.

Stewart Mason commented in an Allmusic review that the lyrics from the 1997 song " Miss Modular " " sound influenced by the Situationist theory of the ' spectacle '.

Daniel Gioffre stated in the Allmusic review: " Unlike many of their contemporaries, Deftones are very controlled even in the midst of chaos.

Allmusic gave an intensely positive retrospective review, praising the " blistering riffs " of " I Love You # 19 ", the " sardonic humor and wit " of "( Nearsighted Girl With Approaching ) Tidal Wave ", and the " spooky concept-album-type finish " of the title track, but concluding the entire release to be " A great album all around.

In a retrospective review of the album, Stephen Thomas Erlewine, senior editor for Allmusic, gave " Dare " a 5-star rating.

Allmusic showed a mixed reaction in their retrospective review, noting the overt similarity to the Eagles and deeming the rock opera of side two " a little too wide-eyed and doomsaying for most modern audiences ".

Stephen Thomas Erlewine of Allmusic gave the album a negative review, remarking that " If you do happen to enjoy their ridiculously stupid jokes, Oi to the World is nearly as fun as anything else in their catalog, even though you might admit their fast, goofy, and essentially tuneless songs are beginning to wear a bit thin.

" Ned Raggett of Allmusic in his review of Milo Goes To College cited that " an unpretentious, catchy winner.

The Allmusic review by Stephen Thomas Erlewine awarded the album 4 out of 5 stars and stated: " It's novelty punk.

The Allmusic review by Stephen Thomas Erlewine awards the album 2. 5 stars and states: " Ixnay on the Hombre sounds like a competent hard rock band trying to hitch themselves to the post-grunge bandwagon.

The song was highly acclaimed in a retrospective review by Allmusic journalist Ned Raggett, who wrote that it " ranks as one of the best, most realistic portrayals of urban life recorded.

Greg Prato of Allmusic stated in his review of Rush that the album was weaker than some of Rush's later albums, such as Hemispheres and Moving Pictures, because Neil Peart was not yet a part of the band.

The Allmusic review for 200 km / h in the Wrong Lane labelled the band as an exceptionally tawdry gimmick.

World Machine gained positive reviews from critics, with Allmusic journalist William Cooper, in a retrospective review, describing it as " one of the finest pop albums of the mid -' 80s.

In a retrospective review, Allmusic editor John Bush gave the album four-and-a-half out of five stars and complimented its songs ' " freewheeling arrangements ".

In his review for Allmusic William Ruhlmann was equivocal about the album, stating Browne " took a step back from the precipice so well defined on his first three albums, but doing so didn't seem to make him feel any better ...

In a retrospective review, Allmusic editor Stephen Thomas Erlewine gave the album five out of five stars and stated, " remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy ".

In his Allmusic review music critic David Cleary called Homecoming " America's finest album " and despite citing the lyrics as sometime banal, wrote that " each song here has something to recommend it.

In a review of the album for Allmusic, contributor Stephen Thomas Erlewine summed the initial reaction to Paul's Boutique and praised the density that the album contains:

The Allmusic review by Alex Henderson awarded the album 4. 5 stars stating " Those who aren't big dancehall fans may find the hip-hop-influenced CD hard to get into ; those who are heavily into it will find a lot to admire on My Xperience, which contains major dancehall hits like " Living Dangerously " and " Virgin Island.

A five-star Allmusic review by Stephen Thomas Erlewine described it as a " monumental impact " and said it " sparked a revitalization of the blues ".

Allmusic senior editor Stephen Thomas Erlewine noticed that the song is " a tongue-in-cheek, neo-house cover " and picked it as one of the best tracks on the album, alongside the title track and " Have You Ever Been in Love ".

Awarding the soundtrack CD release a rating of four stars out of five, Bruce Eder of the Allmusic website describes the collection of theme and incidental music as " a strange mix of otherworldly ' music of the spheres ', late-50s / early-60s ' space-age pop ', ' British Invasion ' beat, Scottish folk-inspired tunes, kids-style ' Mickey Mouse ' scoring, marital music, light jazz, and light classical ", and singles out both " Cocktail Music ", from " Model Spy ", and the piano track, performed by Gray, from " The Inquisition ", for particular praise.

" Allmusic gave the album five stars and declared: " virtually every track exults in natural wonder, whether it's the nocturnal magic celebrated by the title cut or the unlimited promise offered in Brand New Day.

Allmusic noted the track as a highlight of the album.

Joshua Landau of Allmusic said that while the song was " one of the best introductions to KMFDM's antagonistic guitars and viewpoints ", the four track single was " only of interest to serious fans ".

Stephen Thomas Erlewine from Allmusic called it a " folk-psych track " and picked it as one of the best songs on the album.

Scrapers use sites like themoviedb. org or IMDb. com to obtain thumbnails and information on movies, thetvdb. com for TV show posters and episode plots, CDDB for audio CD track listings, and Allmusic ( AMG ) and MusicBrainz for album thumbnails, reviews, and metadata.

While the album as a whole was not well received, Stephen Thomas Erlewine of Allmusic noted that " Leave Me Alone " positively " rocks as hard as any Alice in Chains track.

Eduardo Rivadavia of Allmusic was largely critical of the album, describing it as " disappointing ", and both the opening track and the title track as " overblown and disjointed ".

Although Corgan opted for the lead single from the album to be the opening track, " Cherub Rock ", " Today " and its follow-up " Disarm " are credited in Allmusic for popularizing the band and " sen Dream into the stratosphere.

Writing for Allmusic, critic Thom Jurek called the track " Birdcall Morning " a masterpiece and one of the greatest rock & roll love song of the early 70's.

Writing for Allmusic, critic James Chrispell highly complimented the title track, but wrote of the album " Joe Walsh just hasn't been able to produce a complete album of great material, and The Confessor is no exception.

A reviewer from Popjustice said " is a really brilliant track ", Stephen Thomas Erlewine of Allmusic said some of the songs of Blackout, " really show off the skills of the producers ", exemplifying " Gimme More ", " Radar ", " Break the Ice ", " Heaven on Earth " and " Hot as Ice ".

Their second single " Daydreamer " peaked at number 14 in the UK Singles Chart but saw the band accused of plagiarising Wire, with Allmusic describing the track as sounding " more like Wire than Elastica, only funnier, even if it may be unintentional ".

The album has been acclaimed by critics as one of Jarre's greatest works, due to its extreme stylistic differences from his other albums, especially the title track, which Allmusic describes as " groundbreaking stuff ".

Allmusic was overwhelmingly approving in their assessment, praising the variety brought by the non-Winwood / Capaldi compositions and the power of the lengthy title track, and claiming the album " marked the commercial and artistic apex of the second coming of Traffic ".

Stephen Thomas Erlewine from Allmusic chose the song as a one of the three " track choices " from the album.

William Ruhlmann of Allmusic complimented the non-hasty production of the album, noting that " there are different producers on nearly every track, and the arrangements for the most part are state-of-the-art urban contemporary efforts ".

Although Allmusic highlighted it as an album track, it gave it a mixed review, giving it two-and-a-half stars out of five.

During the chorus, Kiedis sings " Give it away, give it away, give it away now " repeatedly over a more rapid guitar riff before Frusciante provides, according to Steve Huey of Allmusic, a " sudden contrast to Kiedis ' hyperactivity in the form of a languid solo pre-recorded and dubbed backwards over the rhythm track.

Stephen Thomas Erlewine of Allmusic called it " a thumping track which sounds funkier, denser, sexier with each spin ".

Stephen Thomas Erlewine from Allmusic had highlighted the track as an album highlight.