Journée d ' étude en hommage à Alfred Foucher ( 1865 – 1952 ) réunie le 14 décembre 2007 à l ' Académie des Inscriptions et Belles-Lettres ( palais de l ' Institut de France ), Paris, 2009, 314 p. ( with new bibliography of Foucher ' works ).

Image: Belmondo hommage Cannes 2011. jpg | Belmondo at the 2011 Cannes Film Festival.

In the 20th century, Adolf Hitler admired and emulated Napoleon as a leader and empire-builder, Hitler paid hommage to Napoleon by visiting his tomb after Germany occupied France in World War II.

In 1965 an hommage was paid to Jean Cocteau after his death, and he was named Honorary President for life.

* Mouvements du coeur: Un hommage à la mémoire de Frédéric Chopin, 1849 – 1949 is a collaborative suite of songs for baritone or bass and piano on words of Louise Lévêque de Vilmorin in commemoration of the centenary of the death of Frédéric Chopin in 1949.

Baldwin of Boulogne receiving the hommage of the Armenians in Edessa.

« Moyen et réfléchi: typologie comparée de l ’ arabe et du berbère ( exemples mauritaniens ) », Matériaux arabes et sudarabiques ( GELLAS ) " En hommage à Omar Bencheikh ( 1940-2005 )", n ° 11 ( nouvelle série ), Paris, pp. 37 – 52.

Martin later expanded on this as an extended suite for McCartney's 1984 film Give My Regards to Broad Street, which features a very recognizable hommage to Herrmann's score for Psycho.

Agrée l ' hommage de tes enfants.

Baldwin I of Jerusalem | Baldwin of Boulogne receiving the hommage of the Armenians in Edessa.

Bayard would return to Ferrara on other occasions to pay his hommage to the lady ; once in the company of Gaston de Foix, duc de Nemours, just months before the Battle of Ravenna, where the Duke lost his life.

* Un dernier hommage à Alfred-Félix Vaucher, Jean Zurcher, Revue adventiste, September 1993, pp. 12 – 13

Alex Grant finds the film to be " an hommage to Italian painters of the C16th and C17th.

*« L ' étude des échelles dans les musiques traditionnelles: une approche interactive », Analyse Musicale 23: “ Analyse et expérimentation-En hommage à Simha Arom et à son équipe ”, 1991, p. 21-29.

* Trois Points de vue pour un dialogue – Œuvre en hommage au cardinal Decourtray, 1998-2000.

* Variations d ' après l ' hommage à Debussy de M. de Falla ( Variations on Manuel de Falla's " Hommage à Debussy "), Op.

Doctorow himself called his book " a quite deliberate hommage " to Kleist's story.

Directed by Earle Sebastian, produced by Joel Hinman, edited by Bruce Ashley, the video was inspired by and pays hommage to A Telephone Call, a short story written by American writer, Dorothy Parker.

* Mubabinge Bilolo, La Sémiologie d ' un hommage au Révérend Père Placide Tempels.

The State Kremlin Palace is an hommage to an earlier attempt to bridge rapidly-changing styles dictated by the state.

The use of icons was seriously challenged by Byzantine Imperial authority in the 8th century.

It was only in the Comnenian period ( 1081 – 1185 ) that the cult of the icon became widespread in the Byzantine world, partly on account of the dearth of richer materials ( such as mosaics, ivory, and enamels ), but also because an iconostasis a special screen for icons was introduced then in ecclesiastical practice.

The use and making of icons entered Kievan Rus ' following its conversion to Orthodox Christianity from the Eastern Roman ( Byzantine ) Empire in 988 AD.

Western icons, which are not usually so termed, were largely patterned on Byzantine works, and equally conventional in composition and depiction.

It met in AD 787 in Nicaea ( site of the First Council of Nicaea ; present-day İznik in Turkey ) to restore the use and veneration of icons ( or, holy images ), which had been suppressed by imperial edict inside the Byzantine Empire during the reign of Leo III ( 717 – 741 ).

* Emperor Leo III of the Byzantine Empire orders the destruction of all icons, beginning the First Iconoclastic Period.

In the early 8th century AD, iconoclasm, a movement seeking to prohibit the veneration of the icons, gained some acceptance in the Byzantine court.

The Byzantine emperor John Tzimiskes returns in triumph in Constantinople with the captured Boris II and the Preslav icons.

The Archbishop's Palace contains a Byzantine museum containing the largest collection of religious icons on the island.

Important to Italian tradition are Byzantine icons, especially those created in Constantinople ( Istanbul ), the capital of the longest, enduring medieval civilization whose icons participated in civic life and were celebrated for their miraculous properties.

While theft is one way that Byzantine images made their way West to Italy, the relationship between Byzantine icons and Italian images of the Madonna is far more rich and complicated.

In this respect, they share the Ancient Roman heritage of Byzantine icons.

The Byzantine painting concentrated mainly on icons and hagiographies.

Veneration of icons through proskynesis was codified in the Seventh Ecumenical Council during the Byzantine Iconoclast controversy, in which St. John of Damascus was pivotal.

The pictures are usually icons which are Byzantine in style, often made in 13th or 14th century Italy.

There are two museums located in Zakynthos Town: The Byzantine Museum of Zakynthos, featuring renaissance paintings, Byzantine icons and more ; also the Museum of Solomos and Eminent People of Zakynthos hosting the mausoleum of Dionysios Solomos, Andreas Kalvos as well as works by many eminent Zakynthians.

During the period of Byzantine iconoclasm in 730-843 the vast majority of icons ( sacred images usually painted on wood ) were destroyed ; so little remains that today any discovery sheds new understanding, and most remaining works are in Italy ( Rome and Ravenna etc.

Previously icons on panels had been much more common in Byzantine art than in the West, although many now lost panel paintings made in the West are documented from much earlier periods, and initially Western painters on panel were very largely under the sway of Byzantine models, especially in Italy, from where most early Western panel paintings come.

The paintings are influenced by Russian Cubism, Italian Quattrocento and Byzantine Orthodox icons.

In Byzantine iconography the other Christ is shown surrounded by such a cloud of light are those of also seen in icons of the Transfiguration, the Resurrection and the Last Judgment.

For her restoration of the veneration of icons, which ended the Byzantine Iconoclasm, she is venerated as a saint in the Eastern Orthodox Church ; her Feast Day is February 11.