( And, in turn, Jules Laforgue wrote his pantomime Pierrot the Cut-Up fumiste, 1882 after reading the scenario by Huysmans and Hennique.

And he ensured that neither character, contrary to many an Aesthetic Pierrot, would be amorously disappointed.

And the Pierrot of popular taste also spawned a uniquely English entertainment.

And when film arrived at a pinnacle of auteurism in the 1950s and ' 60s, aligning it with the earlier Modernist aesthetic, some of its most celebrated directors — Bergman, Fellini, Godard — turned naturally to Pierrot.

* Irish — Dillon, Gerard: Many works, including Bird and Bird Canvas ( c. 1958 ), And the Time Passes ( 1962 ), The Brothers ( 1967 ), Beginnings ( 1968 ), Encounter ( c. 1968 ), Red Nude with Loving Pierrot ( c. 1970 ); Robinson, Markey: Many works.

And Švehla is proceeding along misguided lines by assuming that Deburau " longed to represent a better character " than Pierrot: Deburau was apparently proud of his work at the Funambules, characterizing it to George Sand as an " art " ( see next section below ).

Of his pantomimes in general, George Sand wrote that “ the poem is buffoonish, the role cavalier, and the situations scabrous .” And Paul de Saint-Victor echoed her words several weeks after Deburau ’ s death: “ Indeed, in plenty of places, the poem of his roles was free, scabrous, almost obscene .” Unfortunately, Banville ’ s sanitized — even sanctified — Deburau survives, while the scenario of Pierrot Everywhere, like the more overtly scabrous of the Funambules “ poems ”, lies yellowing in the files of the Archives Nationales de France.

And Pierrot is fatally impaled.

“ Pierrot ,” he wrote, “ walking the street in his white blouse, his white trousers, his floured face, preoccupied with vague desires — is he not the symbol of the human heart still white and innocent, tormented by infinite aspirations toward the higher spheres ?” And this dreaming creature of vague desires is essentially innocent of criminal intent: “ When Pierrot took the sword, he had no other idea than of pulling a little prank !”

Banville ’ s poem " Pierrot " ( 1842 ) concludes with these lines: “ The white Moon with its horns like a bull / Peeps behind the scenes / At its friend Jean Gaspard Deburau .” And as the century progressed, the association — rendered inevitable by the universal familiarity of “ Au clair de la lune ”— became ever more strong.

And that is the way I first saw her when my Uncle brought her into his antique store.

And all the time, she had the heat of hatred in her, like charcoal that is burning on its under side, but not visibly.

`` And if the dive goes OK he has the exclusive import rights to your line for this country, is that right ''??

And if he is so scornful of the rights of states, why not advocate a different sort of constitution that he could more sincerely support??

And there is no section of the nation more ardent than the South in the cold war against Communism.

And Bill Wisman, forty-three, a farmer's son from Beallsville, Ohio, is a quiet but impressive man.

And it is expressed, at least to their taste, in a perfect form.

for example, the mode of bravery to this anonymous folk poem: `` They brought me news that Spring is in the plains And Ahmad's blood the crimson tulip stains ; ;

And it is certainly no slight to either of them to compare both their achievements and their impact.

And Zen Buddhism, though it is extremely difficult to understand how these internal contradictions are reconciled, helps them in their struggle to achieve personal salvation through sexual release.

And the life they lead is undisciplined and for the most part unproductive, even though they make a fetish of devoting themselves to some creative pursuit -- writing, painting, music.

And yet -- a year to a child is an eternity, and in the memory that phase of one's being -- a certain mental landscape -- will seem to have endured without beginning and without end.

And the action is consistently presented with regard for this distinction.

And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.

And it is precisely in this poorer economic class that one finds, and has always found, the most racial friction.

The slave is owner, And ever was.

And yet amid all the gay hedonism in Pilgrimage And Wander-Years is a cycle of short poems, `` Thoughts In Loneliness '', filled with brooding, melancholy, and sombre longing ''.

Of the longer pieces of the volume none is so memorable as `` Nameless And Immortal '', which at once took rank among the finest poems ever written in the Swedish language.

It is different with his volume The Swedes And Their Chieftains ( Svenskarna och deras Hovdingar ), a history intended for the general reader and particularly suited for high school students.

And ( D ) all action of a physical kind pertinent to the mission is relegated to the line of men on the lower rank.

And it is clearly argued by Lord Percy of Newcastle, in his remarkable long essay, The Heresy Of Democracy, and in a more general way by Voegelin, in his New Science Of Politics, that this same Rousseauan idea, descending through European democracy, is the source of Marx's theory of the dictatorship of the proletariat.

And of course religious life continues to center in the more famous mosques, and commercial life -- very much a social institution -- in the bazaar.

And although these insights into the nature of art may be in themselves insufficient for a thoroughgoing philosophy of art, their peculiar authenticity in this day and age requires that they be taken seriously and gives promise that from their very substance, new and valid chapters in the philosophy of art may be written.

And they have done this on a very large scale, with a veritable flood of novels and stories which are either dystopias or narratives of adventure with dystopian elements.

And thus far, Mr. Freeman has offered very little relief.

And, if we follow the Rayburn pattern, as consciously or by an instinctual political sense I like to think I have followed it, then the very nature of our loyalty to our own immediate areas must necessarily be reflected in the devotion of our services to our country.

And how very often a water plane is featured in his landscapes, and how appropriate that he should appear in American Artist again, in his natal month of March!!

Mr. Alexander H. Wheelan's Study Helps In Point And Figure Technique tells the readers: `` We assure you that the total number of people using this method of market analysis is a very small portion of the sum total of those operating in the securities and commodities markets ''.

And the surface is driven back, in its very surfaceness, only by this contrast.

And for a man who traveled around without any change of clothing, a few more stains on his dark suit may very well have gone unnoticed.

( And this is not, perhaps, the place to discuss Harlem's very complex attitude toward black policemen, nor the reasons, according to Harlem, that they are nearly all downtown.

And it makes a very poor red herring for an inside job.

And he took repeated care to let his colleagues know that he intended them: `` Even the Unitarian churches have caught the malaria, and are worse than those who deceived them '' -- which implied that they were very bad indeed.

And a very young one, Swan Necklace, tried to emulate them and followed timidly.

And it leaves very soon ''.

And very, very few were lost when the final connection was made to the control panels of ship or industrial combine.

Larry Gragg highlights Mather ’ s cloudy thinking and confusion between sympathy for the possessed, and the boundlessness of spectral evidence when Mather stated, “ the devil have sometimes represented the shapes of persons not only innocent, but also the very virtuous .” And writing in the early 1980s, John Demos seemed to consider Mather a moderating influence on the trials.

And for the writing of detective stories there are very definite laws — unwritten, perhaps, but nonetheless binding ; and every respectable and self-respecting concocter of literary mysteries lives up to them.

" Unfazed, Beatty replied, " And you seem very young to be First Lord.

And these phantasies are often very violent and aggressive.

And lo and behold, at that very moment everything fell into place.

And though the Shrewsbury dons are sometimes hard to distinguish one from another, the College architecture is very good.

" And then they very nearly buried me "-Marlow falls very sick, near death himself: " I have wrestled with death.

: And very gladly will I drink